Micah Lexier - Unoriginal Sins

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MICAH LEXIER'S RESPONSIBILITY CARDS. 1981. ONE OF 100 NUMBERED EXAMPLES.

5.5 x 9.7 x 2.5cm, two part cardboard box with printed label content of 45, 5 x 9cm, 2pp cards and a title card. Each card has a short text on one side - sometimes prosaic, other times poetic and on the other an appropriated illustration from a vintage dictionary. The title card hints at the use - responsibility cards for use in times of decision making or problem solving. One of 100 such sets numbered on the title card. VG+. Scarce, very early multiple by the conceptual artist.

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UNTITLED. 1982.

Np. (Toronto): s.p. (Lexier), n.d. (1982) 8.5 x 12.5cm, 1pp. Small offset print with three appropriated images from a vintage illustrated dictionary linked by a series of arross that hints at some dynamic between the swimmer, the drowning man and a man climbing a ladder to an attic. Rare, very early artist's card. VG+.

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SIX YEARS OF WORK. 1985. ARTIST'S FIRST EVER SHOW.

Halifax: Anna Leonowens Gallery/Nova Scotia College of Art & Design, 1985 38 x 15cm, 1pp black on white exhibition poster for Lexier's first ever show. Folded for mailing. VG+. Scarce.

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TWO TOGETHER. 1985.

Halifax: Eye Level Gallery, 1985 10 x 9,6cm, 6pp announcement for a very early solo show by Lexier. The sheet is printed in such a way that a gold and a pink triangle show through the paper (as does the gallery details) to create a six pointed star with the colour overlap making an orange hexagon in the middle. Rare.;

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MR. CALDWELL. 1987. BALLOON ANNOUNCEMENT OBJECT.

Toronto: YYZ Gallery, 1987 12 x 7cm approx., printed balloon - the announcement for a solo show by Lexier in the form of an object. One of the artist's first solo shows. Mr Caldwell was Lexier's grade 6 teacher. Never inflated and unperished although there is some drying out of the plastic - hence VG+. Rare.

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MOVING. AN INSTALLATION BY MICAH LEXIER. 1987.

Halifax: Centre for Art Tapes, 1987 18 x 10.2cm, (folded size), exhibition poster and hand out for an early happening by the Canadian conceptual artist. The sheet opens out to a 36 x 50cm map with locations overprinted in light blue. VG+.

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MR. CALDWELL. 1987.

London (Ontario): Forest City Gallery, 1987 13.7 x 10.3cm, 1pp announcement cards for a solo show by Lexier with a drawing of a man and a boy standing back to back above gallery details. One of the artist's first solo shows. Mr Caldwell was Lexier's grade 6 teacher. VG+.

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MR. CALDWELL. 1988. TWO POSTERS FOR TWO EXHIBITIONS THAT FIT TOGETHER.

Winnipeg/Calgary: Plug-In Inc/The New Gallery, 1988 Two part poster for two solo shows by Micah Lexier which has a single design over both which fits together with the same clip art image of a man and a younger boy walking in the rain. Lexier's earliest shows often referenced his 6th Grade teacher Mr Caldwell. VG+. A scarce item and an unusual format. Price is for both parts of the poster together.

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MR. CALDWELL. 1988.

Halifax: Eye Level Gallery, 1988 12.8 x 9.7cm, 1pp announcement on thick grey card for a solo show by Lexier with a drawing of a a boy holding a devil's mask above gallery details. One of the artist's first solo shows. Mr Caldwell was Lexier's grade 6 teacher. VG+.

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RECENT WORKS. 1989.

NYC: Jack Shainman Gallery, n.d. (1989) 15 x 10.5cm, 2pp announcement card with one work "My Fears" from 1995 on the front in b/w. Verso gallery details. VG+.

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QUIET FIRE: MEMOIRS OF OLDER GAY MEN. 1989.

