15 x 17cm, 16pp including wrappers. Stapled. Exhibition catalogue for a solo show by the Cobra artist Strid with a foreword by Jorgen Nash in Swedish (Handen och ogat). There are 53 works listed with 4 black and white illustrations and a full colour lithograph inside the back cover. Very slight browning to the white of the cover else VG+. Scarce.

24 x 15cm, 36pp plus original card wrappers. First edition of this artist book written and drawn by the Situationist during a period while he was serving in the British Army, the work is dedicated to Fazakerley's mother and father. This is one of a total edition of 300 copies numbered and signed by Fazakerley and publisher Nash (who contributes a foreword to the work). Fine.

145 uk pounds

24 x 17.5cm, 1pp Black on green - the public manifestation of Nash, de Jong and Amger Elde's displeasure at Guy Debord's expulsion of the SPUR Group from the SI and their founding of the "Situationist International" as a retort. Thereafter Hardy Strid, Jens Jurgen Thorsen and Gruppe SPUR supported them in the creation of a Nordic/Germanic alternative with Asger Jorn giving tacit and financial support. A rare item in fine condition.

30 x 21cm, unpaginated (36pp). Card covers with two original designs by Nash in red, blue and black. First edition of this translation of Peret's poetry into Danish by Nash and illustrated throughout by the latter with a biographical note on the French poet by Lars Morell and 5 b/w reproductions of early dada and surrealist activities. This copy is signed and dedicated by Nash who refers to himself as "The Poet of Denmark" and is dated 1983. Near fine.

21 x 14cm, 224pp. Boards with dustjacket. Monograph on the work of Nash's colleague in the Second Situationist International; Hardy Strid. The artist was a major force for modernism in Denmark and was a co-founder of the Co-Rictus group (which along with Wolf Vostell could lay claim to be the original graffiti / street artists at one point appropriating an unused 300 foot commercial street billboard and overnight turning it into an abstract mural although two members of the group - Nash and Thorsen were arrested for their troubles; Strid and Kunzelmann were mixing paint at the time in the gallery opposite and completed the work). Many many full colour and full page illustrations of works which suggest Strid's influences were much more pop than Cobra and extensive documentation of articles in journals, books etc and a major index / tabulation of all of the works of Strid and their media. This copy is signed by Nash and also by Strid (the latter at a slightly later date). Fine association copy of this useful and rather wonderful reference.

30 x 52cm. Single blue sheet folded to comprise three printed sections. First issue of this collaborative protest by Spur group members and the Danish Bauhaus Situationists Gordon Fazarkerly & Jorgen Nash. Composed of a manifest co-signed by Beldeney, Gasche, Kunzelmann, Zimmer (of Spur), a poem by Fazarkerly; a second manifest authored by Jorgen Nash and signed in print by Thorsen, Stridf and Fjord. Folded as issued. Fine estate. Very scarce.

24 x 17.8cm, 192pp plus printed wrappers. A triple number of this artistic journal founded by Nash and Jorn (who were brothers) after the former was excluded from the International Situationists by Debord along with the SPUR grouping. The magazine was subtitled Tidskrift for konst mot atombomber, p var och politiker ("Magazine for art against atomic bombs, popes and politicians").

The new organisation formed by Nash was called the "Bauhaus Situationists". The journal was named after the Drakabygget farmhouse in Southern Sweden where Nash lived and turned into a commune.

This number published after a lengthy gap of 22 years from the first numbers has contributions by Al Hansen, Ake Bjurhamn, Helmer Lang, Kjell Erik Vindtorn,  Lis Zwick, Walther Stohrer, Carl Fredrik Hill, Wilhelm Freddie, Helmut Sturm, Spur, Jorgen Nash, and others and is illustrated in b/w with new collages, drawings and found imagery.

A mostly VG example but there is some damage to the top and bottom of the spine with minor paper loss. This is one of the most difficult numbers of the series to find despite being more recent than the first 7 numbers. Priced to reflect the minor damaged.

