London: Anthony d'Offay, 1982
21 x 15cm, 2pp announcement card which has a b/w image of Beuys' Fat Chair on teh front. The Fat Chair was an extension of the earlier Fat Corner works but Beuys saw the chair as symbolic of the human body - hence the organisation of the cold fat into a wedge was reflective of human intervention not that of hard physicality as in the earlier works. Verso gallery details. VG+.
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Gelsenkirchen: Free International University - FIU, n.d. (1982) 10.5 x 14.8cm., black and white photomontage by Johannes Stuettgen consisting of two photographic portraits of Elvis Presley and Joseph Beuys and a text after Beuys: “Wo wären wir hingekommen, wenn wir intelligent gewesen wären!” (Where would we have gone if we had been smart?). Beuys' original quote is actually “Wo wäre ich hingekommen, wenn ich intelligent gewesen wäre!” (Where would I have gotten if I had been smart!) from the work/action Arena (1970-1972). VG+. ...
Gelsenkirchen: Free International University - FIU, n.d. (1982) 14.7 x 10.8cm., 2pp - black and white of a photographic portrait of Joseph Beuys overprinted with the artist's signature. VG+. ...
Bonn: Stadtisches Kunstmuseum, 1984
21 x 10cm, 6pp announcement leaflet with a b/w image of a Beuys' work Konzertflugeljom (from 1969) in b/w on the front. Internally details of the exhibition of works from the Ulbricht collection along with details of various talks and events. This example is signed in red felt tipped pen by Beuys on the front cover and is also stamped with an FIU blue impression on the right. VG+.
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Gelsenkirchen: FIU, n.d. (1982)
10.5 x 15cm, 2pp artist's postcard showing Beuys and others place one of the Basalt stones under where an oak tree was to be placed as part of the Kassel project. This card is signed by Beuys on the front of the card over the image. VG+.
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Heidelberg: Edition Staeck, 1982
10.5 x 15cm, 2pp announcement card for a film showing by H. G. Hillgruber with Beuys, Helmut Schmidt and Klaus Staeck. This card is one of a number - each unique - where Beuys has crossed out the word KANZLER (Chancellor) and rubber stamped the card twice and signed it. The card also has a blindstamp impression of a cross, a horse drawn carriage and a woman's face. A variation on Schellmann Nr 442. VG+.
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NYC: Ronald Feldman, 1982
15 x 21cm, 2pp announcement card with an image of a work : UNTITLED (FROM THE GRETA GARBO SERIES) on the front and verso gallery details. VG+.
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Bonn: Galerie Klein, 1982 20.3 x 12.1cm, 2pp announcement card with an over drawn image of Beuys' sled multiple reproduced on the front in b/w with gallery text verso. The title translates to "Jurg - the best town for blind people". VG+. ...
Hamburg: Galerie Kammer, 1981 19.5 x 14.5cm, 4pp announcement card with a photo-portrait of Beuys by Wolfgang Strackon the front and internally gallery details. VG+. ...
Lund: Galleriet, 1981
21×14.8cm, 4pp. Exhibition invitation / multiple consisting of a piece of felt-like cardboard folded in half. On the first page there is the name “Joseph Beuys” blind-stamped which has been smeared with fat. Internally there is a b/w image of Beuys and the exhibition details. Rare.
JOINT:
Original green postal envelope.
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Bonn/Koln: Galerie Klein/Galerie Ha. Jo. Muller, 1981 15 x 10.5cm, 4pp typographic announcement card for a show of eight artists which include Beuys amongst others. The show was split between two galleries. Internally there is advance notice of Arnulf Rainer, SIgmar Polke and Gunter Tuzina exhibitions. VG+. ...
Köln: Galerie Holtmann, 1981 10.4 x 14.8cm, 2pp announcement card for the title edition released in only 24 examples after the Rhein-Aktion by Nicolas Uriburu and Beuys. An image of the multiple bottle of poisoned water is reproduced on the front in lime green and black and verso a subscription form. VG+. ...