N.p.: n.p., 1989 10 x 21cm, 4pp. Artist's postcard with the title work reproduced in colour on front, on back gallery details. Internally blank. VG+.

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SETTING SIGHTS. 1989.

N.p.: n.p., 1989 10.5 x 15cm, 4pp. Artist's postcard with the title work reproduced in colour on front, on back gallery details. VG+.

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ARTIST'S BUSINESS CARD. 1989.

Toronto: s.p., n.d. 5 x 9cm, 1pp. Artist designed business card for his Toronto address. VG+.

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MICAH LEXIER. (MIKE-AH LEX-EAR). ARTIST'S BUSINESS CARD. 1989.

Toronto: s.p., n.d. 5 x 9cm, 1pp. Artist designed business card for his Toronto address. VG+.

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MICAH LEXIER. ARTIST'S BUSINESS CARD. 1989.

Toronto: s.p., n.d. 5 x 9cm, 1pp. Typographic design business card for his Toronto address on grey card. VG+.

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MICAH LEXIER. ARTIST'S BUSINESS CARD. 1989.

Toronto: s.p., n.d. 5 x 9cm, 1pp. Typographic design business card for his Toronto address blue on white card. VG+.

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MICAH LEXIER AT MERCER UNION. 1989. ONE OF THE ARTIST'S EARLIEST SHOWS.

Toronto: Mercer Union, 1989 58 x 42cm, black on off white exhibition posters on newsprint with a large "clip-art" image of a young boy above gallery text. Folded as issued else VG+. One of Lexier's very first exhibitions and a scarce item indeed.

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MICAH LEXIER AT MERCER UNION. 1989.

Toronto: Mercer Union, 1989 30 x21cm, black on pink paper with a large "clip-art" image of a young boy above gallery text. Announcement leaflet for the solo show.

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MICAH LEXIER. 1989.

Toronto: Mercer Union, 1989 28 x 14.4cm, 8pp (single folded sheet). Exhibition catalogue for a solo show with an interview with lexier with Robert Fones. Four small b/w images of works. VG+.

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TO THE TOUCH. 1989.

Thunder Bay: Definitely Superior, 1989 21 x 30cm, 1pp black on light lilac paper- announcement leaflet for the solo show with one photograph in black. VG+.

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MICAH LEXIER AT A.K.A. 1990.

Saskatoon: A.K.A., 1990 15 x 15cm, 1pp announcement for one of Lexier's earliest shows - here printed black on yellow paper with one reproduced drawing above gallery details. VG+.

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MICAH LEXIER AT A.K.A. 1990.

Saskatoon: A.K.A., 1990 15 x 15cm, 1pp announcement for one of Lexier's earliest shows - here printed black on gold foil with one reproduced drawing above gallery details. Unavoidable slight creasing to the sheet else VG+.

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MICAH LEXIER: MULTIPLES. 1990. PERFORATED ANNOUNCEMENT CARD.

Toronto: Open Studio Gallery, 1990 23 x 15cm, 1pp announcement printed green on thick white card. The image of a woman looking at her reflection in a pool of water has a perforation horizontally across the card at the point where the water meets the physical side of the bank. Lexier often uses perforation of paper or card in his works to suggest a physical transformation or a relationship between areas. This card is hence also an object multiple. VG+.

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MICAH LEXIER AT SOUTHERN ALBERTA ART GALLERY. 1991.

Lethbridge: Southern Alberta Art Gallery, 1991 18 x 18cm, 80pp plus pictorial card covers. One of the very first of Lexier's exhibitions - here with 28 images of works in b/w and two in colour. Essays by Renee Baert and Don Goodes iu English. VG+.

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MICAH LEXIER AT MAIN/ACCESS GALLERY. 1991.

Winnipeg: Main/Access Gallery, 1991 12.5 x 20.5cm, 2pp folded typographic announcement card with details of the exhibition and nothing much else. VG+.

