Stuttgart: Revolver, 2000
12 inch, LP record in 31.2 x 31 cm gatefold printed sleeve and printed inner sleeve. Artist's collaborative record with Monk, Gordon and others rocking out. The record was regarded as the exhibition catalogue for the group show. Slight wear to sleeve otherwise fine. Rare.

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Taipei: Pigeon Post Cards, 2000
15 x 10.5cm, 2pp announcement card for Monk's participation in the Taipei Biennial where he showed the title slideshow - the front being one detail from the installation (originally made in 1997). On back publisher's details. Signed in blue ink by Monk on the back.

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Paris/London: Galerie Yvon Lambert/Book Works, 2000
10 x 12.5cm, 8pp concertina folded single sheet with one of Monk's meeting works printed on it - suggesting a rendezvous at the Tour de Eiffel on the 13th October 2008. Printed in an edition of 10,000 copies according to the publication. In original printed envelope with the title and name of artist. VG+.

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Venice: s.p., 2000
60.5 x 83.5cm, full colour offset print (wide margins) - one of an unlimited (in theory) prints/ floor posters issued by Monk during the Venice Biennale. The image is of the artist's mother and father with a small monkey (presumably standing in for the artist). We have no information whatsoever if Jonathan Monk was indeed a "little monkey"when a child? This example is unusually signed by Monk in blue ink under the image - slight damage on the left top but else VG.

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Manchester: Cornerhouse, 2000
21  x 15cm, 2pp announcement card for a large group show with reproduction of a drawing by Monk on the front in b/w and verso gallery details and a list of artists who included Rosa Almeida, Darren ALmond, John Baldessari, Christian Boltanski, Ian Breakwell, Adam Dant, Hanne Darboven, Jeremy Deller, Tracey Emin, On Kawara, Emma Kay, Mary Kelly, Michael Landy, Richard Long, Tracey Moffatt, Gabriel Orozco, David Shrigley, Georgina Starr and others. VG+.

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Stuttgart: Revolver, 1999
20.4 X 15.7cm, unpaginated plus card covers with French folds. Artist's book photographically documenting two dogs in black and white images with one shown on one side of the open fold and the other opposite, followed by a number of blank colour pages. The pairing of two animals may be a nod to Boetti's fascination with couplings (although Boetti's interest was in the duality of twins) but nothing is very clear other than the nostalgia that Monk feels for his own family and their animals although one dog is his mother's and the other a dog that lives in Stuttgart. One of 500 hand numbered copies. VG+.

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Paris: Yvon Lambert/Monk, 1999
4.5 x 8cm, 74pp plus covers. Artist's book which acts as a flip book with the 74 colour images taken from the 16mm film loop "Cartoon 1999". Now hard to find. Slight wear to edges else 1,000 copies printed. VG.

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Stuttgart: Revolver, 1999
21 x 10cm, 1pp announcement card with a photograph of the artist's parent walking a dog plus gallery text. A promotional card for the artist's book. VG+. This example is signed on the back in pencil by Monk.

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Paris: Yvon Lambert, 1998
42 x 30cm, 2pp small poster with an appropriated image of a man standing on his head but Monk has rotated the image such that the man supporting the gymnast is upside down and the acrobat is the right way up. Verso gallery details. This was Monk's 16th ever solo show and the first at Yvon Lambert's gallery. The poster is folded twice for mailing and is signed in pencil on the back by Monk. VG+.

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