Lawrence Weiner

STATEMENTS. 1968. WEINER'S FIRST BOOK

STATEMENTS. 1968. WEINER'S FIRST BOOK

NYC: The Louis Kellner Foundation/Seth Siegelaub, 196818 x 10cm, 64pp plus card covers. Designed by Lawrence Weiner and published by Seth Siegelaub in an edition of one thousand copies in 1968, "Statements" is Lawrence Weiner's very first artist book. It contains twelve "general" and twelve "specific" of the pioneering Conceptual practitioner's text-based statement pieces. Very slight grubbiness to wrappers else VG example. Now very scarce,Ref: Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné Nr 1.
REMOVAL 36 X 36. 1969.

REMOVAL 36 X 36. 1969.

N.p.: n.p., 1989 5 x 5cm, b/w transparency with a photograph of Weiner's famous installation at Seth Siegelaub's gallery during the exhibition 5-31, 1969 where he removed a 36 x 36 inch section of plaster from the wall. Hand written legend on the plastic. VG+.
ART & PROJECT BULLETIN NR 10. LAWRENCE WEINER. 1969.

ART & PROJECT BULLETIN NR 10. LAWRENCE WEINER. 1969.

Amsterdam: Art & Project, 1969 30 x 21cm, 4pp. Single number of this mail art publication - and one of the earliest in the series. The text "a translation from one language to another" is reproduced on each page in English, German and French. Folded for mailing as issued. One small rust mark on one page else VG. G. Ref: Weiner Catalogues nr 3. Scarce.
LAWRENCE WEINER . 1970.

LAWRENCE WEINER . 1970.

Aachen: Zentrum für aktuelle Kunst, 1970 20 x 21cm, 28pp plus pictorial wrappers (with a portrait of the artist in b/w). Exhibition catalogue/artist book for a relatively early Weiner show with a text work TO THE SEA/AN DIE SEE reproduced and a short essay. Former owner's name neatly written on first end paper else VG. JOINT: Laid in a contemporary newspaper cutting from a later Weiner exhibition in 2008.
LEFT OF CENTER/RIGHT OF CENTER/AS IF IT WERE/ MIDDLE OF THE ROAD/IF AS IT WERE. 1970. A FULL SET OF THESE PAPER WORKS

LEFT OF CENTER/RIGHT OF CENTER/AS IF IT WERE/ MIDDLE OF THE ROAD/IF AS IT WERE. 1970. A FULL SET OF THESE PAPER WORKS

n.p. (Bruxelles): H. & N. Daled, 1970Four separate 17 x 10 cm sheets of printed paper - each with one of the above texts and "Under Responsibility and Collection of H. & N. Daled” - the famous exhibition entirely consisted of four books with perforated sheets each of which could have one page removed and taken away. This is a complete set of the removed pages and is a rare find. VG+ condition although obviously torn at the perforations from the original book.Price is for all four sheets
L. WEINER. 1971. PIRATE UNAUTHORISED BOOK - VERY RARE.

L. WEINER. 1971. PIRATE UNAUTHORISED BOOK - VERY RARE.

Buenos Aires: Centro fe Arte y Comunicación, 197116 x 10.5cm, unpaginated (c. 88pp) plus card covers. An unauthorised “pirate” translation of Weiner's fourth book “10 Works” - all texts in Spanish. 1,500 copies were printed but few exist. Very good +++ but slightly browned on the edges of the cheap paper. Rare.
CAUSALITY AFFECTED AND/OR EFFECTED: LAWRENCE WEINER. 1971. ARTIST'S SIXTH BOOK.

CAUSALITY AFFECTED AND/OR EFFECTED: LAWRENCE WEINER. 1971. ARTIST'S SIXTH BOOK.

New York: Leo Castelli & Eminent Publications, 1971 16.5 x 11cm, 80pp. Card covers. Spiral bound. First edition of this artist book designed by Lawrence Weiner. "Causality Affected and/or Effected" is one of Lawrence Weiner's earliest publications, containing ten of the pioneering Conceptual practitioner's distinctive text pieces in English. Entry number six of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné”). Some marks to front cover probably from previous damp but very scarce in any condition.
GREEN AS WELL AS BLUE AS WELL AS RED. 1972. ARTIST'S NINTH BOOK SIGNED BY WEINER.

GREEN AS WELL AS BLUE AS WELL AS RED. 1972. ARTIST'S NINTH BOOK SIGNED BY WEINER.

London: Jack Wendler, 1972 17 x 12cm, unpaginated. Red and yellow wrappers. Weiner's ninth ever artist's book with various permutations of texts describing the colours red, blue and green in combinations and in relation to each other. The texts are printed in black. This is in VG condition and is unusually signed by Weiner in pencil on the first page. Ref. Schwarz pg 27.
LAWRENCE WEINER. 1972.