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THIS THING. 1991.

Ontario: Tom Thomson Memorial Art Gallery, 1991 10.5 x 15cm, 2pp. Artist's postcard with the title installation in colour on front, on back gallery details. The work is a laser cut metallic text: "I feel this thing is of too great an importance to miss". VG+.

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TEN RELATIONSHIPS. 1991. ONE OF 100 EXAMPLES.

N.p. (Toronto): s.p. (Lexier), 1991 6.5 x 11cm, black on yellow printed envelope content of ten, 5 x 9cm, 1pp printed brown cards each with a reproduction of a handwritten version of Lexier's name (taken from envelopes addressed to him). One of a number of works where such hand-written names have been utilised by the artist (for example a wallpaper with his name written by others was also released). One of 100 unnumbered examples. VG+.

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AUTOBIOGRAPHY (EVELYN AGE 67). 1992.

N.p.: n.p., 1989 10.5 x 15cm, 4pp. Artist's postcard with the title work reproduced in colour on front, on back gallery details. The work is the subject's signature blown-up and laser-cut 67 times out of pale green plexiglass of various thicknesses. Each thickness related to Evelyn's perception of how good that year was for her. starting in 1925 and ending in 1991. VG+.

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NAME AND FAMILY NAME. 1992.

Calgary: StrideGallery, 1992 10 x 23cm, announcement printed with a typographic design and a facsimile hologram detail on a yellow envelope (un sealed). An unusual invite object. Lexier has a love of stationery and uses envelopes in many of his works. VG+.

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NAME AND FAMILY NAME. 1992.

Calgary: Stride Gallery, 1992 21 x 17cm, 48pp plus thick cardboard covers which is spiral bound. Exhibition catalogue designed by the artist for a very early Lexier show. Text by Reesa Greenberg. Seventeen b/w images of works and 7 in colour. VG+. Scarce.

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BOOK SCULPTURES. 1993.

Ontario: Oakville Galleries, Oakville, 1993 24 x 16cm, 496pp plus pictorial boards. Artist's book designed by Micah Lexier and Lisa Naftolin for the former's book sculptures where the images on spines of a number of books when installed correctly show a portrait (each spine having a different part of the overall image). Nine such works are reproduced in the centre of the book along with short essays by Marnie Fleming and Nancy Tousley. The rest of the book (around 400 pages) is blank. VG+.

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BOOK SCULPTURES. 1993.

Oakville: Oakville Galleries, 1993 18 x 14cm, 1pp typographic announcement on thick white card. A solo show of "Book Sculptures" where images of people are printed on the outer spines of books and stacked to the same height as the subject. VG+.

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PREPARATORY DRAWINGS FOR A PORTRAIT OF THE MORRISH FAMILY. 1993.

Toronto: Open Studio Gallery, 1993 10.5 x 15m, 1pp typographic design announcement card for both a show and a suite of lithographs issued by the gallery. VG+.

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BOOK SCULPTURES BOOKMARK. 1993.

N.p.: s.p. (Lexier), n.d. (1993) 21 x 5.2cm, 2pp bookmark issued as both a printed edition and promotion for the book of "book sculptures". One such sculpture (where a portrait is printed on the spines of a pile of books) is reproduced on the front, verso minimal text. VG+.

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SOME PORTRAITS. 1993.

Atlanta: Fay Gold Gallery, 1993 21 x 10.5cm, 2pp announcement card with one book sculpture reproduced in b/w on the front - "Taller Child (Adolescent Male). Verso gallery details. VG+.

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MICAH LEXIER (WITH) ... /WORKS IN MULTIPLE FORMAT. 1993. TWO POSTERS IN ENVELOPE.

