Leicester: De Montfort University, 2017
Standard audio cassette with a recording of the Monk sound work - "My Mother Cleaning My Father's Piano" which is exactly what it says it is. The recording is on both sides of the tape - the first being labelled "Repeat" and the second "DIgitally Remastered".
There is a 10 x 6.5cm, 10pp (single folded sheet) insert with a text on the work and five small b/w images of works shown in the exhibition including the pianist playing the sheet music transcribed from the original recording. This insert is signed in pencil by Monk and dated 2018. VG+.

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Brussels: MOREpublications, 2016
Four b/w 20.7 x 14.6cm, b/e offset prints each showing an enlarged detail from a photograph of a female swimming costume that has an oval which has stripes on it - Monk is emphasising the similarity to a Daniel Buren in situ stripe work.
One of 40 signed and numbered examples aside from 7 artist's proofs. In original unprinted mailing envelope and with a 1pp signed colophon sheet. All VG+.

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Brescia: Galleria Massimo Minini, 2016
30 x 21cm, 1pp announcement leaflet reproducing a drawing by Monk that references Sol Lewitt, Boetti and Weiner all at once. The over all design looks like several Boetti announcement leaflets but the drawing is a Lewitt cube and the idea of a wall drawing being covered and uncovered reminds one of early Lawrence Weiner conceptual art sculptures/structures. This example fo the leaflet is signed by Monk at the bottom in pencil. Folded for mailing else VG+.

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Torino: Studio Salvo, 2016
21 x 15cm, 2pp announcement card with a reproduced painting on the front by Monk which has a very similar style (or parody or homage?) to that of the arte povera artist Salvo and gallery details on the back. This card is signed by Monk on the back in black felt tipped pen. VG+.

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Copenhagen: Nicholai Wallner, 2016
25.5 x 21cm, unpaginated (c. 64pp) plus boards. Exhibition catalogue with installation views throughout in b/w with highlighted colour in areas. The show was primarily site-specific wallpapers. There is a short essay by Grace Roy Hess. Laid in to a plastic corner on the back inside cover is a folded colour poster showing the installation that opens up to 19 x 58cm. This book is signed by Monk on the title page. VG+.

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Torino: Studio Slavo, 2016
21 x 15cm, 48pp plus card covers. Exhibition catalogue for a show of paintings on canvas by Monk all of which are in the style of Salvo's tree paintings. These are gorgeous works by Monk even if clearly in homage to the arte povera artist who painted in a very rounded, geometric style. Twenty paintings all reproduced in colour. This book is signed by Monk on the title page. VG+.

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Berlin: S.p. (Monk), 2016 30 x 21cm, 6pp folded single thing card sheet. Musical notation for the random noises created by the artist’s mother while cleaning her husband’s piano. Monk’s references to his father and mother are found in a number of works and this “music” was originally released in a limited edition seven inch vinyl record in 2001. Fine. This example unusually signed by Monk....

Paris:Lab’Bel, 2016
11cm dia. x 5cm, sealed outer box content of a number of aluminium wrapped soft cheeses. One of a number (this being the third) of such boxes commissioned by the company where artists adapted the box design. Monk for his commission simply flipped the well known box design.
This example is signed on the base by Monk but sadly there are some marks from the spores from the cheese as it is very difficult to store such a work (we now think the best thing is to dry it out slowly and desicate the cheese which is our plan). Else VG and unopened.

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Paris: Lab Bel, 2016 54 x 27cm, thick cardboard standee used to promote the special edition of the La Vache dui rire cheese box (Collector's edition #3). Monk had taken the famous lid design and reversed it and added the text "Parfois nous oublions l'evidence. Etre original est presque impossible." This promotional item is signed by Monk on the reverse and was a gift from the artist to Paul Robertson. VG+. ...

Bruxelles: More Publishers, 2016
94 x 68cm, four colour silkscreen print showing a photograph of a package of coloured fridge magnets as well as the unopened package of 10 of the same fridge magnets. A self-referential artwork - the print is expected to be held in place on a metal background by the magnets.
This is one of only 25 signed and numbered examples (aside from 5 artist's proofs).
Both magnet package and print are in VG+ condition.

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Basselland: Kunsthalle Baselland, 2016
15 x 21cm, 2pp announcement card for a solo show with an image of a Rolls Royce car in a garage on the front, verso minimal gallery details. VG+. ...

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