NYC: Michael Werner, 1981 30 x 21cm, unpaginated (24pp) plus card covers. Exhibition catalogue with ten tipped on colour images of works (mostly sculptures). VG. ...

Munster: Westfalischen Kunstwerein, 1981 15 x 10.5cm, 4pp (horizontal fold). Announcement card printed in black on white for three performances by Byars in the Botanical Gardens - The Perfect Kiss, The Perfect Cheek and The Perfect Fragrance. B/w image of the Botanical Garden's greenhouse on the front. One yellow stain to inside of card else VG. This design and typography of the card is very similar to that of an earlier announcement by Byars in 1975 in Amsterdam’s Der Appel. ...

Munster: Westfalischen Kunstwerein, 1981 15 x 10.5cm, 4pp (horizontal fold). Announcement card printed in black on white for three performances by Byars in the Botanical Gardens - The Perfect Kiss, The Perfect Cheek and The Perfect Fragrance. B/w image of the Botanical Garden's greenhouse on the front. One yellow stain to inside of card else VG. ...

3,5 x 1.7cm, gold-coloured metal fishing hook - a gift from the artist to the collector and art historian Marianne Büchler. We estimate this work to have been made around 1980. The gold colour was often used by Byars to symbolise perfection and beauty. The metaphor of a fishing hook can only be guessed at....

6 x 4.5cm, hand-made paper envelope which has been painted gold (possibly using spray paint) and is content of five different small cards (each 5.6 x 4.2cm) which have also been spray-painted gold. Under the gold it appears there are five scenes of alpine houses and landscapes which are only visible because the gold has never dried and comes off with any disturbance or handling. A curious small unique work by Byars which was a gift from him to the collector and art historian Marianne Büchler. We estimate this work to have been made around 1980. Fragile and very unusual. ...

6 x 4.5 x 3.5cm (approx) found stone upon which Byars has written "KOWALSKI 1969 - 1972" in black ink. Piotr Kowalksi was an artist friend of Byars (And who owned several works by the latter) and this appears to be a homage to the former, although we do not know the meaning of the dates chosen other than it appears Byars first met Kowalski in 1969 at the studio of Sara Holt and both Byars and Kowalksi had shows at the Kunsthalle Bern. A small unique work owned by the Swiss collector and art historian Marianne Büchler. We estimate the date of origin of this work as c. 1980....

Harvard: Busch-Reisinger Museum, 1980
2.5 x 2.5cm, white paper square with the text THE EXHIBITION OF PERFECT printed in tiny typeface in the centre. Unlimited multiple but now very hard to find. VG+.

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47 x 47cm, pencil on red silk paper which is in the shape of a triangle. The text reads: "1 - 1 - 15/YES JAN YES ON MAY FOR THE EXHIBITION OF JAMES LEE BYARS WE MUST HURRY HERE'S .." It is not clear if part of this letter is missing. What is missing is the top of the letter because when we opened the framing after an auction house purchase at Bernaerts it was clear that damp had caused part of the paper to stick to the glass and tear off. Get good condition reports before bidding. ...

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