Kamloops: Kamloops Art Gallery, 1993 30.5 x 22.5cm, printed white envelope content of two 58 x 42cm, black on off white exhibition posters/announcements on newsprint - both consisting of a typographic design and one somewhat minimal. Two exhibitions by Lexier at the same time - one his own multiples and editions and the other an exhibition curated by Lexier with other works by his contemporaries (Eric Cameron, Ian Carr-Harris, Lynda Gammon, Janice Gurney, Regan Morris, Aaron Morris, Richard Storms and Jeannie Thib). Both posters folded as issued. The envelope is sealed but opened by the use of scissors - with some small tears to the pasted down printed flap. Price is for both items in envelope as a group.

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BOOK SCULPTURES AND OTHER WORKS. 1993.

NYC: Jack Shainman Gallery, 1993 10.5 x 5cm, 2pp announcement card with one book sculpture reproduced in b/w on the front. Verso gallery details. VG+.

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CROSS REFERENCE: DICTIONARY ILLUSTRATIONS WORKS 1981 - 1993. 1994.

Charlottetown: Confederation Centre Art Gallery & Museum, 1994 17 x 13cm, 192pp plus card covers. Artist's book and documentation of the title works which were created in series over a twelve year period from found imagery in school dictionaries from the north Americas. Designed by Bruce Mau in collaboration with Micah Lexier, there is an essay in English by Robin Metcalfe. 77 b/w images throughout. VG+.

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A PORTRAIT OF DAVID AND RELATED WORK. 1994.

Winnipeg: Winnipeg Museum of Art, 1994 23 x 14.5cm, 6pp (single folded sheet). Short essay in English by Jon Tupper on Lexier and a list of the 16 works exhibited in the solo show. VG+.

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A PORTRAIT OF DAVID AND RELATED WORK. 1994.

Winnipeg: Winnipeg Art Gallery, 1994 15 x 10.5cm, 2pp announcement card with one of the images from the "David" project where different people all named David were shown - one for each year of their life with 75 years in all included. Verso gallery details. VG+.

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A PORTRAIT OF DAVID. 1994.

Winnipeg: Winnipeg Museum of Art, 1994 23.5 x 16cm, unpaginated (c. 74pp printed recto only) plus boards. Exhibition catalogue and artist's book where Lexier advertised for people called "David" to be photographed and the resulting 72 b/w images of men and children from age 1 to 72 were installed in the museum. each of the images are reproduced here one per page. Original advertisement is also included. VG+.

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BOOK SCULPTURES. 1994.

London/Cambridge (both Canada): McIntosh Gallery/ Library & Gallery, 1994 15 X 10.5m, 4pp announcement card for two different solo shows of "Book Sculptures" - the card is perforated vertically along the fold to allow separation. Two works printed in b/w on the front and back, internally gallery details.

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SIGNATURE WORKS/COLLABORATIVE WORKS. 1994.

Peterborough: Artspace/Art Gallery of Peterborough, 1994 42 x 60cm, red and black exhibition poster for two shows in the same city at the same time. The typographic design is such (One texct upside down) that if the poster is placed one way up or another, one of the shows is more easily read. Folded for mailing as issued. VG+.

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COLLABORATIVE WORKS. 1994.

Peterborough: The Art Gallery of Peterborogh, 1994 21.5 x 14cm, 8pp (folded single sheet). Exhibition catalogue for a show where Lexier created 10 other works with other artists - Regan Morris, Robert Windrum, Lynda Gammon, Janice Gurney, Jeannie Thib, Ian Carr-Harris, and Richard Storms. Typographic only. VG+.

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PROJECT FOR SURREY & OTHER SITE-SPECIFIC WORKS. 1994.

Surrey: Surrey Art Gallery, 1994 19 x 17cm, 48pp plus pictorial boards. Exhibition catalogue with 17 works in detail with 15 b/w and 2 colour images and essays by Liane Davison and Helga Pakasaar. Designed by Brian Gee with the collaboration of Micah Lexier. VG+.

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MANAGING. DOCUMENTS 1967 - 1974. 1995. NUMBERED FROM THE EDITION.