LAWRENCE WEINER. 1972.

Dusseldorf: Konrad Fischer, n.d. (1972) 10.5 x 15cm, 4pp. Announcement card which is also a conceptual artwork - with the following texts: ( ) DOWN A HATCH DOWN A HATCH ( ) ( ) UP A TREE UP A TREE ( ) ( ) AROUND A TOWN AROUND A TOWN ( ) in each of the three pages. VG+. Scarce.
HAVING BEEN DONE AT - HAVING BEEN DONE TO / ESSENDO STATO FATTO A - ESSENDO STATO A. 1972. WEINER'S TENTH BOOK.

HAVING BEEN DONE AT - HAVING BEEN DONE TO / ESSENDO STATO FATTO A - ESSENDO STATO A. 1972. WEINER'S TENTH BOOK.

Torino, Editions Sperone, 197217x12cm, 92pp. Card covers. First edition of this Weiner's seventh artist's book. One of 1,000 copies. Fine. Ref: Schwarz nr 10.
4 CUTS PLACED IN / A FIRST QUARTER", A FILM BY LAWRENCE WEINER. 1973.

4 CUTS PLACED IN / A FIRST QUARTER", A FILM BY LAWRENCE WEINER. 1973.

NYC: Castelli/ Chatham Square, 1973 A standard 12 inch, 33rpm record in pictorial sleeve which exhibits two images from the film (which were photographed by Landry). The record cover shows a text work by Weiner "One quart of paint" having been roughly painted on a wall (the partly obscured text is in Dutch) by a young man and verso three actors from the film. The LP is a recording of music used as the soundtrack to Weiner's film. A very scarce record although this copy is displaying wear along the edges of the mostly dark sleeve and along where the record has moved internally but otherwise very good.
SIX WORKS OF LAWRENCE WEINER PRESENTED BY WIDE WHITE SPACE BRUXELLES/ANTWERPEN FOR SALE..... 1973.

SIX WORKS OF LAWRENCE WEINER PRESENTED BY WIDE WHITE SPACE BRUXELLES/ANTWERPEN FOR SALE..... 1973.

Antwerpen: Wide White Space, 1977 21 x 15cm, 4pp. Announcement card with a typographic design by the artist with Weiner's six text works reproduced internally to the card. VG+. very scarce.
AND THEN UNTENDED AS..../EN DAN VERONACHTZAAMD ALS... 1973.

AND THEN UNTENDED AS..../EN DAN VERONACHTZAAMD ALS... 1973.

Antwerpen: Wide White Space, 1973 10.5 x 15cm, 1pp. Typographic card with the title text which is regarded as part of the Weiner "Collection Public Freehold". VG+.
LAWRENCE WEINER: 50 ARBEITEN/REALITAT - REALISMUS - REALITAT. 1973.

LAWRENCE WEINER: 50 ARBEITEN/REALITAT - REALISMUS - REALITAT. 1973.

Munster: Westfalischer Kunstverein, n.d. (c. 1973)15 x 10.5cm, 1pp. Exhibition announcement for the two shows - typographic design only. For once not designed by Weiner.
VAN TIJD TOT TIJD / IN EEN RELATIE STAAN TOT DINGEN. 1973.

VAN TIJD TOT TIJD / IN EEN RELATIE STAAN TOT DINGEN. 1973.

Amsterdam: Art & Project, n.d. (1973)42 x 30cm, black on white displaying the text: VAN TIJD TOT TIJD / IN EEN RELATIE STAAN TOT DINGEN/GEESCALEERD/ VAN TIJD TO TIKD/ OVERLADEN/ VAN TIJD TO TIKD/ HERROEPEN/ VAN TIJD TO TIKD One of the earliest and most scarce of Weiner's poster works - here not an exhibition poster as such but a work unto itself which was intended to be posted on street lamps and walls throughout Amsterdam. VG but folded for storage and a couple of soft creases bottom left which could easily be ironed out. Rare.
ONCE UPON A TIME / C'ERA UNA VOLTA. 1973. ARTIST'S TWELTH BOOK.

ONCE UPON A TIME / C'ERA UNA VOLTA. 1973. ARTIST'S TWELTH BOOK.

Milan: Franco Toselli, 197317 x 12cm, 44pp. Pictorial card covers in yellow and black. First edition of this conceptual art book with Weiner's texts in English and German. Eight b/w photographic images by Giorgio Colombo plus cover image. One of 500 copies released. Ref: Schwarz nr 12. Scarce. Fine.
ART & PROJECT BULLETIN 72. LAWRENCE WEINER. 1973.

