Dusseldorf: Galerie Schmela, n.d. (c. December 1977)
14.8 x 10.6cm, 1pp typographic design announcement card for a group show at the gallery which lists all of the participating artists (including Beuys) in alphabetic order - including Anatol, Arakawa, Arman, Agnes Martin, Mack, Matta-Clark, Rinke, Rot(h), Tapies, Uecker, Wewerka and others. this was the 171st show at the gallery which is how we are able to date the card.
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Genoa: Samangallery, 1977 10 x 15 cm, embossed white, red on black announcement card which reproduced a Beuys blackboard drawing on the front with some success (along with an indented Hauptstrom stamp impression). The back of the card is hand addressed to Lucrezia De Domizio and is a mailed example with stamp. VG+ condition. ...
München, Schulmann & Kluger, 1977
21 x 15cm, 4pp announcement card for various book publications by Beuys with a collage of rubber stampings and signatures and drawings on the front (all reproduced), inside book and publisher details. VG+>
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Bonn: Stadt. Kunstmuseum Bonn, 1977
15 x 10.5cm, 2pp b/w announcement card displaying a b/w photograph of Beuys' "Silver Broom and Broom without Bristles" from 1972, verso gallery details. A mailed copy with stamp, frank and typed address. VG+.
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Gent: Museum van Hedendaagse Kunst, 1977
22 x 11cm, 4pp announcement card with a drawing of a young woman reproduced on the inside upper half of the card and on the front an image of Beuys during an action. Internally also museum details. VG+.
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Heidelberg: Edition Staeck, 1977
Original transparent plastic folder content of ten original yellow-black postcards and one colophon card. This is one of a small number of signed copies alongside the unlimited edition. Fine. Schellman Nr P34 - 43.
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Achberg: Achberger Verlagsanstalt, n.d. (1977).
21 x 10cm, 6pp (single folded sheet) black on brown kraft paper. Promotional leaflet for a Beuys' book. One image of the artist on a beach. This example is signed in pencil on the front panel and stamped in blue with a FIU impression. VG+.
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Vancouver: Image Bank, n.d. (1977)
9 x 14cm, 2pp. Artist designed card issued by Hundertmark for inclusion in the Image Bank Postcard box with printed rubber stamp impressions by Beuys (Fluxus Zone East) and Ken Friedman (Fluxus Zone West). This variant of the design is much smaller than the card published by Hundertmark and is on a glossier card. VG+. ...
NYC: Annina Nosei Gallery at NYU, 1977 35.5 x 21.5cm, 1pp typographic design announcement brochure for a series of "discussions" organised by Annina Nosei Programming included Joseph Beuys in a "public dialogue", Lcio Pozzi (a continuous discussion) videotapes by Sarah Chalresworth, Joseph Kosuth and Anthony McCall along with Victor Burgin, David Antin, Carolee Schneemann reading "ABC - we print anything - in the cards", Guiseppe Chairi, Robert Ashley and a very early Ian Wilson "Discussion". Folded for mailing, with address label ands stamp and franking. Sadly there are some handwritten notes on the mostly blank back in ink. The printed side is unaffected. Scarce....
Basel: Kunstmuseum Basel, 1977
21 x 15cm, 2pp announcement card for a showing of the drawing block and a lecture by Caroline Tisdall (in German). This card is rubber stamped in red "Presse Einlandung" - the press preview. One of the many drawings from the Block is reproduced on the front. VG+.
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N.p.: FIU, 1977
11.7 x 17cm, 2pp artist postcard showing a b/w image of Beuys' Plastischer Fuß –Elastischer Fuß (Plastic Foot - Elastic Foot).
The photograph taken by Caroline Tisdale shows a light reflecting on the fat from the installation which melted under the heat of the defective central heating in the Center Beaubourg, on Paris, April 1977. Verso details of the image and a standard postcard design. This card is signed by Beuys in red ink on the front. There are seven variants of this card all similar but very slightly different. VG+.
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N.p.: FIU, 1977
11.7 x 17cm, 2pp artist postcard showing a b/w image of Beuys' Plastischer Fuß –Elastischer Fuß (Plastic Foot - Elastic Foot).
The photograph taken by Caroline Tisdale shows a light reflecting on the fat from the installation which melted under the heat of the defective central heating in the Center Beaubourg, on Paris, April 1977. Verso details of the image and a standard postcard design. This card is signed by Beuys in red ink on the front. There are seven variants of this card all similar but very slightly different. VG+.
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