Toronto: Art Metropole, 1995 10.5 x 24cm, printed envelope content of a 30 x 21cm, 1pp printed letter with an invitation text for an exhibition of documents from the bookshop for the period of 1967 - 1974. The invitation letter is in itself an object multiple which is numbered from an edition of 1500. Fine.

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TOGETHER BY CIRCUMSTANCE. 1996.

Halifax: Saint Mary's University Art Gallery, 1996 15 x 10.5cm, 2pp announcement card with one photographic work "Old Boys" from 1995 on the front in b/w. Verso gallery details. VG+.

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TOGETHER BY CIRCUMSTANCE. 1996.

23 x 14cm, 10pp (folded single sheet). Exhibition catalogue with a text by Robin Metcalfe and 7 works reproduced in b/w. VG+.

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A MINUTE OF MY TIME. FIVE SMALL PRINTS. JUNE 9 1997. A SERIES OF DAILY MAIL ART WORKS.

N.p.: s.p. (Lexier), 1997 Five different 14 x 10.4cm, 1pp letterpress printed cards which reproduced on each a one minute long original drawing in ink by Lexier that was created between 14:29 and 14:34, on June 9 1997. Lexier creates these drawings as if he is sacrificing part of his life to the eventual owner. This was a mail art work sent out by Lexier to his mailing list, one card sent each day for five days. Scarce as a group. VG+.

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THIRTY-SIX SEVENTY-FIFTHS. 1997.

Toronto: Gallery TPW, 1997 17.8 x 14cm, 16pp plus horizontally perforated card covers. Stapled. An early exhibition catalogue for a sculptural and photographic solo show by the Canadian conceptual artist. Essay by Kim Fullerton and 4 b/w images of works. VG+. Now scarce.

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MICAH LEXIER: SELF PORTRAIT. 1997. EDITION OF 50 NUMBERED COPIES.

Toronto: Gallery TPW., 1997 14.5 x 24.5cm, printed white envelope content of three 23 x 14cm, 1pp cards with a printed text on each. The three cards have different perforations on them - one is horizontal, one is diagonal and the other is vertical. A conceptual self-portrait by the artist which was issued in only 50 numbered examples (on the envelope). VG+.

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A MINUTE OF MY TIME. 1998.

Regina: s.p., 2019 21 x 16cm, 136pp. Original boards. First edition of this artist book documenting Lexier's three year project of creating drawings that take exactly one minute. VG+.

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A MINUTE OF MY TIME. 1998.

Regina: Dunlop Art Gallery, 1988 15 x 10.5cm, 2pp. Announcement card for a solo show by Lexier and also announcing an exhibition catalogue /monograph on the conceptual artist's work. On the front of the card is a public art graffiti work by Lexier where one of his "One Minute of my Time" works has been spray-painted on a wall. verso gallery details. One of four cards with different images on the front. VG+.

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A MINUTE OF MY TIME. 1998.

Regina: Dunlop Art Gallery, 1988 15 x 10.5cm, 2pp. Announcement card for a solo show by Lexier and also announcing an exhibition catalogue /monograph on the conceptual artist's work. On the front of the card is a public art graffiti work by Lexier where one of his "One Minute of my Time" works has been spray-painted on a wall. verso gallery details. One of four cards with different images on the front. VG+.

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A MINUTE OF MY TIME. 1998.

Regina: Dunlop Art Gallery, 1988 15 x 10.5cm, 2pp. Announcement card for a solo show by Lexier and also announcing an exhibition catalogue /monograph on the conceptual artist's work. On the front of the card is a public art graffiti work by Lexier where one of his "One Minute of my Time" works has been spray-painted on a wall. verso gallery details. One of four cards with different images on the front. VG+.

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A MINUTE OF MY TIME. 1998.