24 x 17.8cm, 192pp plus card wrappers. A triple number of this artistic journal founded by Nash and Jorn (who were brothers) after the former was excluded from the International Situationists by Debord along with the SPUR grouping. The magazine was subtitled Tidskrift for konst mot atombomber, p var och politiker ("Magazine for art against atomic bombs, popes and politicians").

The new organisation formed by Nash was called the "Bauhaus Situationists". The journal was named after the Drakabygget farmhouse in Southern Sweden where Nash lived and turned into a commune.

This number has contributions by Al Hansen, Jean Sellem, Asger Jorn, Lis Zwick, Spur, Jorgen Nash, Arne Ruste, Terje Johanssen,  Hardy Strid, and others and is illustrated in b/w with new collages, photographs, drawings and found imagery.

A VG+ example.

24 x 17.8cm, 98pp plus red paper wrappers. A double number of this artistic journal founded by Nash and Jorn (who were brothers) after the former was excluded from the International Situationists by Debord along with the SPUR grouping. The magazine was subtitled Tidskrift for konst mot atombomber, p var och politiker ("Magazine for art against atomic bombs, popes and politicians").

The new organisation formed by Nash was called the "Bauhaus Situationists". The journal was named after the Drakabygget farmhouse in Southern Sweden where Nash lived and turned into a commune.

This number has contributions by Gordon Fazarkerly, Asger Jorn, Goran Johansson, Spur, Werner Haftman, Jens Jorgen Thorsens, Jorgen Nash, Henry Miller and others and is illustrated in b/w with new collages, drawings and found imagery.

A VG+ example.

30x 21cm, 8pp plus original card wrappers. Exhibition catalogue for the German expressionist abstract painter group with links to CoBra and also the Internationale Situationistes (although Debord eventually expelled and condemned them). Spur consisted of the painters Heimrad Prem, Helmut Sturm and Hans-Peter Zimmer and the sculptor Lothar Fischer but the latter was not included in this exhibition of paintings. Herein are three b/w images of abstract paintings - one per artist and a photograph of each painter.

There is a short foreword by Asgar Jorn and an after word by Jorgen Nash on the history of the group claiming them as radical.

VG+. Very scarce.

24.5 x 19cm, 36pp plus wrappers. The programme for this famous Danish early Fluxus festival complete held in June 1963 which was organised in part by Eric Andersen as well as Jens Jorgen Thorsen and Arthur Kopcke. Texts and poems by all three artists alongside b/w illustrations/collages and a short essay by Birger Hansen. Adverts include mention of a concert by Thorsen and Jorgen Plaetner. VG+.

JOINT WITH AS ISSUED

SOMMERUDSTILLINGEN 63. 1963. FLUXUS FESTIVAL.

Copenhagen:  Sommerudstillingen, 1963

24 x 19cm, 8pp. Programme for the week of events which notes a concert by John Cage and David Tudor as the main concert - with a Fluxus action evening two days later consisting of performances from Eric Andersen, Henning Christiansen (2), Dich (sic) Higgins and John Davidsen. And the day after more by Andersen. On the 12 June 1963 - there was a "Co-ritus Koncert" by Jens Jorgen Thorsen with help by Jorgen Nas and Allan Hardy Strid. And on the final night - "Fluxus - aften" by Arthur Kopcke, John Davidsen, Henning Christiansen, Eric Andersen. An exhibition of art works by various artists are also listed with prices.

An interesting very early coming together of Danish experimental artists who are usually more closely aligned with CoBra and the Situationists and with Fluxus participants.

Both items are in VG+ condition although the front cover of the programme has a browning across the front top sheet (see photograph).

Rare.

30x 21cm, 8pp plus original card wrappers. Exhibition catalogue for the German expressionist abstract painter group with links to CoBra and also the Internationale Situationistes (although Debord eventually expelled and condemned them). Spur consisted of the painters Heimrad Prem, Helmut Sturm and Hans-Peter Zimmer and the sculptor Lothar Fischer but the latter was not included in this exhibition of paintings. Herein are three b/w images of abstract paintings - one per artist and a photograph of each painter.

There is a short foreword by Asgar Jorn and an after word by Jorgen Nash on the history of the group claiming them as radical.

VG+. Very scarce.