London; ICA, 1969
34 x 28cm, black on brown printed folder with spring binder content of various unnumbered pages consisting of the artist’s contributions separated by alphabetic dividers. The exceptionally important and seminal touring exhibition (here in it’s secondary location at the Institute of Contemporary Arts, London) as conceived and curated by Harald Szeemann to display conceptual art to a wider audience. Artists included in the publication include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Alighiero Boetti, Mel Bochner, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Hueber, Paolo Icaro, Alan Jacquet, Neil Jennet, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Walter de Maria, David Medalla, Mario Merz, Robert Morris, Bruce Naumann, Claes Oldenburg, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Rainer Ruthenbeck, Robert Ryman, Frederick Lane Sandbach, Alan  Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William G. Wegman, Lawrence Weiner, William T. Wiley and Gilberto Zorio. A veritable who’s who of the conceptual movement with all having a potted biography and a work displayed (some in colours) herein. Slight edgewear as almost always found to the oversize brown folder covers and a few underlines on the two, short foreword essays but otherwise very good++. An essential and now quite scarce publication.

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