19 Mar FIVE POINTS MAKE A MAN, THE MOONS AND CONSTELLATIONS. 1994.
NYC: Galerie Michael Werner,1994 15 x 10.5cm, 4pp (single sheet of white paper folded). One work (drawing on card) reproduced internally. Fine....
12 Mar THE CHAIR OF THE ARTIST AT HARVARD. 1994. 1.7cm DIA. BLACK CIRCLE PAPER EPHEMERA.
Eindhoven: Van Abbemuseum, 1994
1.7cm dia. black circle with the text THE CHAIR OF THE ARTIST AT HARVARD printed in tiny typeface in the centre. Unlimited multiple but now very hard to find. VG+. There are three known variants of this multiple - a small black circle, a larger black circle and a 2.5 x 2.5cm black square.
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27 Aug BYARSISDEAD. (sic). 1993.
Antwerpen: ASPC, 1993
1.8cm, golden paper circle with the text BYARSISDEAD in black ink in a very small typeface in the centre. Unlimited edition but now very scarce. VG+.
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18 Aug THE PERFECT MOMENT. 1993.
Bern: Edition Galerie Rigassi, 1993 21 x 30cm, opens out to 84 x 60cm, printed gold on black offset - exhibition catalogue listing the texts from a number of large handwritten letters by Byars. VG+. ...
18 Aug THE PERFECT MOMENT. 1993.
Bern: Edition Galerie Rigassi, 1993 30 x 21cm, 1pp. Mostly typographic announcement card for an exhibition of large handwritten letters by Byars. VG+. ...
25 Jul SONNE MOND STERNE. 1993.
A undistributed proof from the unreleased publication of the same name (planned by Edition Cantz). 33 x 33 cm, 2pp silk-screen print (chamois/white) on white double sided astrolux (high gloss) 290 micron card stock. The text is intense and in German and English recto/verso:"THE SUN THE MOON THE STARS...
20 Mar THEPERFECTSMILE. 1993.
Byars, James Lee THEPERFECTSMILE Köln: Museum Ludwig, 1993 25 x 65cm, folded (8 panels) leporello printed gold on thick card. Text in German - the card is able to stand up without support. JOINT AS ISSUED Byars, James Lee THEPERFECTSMILE Köln: Museum Ludwig, 1993 5 x 8cm, 1pp business card with the text THEPERFECTSMILE printed gold on black inside 8 x 11 black custom envelope. JOINT 22.3 x 32cm, black unprinted envelope which contained both of the above items. All fine. ...
19 Mar YOURPRESENCEISTHEBESTWORK. 1993.
N.p.(Venice) : s.p., 1993 1.8cm dia., gold circle with the tiny title text. Distributed at the 1993 Venice Biennial. Fine....
19 Mar JAMES LEE BYARS WORKS FROM THE 60S / RECENT WORKS. 1993.
NYC: Michael Werner, 1993 19 x12cm, unpaginated (56)pp plus boards with tipped-on b/w reproduction of a work. The concise exhibition catalogue for two consecutive exhibitions in the Werner Gallery - the first being of works from the early part of Byars' career (with seven b/w illustrations) and, a second show of more recent “books” (which are usually sculptures) which are all displayed herein as eight full colour plates. ...
20 Mar THE SELF PORTRAIT OF JAMES LEE BYARS. 1992.
NYC: Baghoomian Gallery, 1992 21.5 x 21.5cm back sealed envelope content of a small plastic ball that can move around inside the paper. Gold printing on top left. Object multiple in the form of an announcement mailing. Fine. ...
20 Mar JAMES LEE BYARS. 1992.
Stockholm: Konsthalle, 1992 21 x 15cm, 40pp original black glossy wrappers. Monograph and exhibition catalogue with six full colour images of sculptures. VG. ...
19 Mar TYPED LETTER TO MONSIEUR AND MADAME ERIC GERMAIN. 1992.
Tillhet-Pretnare, Jeanne TYPED LETTER TO MONSIEUR AND MADAME ERIC GERMAIN. Signed and dated 17 Mars 1992 30 x 21cm, 2pp - a legal opinion about Byars use of the Gallimard cover style written to two of Byars’ patrons in France. Antoine Gallimard had taken offence and tried to protect his copyright on the design. The letter warns of possible legal action and the impossibility of defending the publication if another was produced....