Koln: Edition Hundertmark, 1982
15 x 10.5cm, 2pp artist's postcard issued after the title edition of signed thread bobbins (only 33 were made and issued with the Beuys book "1a gebratene Fischgrate", a fishbone and scissors . VG+.
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Kassel: Die Grunen, 1982
14.5 x 10.3cm, 1pp black and green on cream paper. A leaflet issued to raise funds for the Green Political party where purchasers were given it signed by Beuys in red felt tipped ink. VG+.
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Koln: Edition Hundertmark , n.d. (1982).
15 x 10.5cm, 2pp. Artist's postcard with a reproduced painting by Blume on the front. This image was also used in a poster by the artists. A dual performance/discussion emphasising the new emerging Green politics. VG+.
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Tokyo: Galerie Watari, 1982 10.5 x q5cm, 2pp promotional card displaying a portrait of Beuys in colour by Alex Kayser. The photograph was issued as an edition of 25 copies by the gallery. VG+. ...
Wiesbaden: Harlekin Art, 1982 10.5 x 15cm, 2pp. postcard issued in the series "FLUXkarte" by the publishers with a quotation by Beuys on the front. Translated into English on the back (slightly incorrectly) it reads: "If there is a social situation today that is going to kill the earth then one is at the very lowest level of necessity. There is only one counteracting force: Doing the simplest but most important, again provided for live (sic) everywhere." VG+. ...
Koln: Edition Hundertmark , n.d. (1982).
15 x 10.5cm, 2pp. Artist's postcard with a reproduced painting by Blume on the front. This image was also used in a poster by the artists. A dual performance emphasising the new emerging Green politics. VG+.
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London: Anthony d'Offay, 1982
21 x 15cm, 2pp announcement card which has a b/w image of Beuys' Fat Chair on teh front. The Fat Chair was an extension of the earlier Fat Corner works but Beuys saw the chair as symbolic of the human body - hence the organisation of the cold fat into a wedge was reflective of human intervention not that of hard physicality as in the earlier works. Verso gallery details. VG+.
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Gelsenkirchen: Free International University - FIU, n.d. (1982) 10.5 x 14.8cm., black and white photomontage by Johannes Stuettgen consisting of two photographic portraits of Elvis Presley and Joseph Beuys and a text after Beuys: “Wo wären wir hingekommen, wenn wir intelligent gewesen wären!” (Where would we have gone if we had been smart?). Beuys' original quote is actually “Wo wäre ich hingekommen, wenn ich intelligent gewesen wäre!” (Where would I have gotten if I had been smart!) from the work/action Arena (1970-1972). VG+. ...
Gelsenkirchen: Free International University - FIU, n.d. (1982) 14.7 x 10.8cm., 2pp - black and white of a photographic portrait of Joseph Beuys overprinted with the artist's signature. VG+. ...
Bonn: Stadtisches Kunstmuseum, 1984
21 x 10cm, 6pp announcement leaflet with a b/w image of a Beuys' work Konzertflugeljom (from 1969) in b/w on the front. Internally details of the exhibition of works from the Ulbricht collection along with details of various talks and events. This example is signed in red felt tipped pen by Beuys on the front cover and is also stamped with an FIU blue impression on the right. VG+.
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Gelsenkirchen: FIU, n.d. (1982)
10.5 x 15cm, 2pp artist's postcard showing Beuys and others place one of the Basalt stones under where an oak tree was to be placed as part of the Kassel project. This card is signed by Beuys on the front of the card over the image. VG+.
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Heidelberg: Edition Staeck, 1982
10.5 x 15cm, 2pp announcement card for a film showing by H. G. Hillgruber with Beuys, Helmut Schmidt and Klaus Staeck. This card is one of a number - each unique - where Beuys has crossed out the word KANZLER (Chancellor) and rubber stamped the card twice and signed it. The card also has a blindstamp impression of a cross, a horse drawn carriage and a woman's face. A variation on Schellmann Nr 442. VG+.
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