09 Dec UNTITLED (BEUYS PAINTING A WALL). SIGNED BY BEUYS.
N.p,: n.p., n.d. (1985?) 17 x 17cm, 1pp b/w postcard displaying a b/w image of Beuys painting a wall. He has signed the card Joseph Beuys in green ink. VG+. ...
N.p,: n.p., n.d. (1985?) 17 x 17cm, 1pp b/w postcard displaying a b/w image of Beuys painting a wall. He has signed the card Joseph Beuys in green ink. VG+. ...
N.p,: n.p., n.d. (1985?)
10.5 x 15cm, 1pp b/w postcard displaying a b/w image of Beuys holding an axe while sitting on a couch. He has signed the card Joseph Beuys in blue ink. VG+.
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N.p,: n.p., n.d. (1985?)
15 x 10.5cm, 1pp b/w postcard displaying a colour photograph of Beuys' Fat Chair - over the image the artist has signed the card "Joseph Beuys" in green ink. On the reverse there is an attached label with biographical details of Beuys. it is not clear the origin of this card. VG+.
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N.p,: n.p., n.d. (1985?)
15 x 10.5cm, 1pp b/w postcard displaying a b/w image of Beuys - over the image the artist has written "Fur Volker Kol?(hard to read) and signed the card Joseph Beuys in blue ink. VG+.
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Lille: Extrsamuros, 1985
21 x30cm, 4pp large format announcement card where Beuys' Economic Value works were shown as an installation. The front of the card shows the various items on racking, internally there is an essay by Denis-Laurent Bouyer "Valeurs Economiques, Valeurs de l'art". VG+.
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NYC: Massimo Audiello Gallery, n.d. (1985)
11.8 x 15.8cm, 1pp announcement card with a typographic design to promote an exhibition featuring the Capri-Batterie multiple where Beuys put a lemon coloured lightbulb to be lit by the electricity from a lemon it is plugged into. VG+.
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Heidelberg: Edition Staeck, 1985
11 x 22.3cm, 2pp artist's postcard issued during Documanta IV by Beuys. The commercial postcard view is overstamped (in print) with the Deutsche Studentenpartie. Issued as part of Staeck Serie 3. VG+. ...
Naples, Lucio Amelio, 1985 15 x 22cm, 1pp announcement card printed yellow on white for the exhibition where the object multiple (a lemon coloured bulb attached to an Italian plug which is meant to be attached to a lemon to gain power) was on show. The work being a metaphor for the use of nature as a force for change or even energy. One brown mark on the left of the card else VG. ...
London: Anthony d'Offay , 1985
21 x 15cm, 4pp announcement card for the title sculpture. One image of Beuys in Ireland at the Giant's Causeway on the front and gallery details internally. VG+.
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Pescara: Lucrecia De Domizio, 1984
16 x 22cm, announcement card for a number of drawings incorporating dried flower which were first exhibited at the F.I.A.C. in the Grand Palais. This example is signed by Beuys and with a blue FIU rubber stamp impression. VG+.
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London: Anthony d'Offay , 1985
20 x 21cm, 1pp announcement card for teh title sculpture. One image of Beuys in Ireland at the Giant's Causeway and text in English explaining the original of the work. VG+.
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Suttgart: Staatsgalerie Stuttgart, 1985 15 x 10.5cm, museum postcard displaying the title work of the golden hare which was made in 1982 at Documenta by Beuys after smelting down a golden crown. Museum details and postcard design on the reverse. VG+. ...