London: Lisson Gallery/Sculpture Matters, 2001
10 x 21cm, 2pp. A paper multiple issued with a reproduction of a wall work by Monk - a proposed meeting in California in 2006. Issued in an unlimited edition. On the reverse there is a note from Monk in blue pen: "Dear Paul/Please find enclosed cheque for Buren stripe poster - yours - Jonathan". VG+.
Copenhagen: Galleri Nicolai Wallner, 2001
42 x 30cm, full colour exhibition poster with an appropriated image of a 60s or 50s glamour girl holding a balloon with the title text of the exhibition on it. A joint show with Monk's friend Douglas Gordon. Folded for shipping. Signed by boldly by Monk in blue felt tipped pen. VG+.
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Pordenone: Galleria Sonia Rosso, 2000
21 x 15cm, 8pp plus wrappers. Exhibition catalogue with four works or installations reproduced in colour and the cover image of watches (Time Half Time Time - which may reference Felix Gonzalez Torres's Perfect Lovers). VG+.
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Leige: Edition Association Art Promotion, 2000.
10.5 x 15cm, 2pp editioned colour postcard with a photograph of Monk standing on the large scale Daniel Buren public art installation in the Royal Palace, Paris. The image was taken by Pierre Bismuth and Monk has added a yellow post-it note with the text "This is by Pierre Bismuth" in pencil and on the back of the card he has signed it in full again in pencil. VG+.
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San Francisco : Jack Hanley Gallery, 2000.
10 x 14.7cm, outer pictorial wrappers with internally 16 b/w photographs taken by Jonathan Monk's cousin Tony who was a British sailer in the Royal Navy - the images show the approach into San Francisco from the sea and images of the city. Monk is often drawn to images and thoughts of his family and this record of a past adventure was published in 1,000 copies at the time of an exhibition in the same city by Monk. VG+.
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Stuttgart: Revolver, 2000
12 inch, LP record in 31.2 x 31 cm gatefold printed sleeve and printed inner sleeve. Artist's collaborative record with Monk, Gordon and others rocking out. The record was regarded as the exhibition catalogue for the group show. Slight wear to sleeve otherwise fine. Rare.
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Taipei: Pigeon Post Cards, 2000
15 x 10.5cm, 2pp announcement card for Monk's participation in the Taipei Biennial where he showed the title slideshow - the front being one detail from the installation (originally made in 1997). On back publisher's details. Signed in blue ink by Monk on the back.
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Paris/London: Galerie Yvon Lambert/Book Works, 2000
10 x 12.5cm, 8pp concertina folded single sheet with one of Monk's meeting works printed on it - suggesting a rendezvous at the Tour de Eiffel on the 13th October 2008. Printed in an edition of 10,000 copies according to the publication. In original printed envelope with the title and name of artist. VG+.
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N.p. (Paris): n.p. (Yvon Lambert), n.d. (1998)
11 x 14cm, 1pp unused card from the title multiple which Monk has used as a note card with on the back a handwritten text: "Dear Paul/Hope this is OK/best/Jonathan" Sent by Monk to Paul Robertson in 2000.
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Venice: s.p., 2000
60.5 x 83.5cm, full colour offset print (wide margins) - one of an unlimited (in theory) prints/ floor posters issued by Monk during the Venice Biennale. The image is of the artist's mother and father with a small monkey (presumably standing in for the artist). We have no information whatsoever if Jonathan Monk was indeed a "little monkey"when a child? This example is unusually signed by Monk in blue ink under the image - slight damage on the left top but else VG.
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Manchester: Cornerhouse, 2000
21 x 15cm, 2pp announcement card for a large group show with reproduction of a drawing by Monk on the front in b/w and verso gallery details and a list of artists who included Rosa Almeida, Darren ALmond, John Baldessari, Christian Boltanski, Ian Breakwell, Adam Dant, Hanne Darboven, Jeremy Deller, Tracey Emin, On Kawara, Emma Kay, Mary Kelly, Michael Landy, Richard Long, Tracey Moffatt, Gabriel Orozco, David Shrigley, Georgina Starr and others. VG+.
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Stuttgart: Revolver, 1999
20.4 X 15.7cm, unpaginated plus card covers with French folds. Artist's book photographically documenting two dogs in black and white images with one shown on one side of the open fold and the other opposite, followed by a number of blank colour pages. The pairing of two animals may be a nod to Boetti's fascination with couplings (although Boetti's interest was in the duality of twins) but nothing is very clear other than the nostalgia that Monk feels for his own family and their animals although one dog is his mother's and the other a dog that lives in Stuttgart. One of 500 hand numbered copies. VG+.
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