Regina: Dunlop Art Gallery, 1988 15 x 10.5cm, 2pp. Announcement card for a solo show by Lexier and also announcing an exhibition catalogue /monograph on the conceptual artist's work. On the front of the card is a public art graffiti work by Lexier where one of his "One Minute of my Time" works has been spray-painted on a wall. verso gallery details. One of four cards with different images on the front. VG+.

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MICAH LEXIER, 37. 1998.

Montreal: Musee d'Art Contemporain de Montreal, 1998 10 x 21cm, 2pp announcement card with one work (Autoportrait sous la forme d'une invitation partagee proportionnellement....) where the amount of black ink in the lettering takes up the same percentage as the ration of the artist's age to his likely lifespan (75 years). VG+.

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37. 1998. WITH PERFORATED ENDPAPERS.

Quebec: Musee d'Art Contemporain de Montreal, 1998 21 x 18cm, 52pp plus 8pp perforated endpapers and printed card covers. Exhibition catalogue with 12 works in b/w reproduced and essays in French and English byPierre Landry. The title of the catalogue is the age of the artist at the time of printing. Slight fading to the off white covers else VG+.

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MICAH LEXIER. 1999.

NYC: Jack Shainman Gallery, 1999 10.5 x 15cm, 2pp announcement card with details of the exhibition verso with an installation view in colour on the front. VG+.

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A MINUTE OF MY TIME. 1999.

Banff: Whyte Museum, 1999 Four different 15 x 10.5cm, 2pp announcement cards for a solo show by Lexier. The front of the cards conjoin to make a single image of one of the artist's "A Minute of my Time" scribbles. Verso gallery details. VG+. Price is for all 4 cards as a group.

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LARGE STEEL WORKS. 1999.

Calgary: Trepanier Baer Gallery, 1999 9.5 x 22.3cm, 4pp announcement card for large sculptural works which included large versions of the artist's "minute of my time" works in steel (one reproduced on the front of the card). Internally gallery details. VG+.

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MICAH LEXIER. 1999.

Sydney: Gitte Weise, 1999 10.5 x 15cm, 2pp announcement cards for a solo show by Lexier. The front of the card notes the works to be included in the show, verso gallery details. VG+.

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INCREMENT OF ONE. 1. 2000. UNIQUE NUMBERED CARD FROM A SERIES.

Chicago: I Space Gallery, 2000 10.5 x 15cm, 2pp typographic design announcement card - where each card issued is numbered on the front in embossed red ink and is different from every other card. This is nr 001500. VG+.

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INCREMENT OF ONE. 1. 2000. UNIQUE NUMBERED CARD FROM A SERIES.

Chicago: I Space Gallery, 2000 10.5 x 15cm, 2pp typographic design announcement card - where each card issued is numbered on the front in embossed red ink and is different from every other card. This is nr 001502. VG+.

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INCREMENT OF ONE. 1. 2000. UNIQUE NUMBERED CARD FROM A SERIES.

Chicago: I Space Gallery, 2000 10.5 x 15cm, 2pp typographic design announcement card - where each card issued is numbered on the front in embossed red ink and is different from every other card. This is nr 001503. VG+.

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INCREMENT OF ONE. 1. 2000. UNIQUE NUMBERED CARD FROM A SERIES.

Chicago: I Space Gallery, 2000 10.5 x 15cm, 2pp typographic design announcement card - where each card issued is numbered on the front in embossed red ink and is different from every other card. This is nr 001504. VG+.

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THIS IS TO INFORM YOU THAT I HAVE MOVED. 2000.

NYC: s.p., n.d. 10.5 x 15cm, 2pp. Artist's change of address card which here has become a printed multiple with all of the artist's past addresses included but crossed out leaving only the most recent. VG+

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INCREMENT OF ONE, 2. 2000. EACH CARD IS INDIVIDUALLY NUMBERED.