ART & PROJECT BULLETIN 72. LAWRENCE WEINER. 1973.

Amsterdam: Art & Project, 1973 30 x 21cm, 4pp b/w conceptual artwork issued in a series of Bulletins. Internally Weiner has supplied three statements for conceptual works: escalated from time to time/ overloaded from time to time/ revoked from time to time - in English and Dutch. Scarce. Fine unmailed copy.
ONCE UPON A TIME / C'ERA UNA VOLTA. 1973.

ONCE UPON A TIME / C'ERA UNA VOLTA. 1973.

Milan: Franco Toselli, 1973 17 x 12cm, 1pp. Announcement card for the artist's book - same size and design as the book cover! Fine.
WITH A RELATION TO A MANNER OF PLACEMENT AND/OR LOCATION. 1974.

WITH A RELATION TO A MANNER OF PLACEMENT AND/OR LOCATION. 1974.

Sydney; Art Gallery of New South Wales, 19749 x 16cm, 2pp black text on white card designed by Weiner, verso gallery details, Mint.
(OFTEN FOUND) WITHIN THE CONTEXT OF EFFECTIVENESS. 1974.

(OFTEN FOUND) WITHIN THE CONTEXT OF EFFECTIVENESS. 1974.

Los Angeles: CLaire Copley Gallery, 1974 30.5 x 45.7cm, 1pp b/w offset lithographic poster used in the street as a conceptual work in itself. Some mild discolouration top right but else VG. Extremely rare.
WITH AN ADVANCE DECLINED AT/TO. 1974. ORIGINAL ARTWORK /MAQUETTE FOR INTERFUNKTIONEN. SIGNED, DATED AND DECIATED BY WEINER TO RUDI FUCHS.

WITH AN ADVANCE DECLINED AT/TO. 1974. ORIGINAL ARTWORK /MAQUETTE FOR INTERFUNKTIONEN. SIGNED, DATED AND DECIATED BY WEINER TO RUDI FUCHS.

Amsterdam: Weiner, 1974 25.3 x 20.2cm, 2pp. The original artwork/maquette created by Lawrence Weiner for the important art journal Interfunctionen which was published in the 11th number of the journal. Weiner's work here has the original typed texts on blue paper tipped onto a backing sheet of rules school paper along with handwritten ink additions. The sheet has also had the top left corner of the paper cut off by Weiner (something he often did to modify paper or posters). One the top left of the sheet there is a handwritten dedication "For Rudi" (Fuchs) and signed Lawrence in black ink along with the date and place: "A'dam 1974". On the reverse Weiner has also written "published Interfunktionen 11, 1974" in black ink. The backing paper is a little browned after nearly 50 years and the glue on the back of the typed blue papers has discoloured the paper a little in places. The work has also been double punched for storage but this has avoided any of the texts. A unique and important relatively early work by the conceptual artist with the association with the Dutch conceptual art curator.
3 WORKS IN RELATION TO PLACE. 1975.

3 WORKS IN RELATION TO PLACE. 1975.

Dusseldorf: Konrad Fischer, 1975 9 x 15cm, 4pp black text on white card designed by Weiner with a conceptual work on the inner two sheets and back sheet (ON A ROUGH _____/ ON A SMOOTH _____/ IN THE ROUGH), on the front gallery details. VG+ but with a hand alteration to the date as issued. Scarce.
HAVING BRIDGED A (THE GAP) HAVING AVOIDED A (THE) PITFALL HAVING MADE THE (A) POINT ALL WITH AN END IN VIEW. 1975. ONE OF ONLY CIRCA 50 COPIES.

HAVING BRIDGED A (THE GAP) HAVING AVOIDED A (THE) PITFALL HAVING MADE THE (A) POINT ALL WITH AN END IN VIEW. 1975. ONE OF ONLY CIRCA 50 COPIES.

Bremerhaven: Kabinett fur aktuelle Kunst, 1975 50 x 48 cm, exhibition poster with silkscreened text in black on white paper. The text is repeated in German. Scarce as only c. 50 were printed. Fine.
TOWARDS A REASONABLE END/AUF EIN VERNUNFTIGES ENDE ZU. 1975.

TOWARDS A REASONABLE END/AUF EIN VERNUNFTIGES ENDE ZU. 1975.

