Zurich: Archiv, 2016
21 x 21cm, 28pp plus card covers. Exhibition catalogue and artist's book which displays Monk's wooden relief sculptures (reminiscent of Ben Nicholson or Louise Nevelson) which are based on the shape and sizes of Sol Lewitt books in Monk's personal collection of books. Essay in English by David Platzker. This book is signed in blue felt tipped pen by Monk. VG+. One of 400 published.

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Paris: Lab Bel, 2016
21 x 15cm, 4pp announcement card announcing the special edition of the La Vache dui rire cheese box (Collector's edition #3). Monk had taken the famous lid design and flipped it in a mirror image. There is a text by the artist inside in English and background to the collection.
This card is signed on the back cover by Monk and there is also a Post-It note which Monk has written to Paul Robertson "I could send you some cheese if you wish/JM" in pencil. VG+

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Basel: Kunsthaus Baselland, 2016
21 x 15cm, 6pp single folded announcement leaflet for three separate exhibitions of which Monk was one alongside van der Ploeg and Lohr. Mon's deflated Sculpture II is reproduced on the front of the card, internally short biographies in German and English. This card is signed by Monk in pencil on the back page. VG+.

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Geneva: 5 rue de La Muse, 2016
21 x 15cm, 4pp announcement card reproducing a bitmapped photograph of a black Porche sportscar over the inner pages. A work dedicated to RH (Richard Hamilton) - the actual car shown was Hamilton's that came to auction in the year before this election. Monk also discovered that the car's official manual was written by a "Richard Hamilton" - hence he began to recreate the car but by enlarging the online auction image - the life size images being heavily pixilated. This card is in VG condition and is signed on the back cover by Monk.

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Rome: Arte e Critica City, March 2016
21 x 15cm, 32pp (self cover). A single number of this art supplement which has a work by Monk on the front - a football - "Part of an untitled floor-piece for via Giula di Barolo", 2016. The rest of the supplement are listings of events. This number is signed in black felt pen on the inside first page by Monk.

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Bologna: Galleria Enrico Astuni, 2016
15 x 21cm, folded poster/booklet that opens up to 60 x 84cm poster. Designed by Monk each page opens up to a different textual work. This was issued during a group show curated by Lorenzo Bruni but Monk did not exhibit simply offering this work. The texts are in order: "IERI. OGGI. DOMANI. ECCETERA." which translated means "YESTERDAY. TODAY. TOMORROW. ETC."
JOINT:
Original printed envelope, neatly opened, signed in pencil on the back by Monk.

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San Francisco: The Thing,  2016
30 x 21cm, 24pp (self cover). A wall calendar for the year 2016 which was sent out to subscribers of The Thing magazine by the publishers. It  is an almost complete collection of Meeting pieces by Jonathan Monk.  The works pieces have never before been gathered/archived in one document, and include everything from Meeting #3 (Palais des Galces Paris le 16 mars 2006) to the new meeting specially created for this calendar (Golden Gate Bridge San Francisco September 30th 2016).  The publishers say only 500 copies were made.
"The artist will meet the owner of each piece at the place and time stated.  It is important to understand that the work is the actual rendezvous and not the invitational text that preceeds it.  It is also important to realize that like all meetings, there is a possibility these meetings will not be met."  - Jonathan Monk
This copy was a gift from Jonathan Monk to Paul Robertson and is unusually signed in pencil on the inside back cover.

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Temple: Show & Tell Editions/Lust & The Apple, 2015
21 x 15cm, 72pp. Laminated cover and glossy internal pages content of c. 60 full page images of works by Monk that were shown in secret in an attic in Edinburgh. Visitors to the exhibition were by invitation only and ONLY 129 people viewed the exhibition during the three months it was on show - mind you a single step away from the central walkway and one fell to one's death 40 feet below. Art is dangerous. One of 600 copies. Fine.
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London: InOtherWords, n.d. (2015)
9 x 6.5 x 2cm printed cardboard box content of 56 printed playing cards, which show various aspects of a photograph by Monk of literally nine Kippenberger editions, one Boetti watch, a cigarette on a background of yellow. Unlimited edition aside from the signed edition of 50 copies. VG+ although one small damp mark on the side of the box.

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Faenza: Museo Carlo Zault, 2015
14.8 x 10.4cm, 2pp card announcing the artist's residency with an image of Monk making a floral work on the front. Verso museum details. Signed in pencil by Monk on the back. VG+.

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Faenza: Museo Carlo Zault, 2015
21 x 15cm, 8pp (self cover) exhibition catalogue for an artist's residency culminating in a solo show curated by Guido Molinari. Nine colour images of the artist creating works with others and texts in Italian and English. Signed in pencil by Monk on one of the inner pages. VG+.

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