London: Victoria Miro Gallery, 1987 16.8 x 15.5cm, 48pp. Original printed green wrappers . An exhibition catalogue with 22 colour plates of works from the entire span of Finlay's career as an artist plus short essay by Yves Abrioux. One colour photograph of Loch Ech in Little Sparta as frontispiece. VG+.

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Paris: ARC, Musée d Art Moderne de la Ville de Paris, 1987
20.3 x 17.5cm, unpaginated c. 50pp plus card covers and printed typographic dust jacket. Exhibition catalogue for a Finlay solo show from April 30 - June 28, 1987. the text (an essay by Stephen Bann) is in both English and French with each line printed alternatively but in two colours, green and red,; green for French, red for English.
There are 12 colour images of works in situ at the Kroller-Mueller and Little Sparta.VG+.

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munster: Munster Sculptur Projekte, 1987
30 x 21cm, 60pp (printed recto only). Press pack for the festival of Sculpture that only takes place in Munster every 10 years. Finlay is the only artist who had not submitted images of his work in advance and the text explains that the Project asked the poet to create a monument for the poetess Annette von Droste-Hulshoff. One green highlight to the page (added by Finlay) else VG+
JOINT:
Two typed notes from "rf" to "Clare" pointing out that the catalogue had been given to him by IGF and that she might find interesting. Both VG.

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London:British Museum Publications, 1986
24 x 19cm, 64pp plus card covers. Exhibition catalogue displaying a range of contemporary British medals. Finlay produced 6 different medals all of which are reproduced in b/w with details. VG+.

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London: Victoria Miro, 1986
23 x 20.5cm, 12pp plus red card covers. Exhibition catalogue for a solo show - text only, with a "preface" by Stephen Bann which is the only commentary for the exhibition,. VG+.

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Sydney: Art Gallery of New South Wales, 1985)
30 x 21cm, 160pp plus card covers. Exhibition catalogue for an Australian travelling exhibition of British art. Finlay has 4pp of text and works as well as one of his sundials as frontispiece. VG+.

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Bruxelles: Editions Lebeer Hossmann, 1985
21 x 14.5cm, 64pp. Original printed wrappers. A curiosity in that the first half of this book is a short story by Harding followed by a text on the work of Finlay and Sarkis in French issued on the occasion of an exhibition LITTLE SPARTA & KREIGSSCHATZ in Chapelle Sainte-Marie, Two colour photographs and 16 b/w images of sculptural works and works in Little Sparta by Marius Alexander. An artist's book? An exhibition catalogue? We have decided the latter. VG+.

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London: Serpentine Gallery, 1984
21 x 21.5cm, 48pp plus card covers and dustjacket. Exhibition catalogue for a rather strange transporting of the Murray Edinburgh Gallery to London, various works by the likes of Richard Long, Hamish Fulton, Sol Lewitt, Alan Johnson and five works by Finlay reproduced in the catalogue. VG+.

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Edinburgh: Graeme Murray Gallery, 1980
21 x 15cm, 20pp plus card covers and printed dust jacket. An early monograph and exhibition catalogue discussing one aspect of Finlay's work. Illustrated in b/w throughout. as well as reprinting excerpts from the New Arcadian Dictionary and catalogue of works in the exhibition. VG+.

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Glasgow: Collins Exhibition Hall, 1980 23 x 12cm, 30pp. Original wrappers with printed dust jacket . One centre page fold out. An exhibition catalogue with an introductory text by Stephan Bann and various illustrations including a garden plan by Albert Speer (who Bann and Finlay had been corresponding with and which was to cause trouble later) and a musical note by Wilma Patterson plus one fold out sheet showing various "plaques" by Finlay in the landscapes. At the back of the catalogue there is a page work by Finlay - white laid paper sheets are labelled MOSS in small type at the bottom then a dull green laid paer sheet has the text "refinements of words" on it. VG+.

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Portsmouth: Portsmouth City Museum and Art Gallery, 1979
16.3 x 25cm, 14pp plus card covers. Exhibition catalogue for a show of new acquisitions for the museum - notable for the cover which displays a scarce Ian Hamilton Finlay print recently purchased for the institution. The notes also show that they purchase an unique glass etched work FOUR SAILS (ROSY FOR BLACK) from 1976. VG.

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