Bremerhaven: Kabinett fur aktuelle Kunst, 197516.7 x 11cm, 70pp. Card covers. First edition of this conceptual art book with Weiner's texts in English and German. Four b/w photographic images of two women hors texts. The book is printed dos a dos to allow it to be read in both directions. One of 700 copies released. Ref: Weiner books nr 14. Scarce. Fine.
ONE BEHIND THE OTHER/ONE ON TOP OF THE OTHER/ONE IN FRONT OF THE OTHER/UNDER ANY CIRCUMSTANCE. 1976

ONE BEHIND THE OTHER/ONE ON TOP OF THE OTHER/ONE IN FRONT OF THE OTHER/UNDER ANY CIRCUMSTANCE. 1976

Munchen: Galerie Schottle, 1976 10.5 x 14.8cm, 4pp announcement card with a conceptual work by Weiner reproduced in German and English in the middle, and on the outside of the card the artist's credo (1. THE ARTIST MAY CONSTRUCT THE WORK/ 2. THE WORK MAY BE FABRICATED/ 3. THE WORK NEED NOT BE BUILT) also in both languages. VG+.
NIETS AAN VERLOREN/NOTHING TO LOSE. 1976.

NIETS AAN VERLOREN/NOTHING TO LOSE. 1976.

Eindhoven: Van Abbemuseum, 1976 12.5 x 12.5cm, b/w sleeve with a design by Weiner and four small photographs content of an audio CD containing the title tracks (both vocalisations) performed by Weiner and Cooje Van Bruggen. Fine. One of 500 copies.
A BIT OF MATTER AND A LITTLE BIT MORE. 1976.

A BIT OF MATTER AND A LITTLE BIT MORE. 1976.

New York: The Kitchen, 1976. 10.5 x 15cm, 1pp announcement card for a a preview screening of Lawrence Weiner’s 23 minute video "A Bit of Matter and a Little Bit More", which mixed pornography with philosophical and conceptual narration and music. Videography by Michael Schamberg. Produced by Moved Pictures and Fifi Corday. VG+. Scarce.
LAWRENCE WEINER A SELECTION OF WORKS WITH COMMENTARY BY R.H. FUCHS. 1976. FIRST EDITION WITH ADDENDUM.

LAWRENCE WEINER A SELECTION OF WORKS WITH COMMENTARY BY R.H. FUCHS. 1976. FIRST EDITION WITH ADDENDUM.

Eindhoven, Van Abeemusuem, 197627 x 21cm, 52pp plus card covers. First edition. Artist's book with texts in English and Dutch. One of 650 published. VG condition but there is a remnant mark from an adhesive sticker on the front cover. Ref: Weiner Catalogues nr. 13JOINT27 x 21cm, 8pp. Inserted addendum - a catalogue of works from 001 - 421. Fine. Scarce.
CAUGHT BETWEEN SHIPS PASSING IN THE NIGHT. 1976. ONE OF ONLY 72 UNNUMBERED EXAMPLES.

CAUGHT BETWEEN SHIPS PASSING IN THE NIGHT. 1976. ONE OF ONLY 72 UNNUMBERED EXAMPLES.

Canada: Art Metropole, 1976 First printing of a 68cm x 450cm wallpaper multiple from a first edition of only 72 unnumbered examples issued. A repetitive black text on white paper reads: "Caught Between Ships Passing in the Night" alongside a b&w pattern of a stylised ocean liner. Fine = unopened in original plastic wrapping.
HAVING FROM TIME TO TIME A RELATION TO TO: / VAN TIJD TOT TIJD IN EEN RELATIE STAAN TOT: + PERHAPS WHEN REMOVED / MISSCHIEN DOOR VERWIJDERING

HAVING FROM TIME TO TIME A RELATION TO TO: / VAN TIJD TOT TIJD IN EEN RELATIE STAAN TOT: + PERHAPS WHEN REMOVED / MISSCHIEN DOOR VERWIJDERING

Amsterdam: Art & Project, 1976 20.8 x 10cm, 24pp, original printed orange wrappers. Weiner’s texts in English, and also translated into Dutch by Coosje Kapteyn-van Bruggen. One of Weiner's earliest publications, and his second artist book for Amsterdam's 'Art & Project'. Limited to 300 copies. Ref. Dieter Schwarz. Lawrence Weiner Books 1968-1989. Catalogue raisonne, p. 35. Slight fading around spine due to sun else VG. Scarce.
WORKS. 1977.

WORKS. 1977.

Hamburg: Anatol AV und Filmproduktion, 1977 20 x 14cm, 272pp plus card covers. Artist's book which follows on from Statements (1968) listing Weiner's textual "sculptures" which are expected to be completed (if desired) by the reader. This copy sadly has some printing flaws to the front cover where the blue of the ink appears scuffed (although it is not). Internally VG+. Scarce.
NEED TO KNOW. A STRUCTURE OF LAWRENCE WEINER. 29 JANUARY 1978. SUNDAY AFTERNOON.. 1978.