Buffalo: Hallwalls Contemporary Arts Center, 2000 25.3 x 25.3cm, 8pp. Announcement card for a number of works based on incremental change based on the artist's age and the proportion of that year to the expected life expectation of 75 years. Three sculptural works reproduced in colour and a short essay by Sara Kellner in English. Each card has an individual number on the back in embossed red ink (this one is nr 000663). VG+.

07BA8501-CCFF-4A09-A384-90996F29F1B8_1_201_a

INCREMENT OF ONE. 2. 2000. UNIQUE NUMBERED CARD FROM A SERIES.

Chicago: I Space Gallery, 2000 10.5 x 15cm, 1pp typographic design announcement card - where each card issued is numbered on the front in embossed silver ink and is different from every other card. This is nr 00855. VG+.

0F84C7FF-05BF-48E7-8690-471D5B88B7C7_1_201_a

INCREMENT OF ONE. 2. 2000. UNIQUE NUMBERED CARD FROM A SERIES.

Chicago: I Space Gallery, 2000 10.5 x 15cm, 2pp typographic design announcement card - where each card issued is numbered on the front in embossed silver ink and is different from every other card. This is nr 00856. VG+.

3FD23CA4-FE5D-4D99-B474-EF67A2AD9898_1_201_a

INCREMENT OF ONE. 2. 2000. UNIQUE NUMBERED CARD FROM A SERIES.

Chicago: I Space Gallery, 2000 10.5 x 15cm, 2pp typographic design announcement card - where each card issued is numbered on the front in embossed silver ink and is different from every other card. This is nr 00857. VG+.

25E307FA-982B-406E-98D0-2C98C37F8F13_1_201_a

INCREMENT OF ONE. 2. 2000. UNIQUE NUMBERED CARD FROM A SERIES.

Chicago: I Space Gallery, 2000 10.5 x 15cm, 2pp typographic design announcement card - where each card issued is numbered on the front in embossed silver ink and is different from every other card. This is nr 00858. VG+.

A1B0F932-C606-4E21-A9B8-00E373AE3574_1_201_a

INCREMENT OF ONE. 2. 2000. UNIQUE NUMBERED CARD FROM A SERIES.

Chicago: I Space Gallery, 2000 10.5 x 15cm, 2pp typographic design announcement card - where each card issued is numbered on the front in embossed silver ink and is different from every other card. This is nr 00859. VG+.

C6BD6CC1-71E3-4E84-9E13-2D3179574243_1_201_a

38 CONSECUTIVE PRINTS, ALL NUMBERS ARE EQUAL AND SOMETHING FOR THE WINDOW. 2000.

Toronto: Robert Birch Gallery, 2006 10.5 x 15cm, black on white printed envelope content of a 9.9 x 44cm (folded twice) lithograph with the numbers 1- 9. The other side of the sheet explains that all of the numbed have the same area of black despite some looking large than others). Limitation unknown.

75A3C7F5-5571-4B77-BE2D-1DD7DEFF1016_1_201_a

THE END AND THE BEGINNING. 2001.

Toronto: Toronto Sculpture Garden, 2001 13.5 x 21.8cm, 2pp announcement card for a solo show with various diagrams drawn by the artist reproduced front and back. VG+.

83CA9F5A-CF65-4177-BAA5-339274726B28_1_201_a

1. 2002.

Winnipeg: Gallery One One One, 2006 10.5 x 15cm, black on white printed envelope content of a 14.7 x 29cm (folded twice) lithograph with three versions of the number 1. The gallery name is redesigned as the three symbols. VG+.

9EC9D84E-7B43-415C-A474-E02B097A043A_1_201_a

BEAUTIFUL STRANGER. 2002.

Christchurch: Physics Room, 2002 10.5 x 21cm, 2pp announcement card for a group show of Canadian artists - Micah Lexier with Kelly Mark and Janet Werner on the theme of portraits without actual portraits. One work by Lexier reproduced on the front. Verso details of a solo exhibition by Douglas Rex Kelaher. VG+.