Copenhague: Berg, 12 Fevrier 1967
21 x 15cm, 1ppOriginal carbon copy of a typed and signed letter from M Berg noting Boltanski's news of the new gallery and that he was obtaining great pleasure from the Romero painting that he had bought.
After asking if there would be a new Romero exhibition this year, Berg mentions for the first time the novel he is involved with and asks if Romero might be interested in designing the cover?
Finally he also gives notice that he most likely will visit the Gallery in May of 1967.

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Paris: Galerie Claude Levin, 24 Janvier 1967
27 x 21cm, 1pp a signed hand typed letter from Boltanski on Galerie Claude Levin letterhead paper to M. Berg.
Boltanski explains that he is now in charge of the new gallery but his interests in art have not changed.
He also lets Berg know that Romero had an exhibition where the critic Jean-Jacques Leve wrote that "he was the revelation of the year."

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Paris: Galerie Tournesol, 1966
18 x 21cm, 1pp hand typed letter from Boltanski on Galerie du Tournesol letterhead paper to M. Berg apologising that the gallery will be closed on 7th of April 1966 and that Boltanski will only return to Paris on the 13 April but he would be happy to meet Berg on any other date. He also mentions Berg's interest in the work of Romero. The letter is signed in black ink. VG+.

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Paris: Galerie Tournesol, 14 Fevrier 1966
21 x 13.5cm, 1pp hand typed letter from Boltanski on Galerie du Tournesol letterhead paper to M. Berg thanking the collector for his cheque. Boltanski points out that A very large painting by Ramon was a great success at the last Salon de Jeune Peinture and was reproduced n several magazine. Finally Boltanski hope to see Berg again in Paris.

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Copenhague: Berg, 9 Decembre 1965
30 x 21cm, 2pp. Original carbon copy of a typed and signed letter from M Berg indicating he was interested in acquiring one of the paintings by Ramon however the images sent by Boltanski do not show the colours. He also notes he is coming to Paris and will meet Boltanski and look at works in person including a painting by Romero.
This letter has some notes in red ink.

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Paris: Galerie Tournesol, 1965
21 x 13.5cm, 2pp hand typed letter from Boltanski on Galerie du Tournesol letterhead paper to M. Berg replying to the latter's letter of 19 Nov 1965, discussing a painting that Berg was interested in buying. Boltanski claims in "the Possible Life of Christian Boltanski" that his father told his mother they had better open a gallery together to allow their son to learn how to be an artist. The Gallery sold only Jiddish art but clearly Boltanski's interest in the avant garde made the chosen artists a little more radical. The motivation for starting the gallery is probably not true (like many of Boltanski's tales it is more than likely deliberately false) but he ran the venture from 1965 until 1968.
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