NEED TO KNOW. A STRUCTURE OF LAWRENCE WEINER. 29 JANUARY 1978. SUNDAY AFTERNOON.. 1978.

NYC: Moved Pictures Archive, 1978 Standard audio cassette with pictorial (artist designed) black on cream insert and standard cassette casing. Relatively early soundwork by Weiner with music by . 29:30 long on both sides of the tape. Scarce. Fine estate.
ALTERED TO SUIT. A FILM OF LAWRENCE WEINER. 1979.

ALTERED TO SUIT. A FILM OF LAWRENCE WEINER. 1979.

NYC: Castelli/ Sonnabend, 197910.5 x 15.2cm, 2pp, Announcement card for the film with recto a b/w reproduced still of a man and a woman looking out of a window. Fine.
ALTERED TO SUIT. A FILM OF LAWRENCE WEINER. 1979.

ALTERED TO SUIT. A FILM OF LAWRENCE WEINER. 1979.

NYC: Castelli/ Sonnabend, 197942 x 30cm, 1pp, Offset lithographic poster with two b/w reproduced stills of the male protagonist from the film. Bit tatty near edges with closed tears and creases but scarce ephemera.
IN RELATION TO PROBABLE USE… 1979.

IN RELATION TO PROBABLE USE… 1979.

NYC: Leo Castelli Gallery, 197912.5 x 18cm, b/w gloss card. Recto is printed Weiner's conceptiual art credo but interestingly qualified by the artist to indicate it is culture specific, namely: "In relation to probable use within a culture (i.e. western): 1. an artist may construct a work 2. a work may eb fabricated 3. a work need not be built. A reasonable assumption is that each being equal and consistent with the intent of an artist the decision as to condition rests within the needs of the receiver upon the occasion of receivership." The exhibition was "3 works of Lawrence Weiner presented for sale &/or information at Leo Castelli NYC". A mailed copy which has some minor edge damage and on the return a postal address by hand and some colour staining from rubber stamp impressions presumably due to the mailing process.
THAT WHICH WHEN IN PLACE IMPAIRS PROGRESS….. 1979.

THAT WHICH WHEN IN PLACE IMPAIRS PROGRESS….. 1979.

München: Rüdiger Schottle, 1979 10.5 x 15cm, 2pp announcement card for a major installation by Weiner, Designed by Weiner this is a commercial postcard showing the Rathaus in Munich that Weiner has over printed with two texts in German and English. Gallery details are overprinted on the reverse also on the commercial card design. Fine. Scarce.
TWENTY WORKS. 1980.

TWENTY WORKS. 1980.

London: Anthony d'Offay 1980 64 x 50 cm red and black on white offset artist designed exhibition poster. Very good although folded for mailing as issued. In original printed envelope as issued by the gallery.
A GROUPING OF THAT WHICH IS CONNECTED WITH USE IN A TEMPERATE CLIMATE. 1981.

A GROUPING OF THAT WHICH IS CONNECTED WITH USE IN A TEMPERATE CLIMATE. 1981.

Dusseldorf: Konrad Fischer Galerie, 1981 10.5 x 15cm, 2pp announcement card with a design by Weiner - the first of five such shows by Weiner at the famous German gallery. Fine,
BEING WITHIN THE CONTEXT OF (A) PLACE/BINNEN DE CONTEXT VAN (EEN) PLACE. 1982.

BEING WITHIN THE CONTEXT OF (A) PLACE/BINNEN DE CONTEXT VAN (EEN) PLACE. 1982.

Eindhoven: Van Abbemusuem, 1982 33 x 29.7cm, yellow and black and grey offset lithographic poster designed by Weiner. An attractive print multiple by the conceptualist. Fine.
PLOWMAN'S LUNCH. 1982.

PLOWMAN'S LUNCH. 1982.

Eindhoven: Stedelijk Van Abbemuseum, 1982 15 x 10.5cm, 2pp announcement card for a showing of the artist's film with on still from the film of Weiner and an actress in colour on the front. VG+.
PROGETTO GENAZZANO. 1983. EXTREMELY RARE LARGE FLAG DESIGNED BY WEINER ON PLASTIC.

PROGETTO GENAZZANO. 1983. EXTREMELY RARE LARGE FLAG DESIGNED BY WEINER ON PLASTIC.

Genazzano: np, 1983 30.5 X 94cm, pink, black and green screenprint on transparent plastic vinyl. Two 2.5cm diameter circles cut at left edge for stringing as a flag/banner. Lawrence Weiner's contribution to the 1983 group show Progetto Genazzano, an exhibition curated by Rudi Fuchs in an abandoned castle in the town of Genazzano, about an hour outside Rome. The text is in Italian and English and reads "Having Been Laid bare, laid open, lain on". Limitation is not known but it seemingly was not many. The banner shows some wrinkling and lines from folding and is not particularly well printed as some colours are to be found with small colour lines in the wrong areas but it is extremely rare.
FACTORS IN THE SCOPE OF DISTANCE. A STRUCTURE OF LAWRENCE WEINER. 1984.

