N.p. (Paris): n.p. (Yvon Lambert), n.d. (1998)
11 x 14cm, 1pp unused card from the title multiple which Monk has used as a note card with on the back a handwritten text: "Dear Paul/Hope this is OK/best/Jonathan" Sent by Monk to Paul Robertson in 2000.
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Venice: s.p., 2000
60.5 x 83.5cm, full colour offset print (wide margins) - one of an unlimited (in theory) prints/ floor posters issued by Monk during the Venice Biennale. The image is of the artist's mother and father with a small monkey (presumably standing in for the artist). We have no information whatsoever if Jonathan Monk was indeed a "little monkey"when a child? This example is unusually signed by Monk in blue ink under the image - slight damage on the left top but else VG.
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Manchester: Cornerhouse, 2000
21 x 15cm, 2pp announcement card for a large group show with reproduction of a drawing by Monk on the front in b/w and verso gallery details and a list of artists who included Rosa Almeida, Darren ALmond, John Baldessari, Christian Boltanski, Ian Breakwell, Adam Dant, Hanne Darboven, Jeremy Deller, Tracey Emin, On Kawara, Emma Kay, Mary Kelly, Michael Landy, Richard Long, Tracey Moffatt, Gabriel Orozco, David Shrigley, Georgina Starr and others. VG+.
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Stuttgart: Revolver, 1999
20.4 X 15.7cm, unpaginated plus card covers with French folds. Artist's book photographically documenting two dogs in black and white images with one shown on one side of the open fold and the other opposite, followed by a number of blank colour pages. The pairing of two animals may be a nod to Boetti's fascination with couplings (although Boetti's interest was in the duality of twins) but nothing is very clear other than the nostalgia that Monk feels for his own family and their animals although one dog is his mother's and the other a dog that lives in Stuttgart. One of 500 hand numbered copies. VG+.
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Paris: Yvon Lambert/Monk, 1999
4.5 x 8cm, 74pp plus covers. Artist's book which acts as a flip book with the 74 colour images taken from the 16mm film loop "Cartoon 1999". Now hard to find. Slight wear to edges else 1,000 copies printed. VG.
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West Hollywood: Chac-Mool (in collaboration with Lisson Gallery), 1999
22.4 x 14cm, 2pp typographic announcement card for a group show. VG+. ...
Stuttgart: Revolver, 1999
21 x 10cm, 1pp announcement card with a photograph of the artist's parent walking a dog plus gallery text. A promotional card for the artist's book. VG+. This example is signed on the back in pencil by Monk.
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Bern:Galerie Francesca Pia, 1998
15 x 10.5cm, 1pp typographic announcement card for this Monk's 17th ever solo show. VG+.
JOINT:
Original unprinted mailing envelope....
Paris: Yvon Lambert, 1998
42 x 30cm, 2pp small poster with an appropriated image of a man standing on his head but Monk has rotated the image such that the man supporting the gymnast is upside down and the acrobat is the right way up. Verso gallery details. This was Monk's 16th ever solo show and the first at Yvon Lambert's gallery. The poster is folded twice for mailing and is signed in pencil on the back by Monk. VG+.
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Paris: Yvon Lambert, 1998
12 x 8cm, 2pp announcement card with an appropriated image of a man standing on his head but Monk has rotated the image such that the man supporting the gymnast is upside down and the acrobat is the right way up. Verso gallery details. This was Monk's 16th ever solo show and the first at Yvon Lambert's gallery. The card is signed in blue ink on the back by Monk. VG+.
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14.5 x 18.8cm, b/w silver gelatine print on Ilford MgIV paper displaying an unused (ie not reproduced in the artist's book "None of the buildings on the Sunset Strip") - an unique photograph.
On the rear in Monk's handwriting are the settings for the camera that he used, the word's "Artist's Proof" and the title "NONE OF THE BUILDINGS ON SUNSET STRIP", his signature in ink and the date 1997.
One small stain on the reverse and a very small, hard to notice fixative stain on the front but otherwise mint condition and unique.
JOINT:
A handwritten note from the artist to Paul Robertson explaining the photograph and offering it in part trade for future purchases. The letter is coffee stained on the left hand side due to large-dog-accident (bloody Yuri the first avant guard dog did it, clumsy lump of an animal but much missed).
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London: CIty Racing, n.d. (1996)
30 x 42cm, b/w offset exhibiton poster with a design by Monk (taken from a 1970s teen film) and a title taken from the Tommy Steele song (from Half A Sixpence). This was Monk's tenth only exhibition and his first in London. A folded and mailed copy sent to the poet Douglas Park. ...