London: ICA, 2005
35 x 32cm, black silkscreen on cream cotton. A "meeting" work by Monk supposedly in the USA - at one of the most famous of intersections in Hollywood. One of a number of such bags issued during the three month exhibition "Continuous Project Altered Daily". Slightly faded but else VG+.
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London: ICA, 2005
35 x 32cm, black silkscreen on cream cotton. A "meeting" work by Monk supposedly in the UK - at opposite ends of the country only 24 hours apart forcing anyone attending to travel over 600 miles in a very short timescale. One of a number of such bags issued during the three month exhibition "Continuous Project Altered Daily". Slightly faded but else VG+.
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London: ICA, 2005
35 x 32cm, black silkscreen on cream cotton. A "meeting" work by Monk supposedly in France. One of a number of such bags issued during the three month exhibition "Continuous Project Altered Daily". Slightly faded but else VG+.
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London: ICA, 2005
35 x 32cm, black silkscreen on cream cotton. A "meeting" work by Monk supposedly in Germany. One of a number of such bags issued during the three month exhibition "Continuous Project Altered Daily". Slightly faded but else VG+.
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London: ICA, 2005
35 x 32cm, black silkscreen on cream cotton. A "meeting" work by Monk supposedly in Australia. One of a number of such bags issued during the three month exhibition "Continuous Project Altered Daily". Slightly faded but else VG+.
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London: ICA, 2005
14.8 x 10cm, 2pp colour postcard with an image of a London post box where the card was posted. One of a long series of similar cards sent from all over the world. This example is hand addressed to Paul Robertson by Monk and has been signed by Monk in ink on the reverse. Issued as part of the Continuous Project Altered Daily exhibition. VG+.
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London: ICA, 2005
21 x 15cm, 4pp. One of a series of exhibition catalogues which changed daily as Monk insisted that the daily list of items in the exhibition should change with a small number of works being replaced (rotated) from a storeroom of his works held elsewhere on a daily basis. Hence each "daily diary" was different from the next. All fine.
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Zurich: Nieves, n.d. (c. 2005)
10.5 x 15cm, 2pp. Promotional card for a series of page works - including contributions from Claude Closky, Alexis Saile and Monk. VG+.
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San Francisco: S.p. (Monk), 2005.
15 x 10cm, 2pp colour postcard with an image of an American post box One of a series of similar conceptual mail art works by Monk where the card is meant to be posted from the same postbox. A mailed and signed example sent to Paul Robertson from Canada. VG+.
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NYC: Specific Object, 2005
14.8 x 10cm, 2pp colour postcard with an image of a Hong Kong post box where the card was posted. One of a long series of similar cards sent from all over the world. This example is hand addressed to Paul Robertson by Monk and has been signed by Monk in ink on the reverse. VG+.
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NYC: White Columns, 2005
14.8 x 10cm, 2pp colour postcard with an image of a New York post box where the card was posted. One of a long series of similar cards sent from all over the world. This example is hand addressed to Paul Robertson by Monk and has been signed by Monk in ink on the reverse. VG+ although a couple of paper scuffs due to the mailing process.
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Copenhagen: Galleri Nicolai Wallner, 2005 15 x 10.5cm, 2pp announcement card for a exhibition of drawings by Monk to which the artist has added various coloured drawing pins as highlights (such as an earring on a portrait) to each. Gallery text verso. VG+. ...