FACTORS IN THE SCOPE OF DISTANCE. A STRUCTURE OF LAWRENCE WEINER. 1984.

Antwerpen: ADD, 1984 24 x 21.5cm, 32pp plus card covers. Artist's book designed by Weiner with colourful geometric designs on each page and no text.Each page is designated as one letter from the alphabet. Slight marks on front cover else VG. Scarce.
VINTAGE PHOTOGRAPH OF LAWRENCE WEINER & PER KIRKEBY. 1984.

VINTAGE PHOTOGRAPH OF LAWRENCE WEINER & PER KIRKEBY. 1984.

Berlin, DAAD, Germany 21 x 30cm, vintage silver gelatine b/w photograph showing the two artists together in the gallery. As ever Weiner is smoking. On the reverse some catalogue text unrelating to the image. VG+.
RADIO BIS. 1985. ADHESIVE STICKER.

RADIO BIS. 1985. ADHESIVE STICKER.

Berlin: Kunstfunk Berlin, n.d. (1985) 7.8 x 7.8cm, black on fluorescent pink paper - adhesive sticker for a Berlin radio station designed by Weiner. Backing paper still present. VG+.
SCULPTURE. 1985. WITH DIE-CUT TRIANGLE THROUGHOUT.

SCULPTURE. 1985. WITH DIE-CUT TRIANGLE THROUGHOUT.

Paris: ARC, 198526.5 x 21cm, 32pp plus pink card wrappers. First edition artist's book listing the artist's textual sculptures. The book itself has a triangular chunk cut out of every page - making it a sculpture itself. Fine. Ref: Weiner Books Nr 24 (classed in Schwartz as a catalogue although we feel it should be regarded as an artist's book).
POSTERS NOVEMBER 1965 - APRIL 1986. ADHESIVE STICKER. 1986.

POSTERS NOVEMBER 1965 - APRIL 1986. ADHESIVE STICKER. 1986.

Halifax: Press of the Nova Scotia Coll. of Art & Design/Art Metropole, 1986 12 x 16cm, red, bluw and black die cut adhesive sticker which was the announcement for the exhibition and also the label added to the covers of the exhibition catalogue/raisonne. Very good example.
PARADIGMS SUITABLE FOR DAILY USE. 1986. BOTH PRINTS DEDICATED AND SIGNED BY WEINER

PARADIGMS SUITABLE FOR DAILY USE. 1986. BOTH PRINTS DEDICATED AND SIGNED BY WEINER

London: Air Gallery, 1986 32 x 22.5cm, printed manilla envelope with a design by Weiner content of two silkscreen limited edition “street posters” - both 60 x 42cm (folded twice as issued) printed black and pink and black and yellow both with designed by Weiner - MY HOUSE IS YOUR HOUSE and WE ARE SHOPS AT SEA NOT DUCKS ON A POND. The paper is lined manilla brown. There is an additional 30 x 21cm, 1pp information sheet with a text by Rudi Fuchs, Unusually both posters are very neatly dedicated and signed by Weiner at the bottom. These are two of the artist’s most attractive text works and they were released as a multiple during the exhibition Works from the Lawrence Weiner poster archive of the Nova Scotia College of Art & Design 1965 - 1986. Fine in VG envelope.
LAWRENCE WEINER POSTERS. 1986.

LAWRENCE WEINER POSTERS. 1986.

Halifax: Nova Scotia: Nova Scotia college of Art, 1986 30.5 x 24cm, 178pp. Card covers. Pasted on title label as issued,The best and most complete publication on the posters produced by Lawrence Weiner with all up to 1986 reproduced in b/w and colours. Designed by the artist and published on the occasion of Art Metropole's 1986 touring exhibition "Snow Weiner Nannucci." Some fading along edges of the covers and spine else VG. Ref: Weiner Catalogues nr 27. Very scarce.
INSTALLATION OF "IN THE STREAM". 1987.

INSTALLATION OF "IN THE STREAM". 1987.

NYC: n.p., 1987 5 x 5cm, b/w transparency with a photograph of the installation of the title wall work in Grenoble in 1987. VG+.
SNOW WEINER NANNUCCI. 1987.

SNOW WEINER NANNUCCI. 1987.

