Paris: Liliane & Michel Durand-Dessert, 1984 10 x 21cm, 1pp announcement card for exhibition of La jambe d'Orwell - a pair of jeans with circular holes cut out of the knee. beuys was in Paris to be part of Nam June Paik's "Good Morning Mr Orwell" a tv broadcast and created this multiple for exhibition and sale. VG+. ...
Dusseldorf: Konrad Fischer, 1983
10.5 x 15cm, 2pp announcement card with a b/w image of an Beuys drawing SCHMERZRAUM on the front, verso gallery details. VG+.
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Bonn: Galerie Klein, 1983 10.4 x 14.8cm, 2pp announcement card for the edition of rose wine released as part of the Difesa della natura campaign by Beuys and the exhibition in the gallery. B/w image of the wine and box on the front which has been signed in red felt tipped pen and stamped twice by Beuys with FIU impressions in red and blue....
Stuttgart: Galerie Brigitte March, 1983 11 x 15.5cm, printed card envelope doubling as exhibition invitation, content of two photos printed on glassine paper - both 13.4 x 18.4cm, Apocalisse nel deserto (by Agnetti) and Titus Andronicus / Iphigenie (by Beuys) Envelope stamped with oversized Hauptstrom rubber stamp impression (possibly offset printed). VG+....
Stuttgart: Galerie Brigitte March, 1983 16.3 x 23cm, 2pp announcement card envelope promoting Agnetti's "La Cultura Dimenticata quasi a Memoria" (Culture Almost Forgotten by Memory) and Joseph Beuys' "Wirtschaftswerte" - also known as the Economic Value goods where Beuys displayed non-branded goods from Eastern Germany to promote the idea that the economy does not need the advertising and competition between overpriced items. This is a mailed example with stamps and frankings and has a red rubber stamp impression of the Haupstom stamp. This card was hand address to Lucrezia De Domizio. Some slight creasing to edges but overall VG. ...
Frankfurt am Main: Städtische Galerie im Städel, 1983 30 x21cm, 4pp announcement for a solo show with a major sculpture "Bergkonig 1958 - 1961" in bronze. Originally planned in 1958, it is an early work by Beuys with a "crown" above a mass that suggests a fallen figure (perhaps having been decapitated). Five b/w images of the work (including a sketch and painting) along with a text in German by Klaus Gallwitz and a biography of the artist with a small portrait. This example has been rubber stamped with a Haupstrom stamp in blue and signed in pencil on the front by Beuys. VG+....
Frankfurt am Main: Stadelschen Kunstinstitut, 1982 10.5 x 15cm, 2pp announcement card with one drawing of a Elk ("Elch" from 1950) reproduced on the front with museum text verso. VG+. ...
Dusseldorf: Kunstmueum Dussedorf, 1983
10.5 x 21cm, 4pp announcement card with a b/w image of a detail of an unidentified Beuys work on the front. A show of works from the Sammlung Ulbricht. This example is signed in red felt tipped pen by Beuys over left side of the image. Verso publisher's details.
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London: Victoria & Albert Museum, n.d. (1983). 11.5 x 14cm, 1pp invitation card for the private view for the exhibition - typographic design in red and black on white. VG+. ...
Koln: Edition Heinz Holtmann, 1983 15.5 x 21.5cm, 2pp publicity card announcing the release of the title edition of photographs of Beuys' Goldhase aktion in Kassel where he melted a gold faux crown down and smelted a sun and a hare as symbols of peace and cross-Europe unity. The front of the card shows Zoa's photograph overprinted with a small golden circle, verso publisher's details. VG+. ...
Dusseldorf: Konrad Fischer, 1983
14.8 x 10.6cm, 4pp announcement card with a typographic design throughout. The title work (translates to Dumb Box) is a metal box where all the edges of the metal have felt placed between them preventing electrical conduction. VG+.
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Dusseldorf: Galerie Schmela, 1983
10.5 x 15cm, 2pp announcement card with a reproduced Beuys' drawing in b/w on the front. Verso gallery details. A example stamped "Presse 11.00 uhr" on the back in red ink else VG+.
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