Toronto, Canada: Art Metropole, 198716 x 12.5cm, 3 colour adhesive label with die-cut shape designed by Weiner - invite leaflet/multiple for an group show of the conceptual artists' books. Fine.
BRUG. IN MUSEUM JOURNAL 4. 1988.

BRUG. IN MUSEUM JOURNAL 4. 1988.

Amsterdam: Museum Journal, 1988 25 x 17.5cm, 64pp (numbered 201 to 265) and card covers. A single number of the long running museum journal which carried articles and news of Dutch exhibitions as well as artist contributions as here. Weiner has designed the cover of the issue and internally there is a four page insert "BRUG" with a b/w design and the texts "AS FROM ONE MEANING TO ANOTHER" and "THE CHANGE OF STATE DOES IN FACT MEAN A CHANGE IN VALUE". The cover is in colour (blue and yellow). Sadly there is a diagonal crease bottom right on the front cover else the publication is VG+.
ON TOP OF THE TREES. 1988.

ON TOP OF THE TREES. 1988.

Luzern: Mai 36 Galerie, 1988 30 x 21cm, 24pp plus card covers. Artist's book/exhibition catalogue by Weiner with textual images and installation photographs in b/w and texts in English and German. Uncommon. VG+.
ALTERED TO SUIT. PASSEND GEMACHT. 1988. SIGNED BY WEINER. ARTIST'S THIRTIETH BOOK.

ALTERED TO SUIT. PASSEND GEMACHT. 1988. SIGNED BY WEINER. ARTIST'S THIRTIETH BOOK.

Krefeld: Krefelder Kunstmuseen, 198816.5 x 21cm, 40pp, Card covers. Artist's book and exhibition catalogue content of texts and drawings by Weiner in English and German. This copy is signed by Weiner in ink on the inside front cover. There is a diagonal crease line on the rear back cover and some rubbing to the silver front cover otherwise very good. One of 800 copies. Ref.: Weiner Books Nr. 30. Priced to reflect back cover.
CALENDAR. 1989.

CALENDAR. 1989.

London: D’Offrey, 1989 27.5 x 21.5cm, 56pp. Boards. Artist’s book in the form of a calendar privately printed for the gallery and distributed mostly to clients. Twelve text works by Weiner reproduced in colours alongside the monthly calendar. Fine. Very scarce.
PIU CHE ABBASTANZ/MORE THAN ENOUGH. 1989.

PIU CHE ABBASTANZ/MORE THAN ENOUGH. 1989.

Milano: Christian Stein, 1999 10 x 21cm, 4pp. Announcement card designed by weiner, internally gallery details. Unmailed example. VG+.
FLAGS FOLDED OUT OF SIGHT OF THE BARRICADE. 1989.

FLAGS FOLDED OUT OF SIGHT OF THE BARRICADE. 1989.

Stuttgart: Brigitte March, 1989. 21 x 15cm, 16pp. Original card wrappers. Artist book issued with 7 colour images of a Weiner installation, two text works and a b/w portrait - the designs are based on thoughts on the French revolution and issued on the 200th anniversary of the uprising. Fine. Scarce. 75 uk pounds
JUST ANOTHER MOVEMENT OF THE TIDE / JUST ANOTHER LAPSE OF TIME. 1989.

JUST ANOTHER MOVEMENT OF THE TIDE / JUST ANOTHER LAPSE OF TIME. 1989.

N.p.: n.p., 1989 5 x 5cm, b/w transparency with a photograph of a Weiner installation on a museum wall. VG+.
COVERED BY CLOUDS. 1989.

COVERED BY CLOUDS. 1989.

Furkapasshohe: Furkart, 1989 10.5 x 15cm, 2pp postcard with a reproduced photogrpah of the artist's permanent installation at the house on the Furkapasshohe on the front in colour (the text reads "COVERED BY CLOUDS", verso details. VG+.
COVERED BY CLOUDS. 1989. UNIQUE POSTCARD.

COVERED BY CLOUDS. 1989. UNIQUE POSTCARD.

NYC: Weiner, 19899 x 14.2cm, 2pp. Unique mail art work by Weiner - sent to Delfryd Celf - where the card is one of a number of offset printed cards with “Collection Public Freehold” printed on them and Weiner has hand typed in red and black the text “7/89 FURKART/ FURKABLICK HOTEL SWITZERLAND/COVERED BY CLOUDS”. Bottom right he has added a text in red: “CAT. Nr. 629”. A franked, stamped and mailed example of a very rare and unique Weiner item indeed. Fine.
BROKEN OFF ABGEBROCHEN (ODER) AUFGEBROCHEN. 1989.

BROKEN OFF ABGEBROCHEN (ODER) AUFGEBROCHEN. 1989.

Koln: Konig, 1989 10.5 x 15cm, 2pp postcard with a reproduction of an in situ work on the front, verso standard postcard design VG+.
UP ON (IN) THE AIR.

UP ON (IN) THE AIR.

Eindhoven: Van Abbemusuem, n.d. c. 1989 10.5 x 15cm, 2pp postcard with a reproduction of a wall work on the front, verso standard postcard design VG+.
BOOKS 1986 - 1989. 1989. SIGNED BY WEINER TWICE! THE VERY SCARCE CATALOGUE RAISONNE OF BOOKS

BOOKS 1986 - 1989. 1989. SIGNED BY WEINER TWICE! THE VERY SCARCE CATALOGUE RAISONNE OF BOOKS

Koln: Walther König, 1989 28.5 x 213mm. 214pp plus boards. The extremely useful catalogue raisonne for all of the early books and catalogues of Weiner. Illustrated with covers throughout and descriptions. This copy is unusually augmented by the fill signature of Weiner in pencil on the title page and then again an initialled signature against the text: “You can tell a book by its cover. The book occupies a functioning space within any context it finds itself in.” Scarce but especially with a signature. Fine condition.
YOU CAN TELL A BOOK BY ITS COVER. 1989.

YOU CAN TELL A BOOK BY ITS COVER. 1989.

Bruxelles: Paleis voor Schone Kunsten, 1979 30 x 21cm, 16pp plus wrappers designed bby Weiner. Typography also by Weiner. An exhibition catalogue comprising a long essay by Weiner expert Dieter Schwartz in Dutch. VG+.
CATALOGUS ALE YEVOIM HOBN EYN PONIM. 1990. WITH TWO ARTIST'S POSTCARDS AS PART OF CARD COVERS.

CATALOGUS ALE YEVOIM HOBN EYN PONIM. 1990. WITH TWO ARTIST'S POSTCARDS AS PART OF CARD COVERS.

Amsterdam.:Joods Historisch Museum, 1990 17 x 17cm, 12pp plus card covers with title label. Exhibition catalogue with four works by Weiner reproduced and a short essay in Dutch and English by Renee Waale. Unusually both inner flaps of the card covers have the artist designed postcard LICHT = LIGHT on them which can be taken out of the book by perforations. These are in place and untouched. VG+. Scarce. "LICHT =(LICHT)". [Vgl. As fars as the eye can
TA SAMA WODA/THE SAME WATER (A STRUCTURE OF LAWRENCE WEINER TO DETERMINE A FIXED POINT FOR A MOVING OBJECT. 1990.

TA SAMA WODA/THE SAME WATER (A STRUCTURE OF LAWRENCE WEINER TO DETERMINE A FIXED POINT FOR A MOVING OBJECT. 1990.

Warsaw: Biblioteka Galerii Foksal PSP, 1990 21.7 x 15.4cm, 16pp plus wrappers. Artist's book published in only 500 copies and printed offset. The text in English and Polish relates to 5 b/w images of seawater. Very good+ and very rare.
BOOKS DO FURNISH A ROOM (DIECUT BOOKMARK). 1990.

BOOKS DO FURNISH A ROOM (DIECUT BOOKMARK). 1990.

NYC: Printed Matter, 1990 18 x 5cm, 2-colour bookmark/artist's multiple/invite card with diecut holes. Fine. Now hard to find.
BROKEN GLASS. 1990. WITH DIECUT HOLES.

BROKEN GLASS. 1990. WITH DIECUT HOLES.

Koln: Jablonka Gallerie, 1990 86 x 60cm, brown, silver and blue silkscreen exhibition poster from a design by Weiner with three rectangular diecuts. Fragile with slight vertical creases (see image) but VG+. Scarce.
(SOMEPLACE ) (SOMETIME ) (SOMEHOW ).. 1990.

(SOMEPLACE ) (SOMETIME ) (SOMEHOW ).. 1990.

Berlin: Galerie Anselm Dreher. 1990 16 x 12.2cm, 1pp announcement card designed by Weiner in red, yellow and black. VG+.
BROKEN GLASS. 1990.

BROKEN GLASS. 1990.

Koln: Jablonka Gallerie, 1990 10.5 x 15cm, 6pp announcement card designed by the artist. VG+.
LEARN TO READ ART. 1990.

LEARN TO READ ART. 1990.

NYC: Printed Matter, 1990 17.8 x 5.1 cm, black and yellow offset on coloured stiff paper with diecut hole. A bookmark issued by Printed Matter as a gift to subscribers. VG+. JOINT Original Printed Matter appeal leaflet and envelope.
LA MARELLE OU PIE IN THE SKY. 1990.

LA MARELLE OU PIE IN THE SKY. 1990.

Villeurbanne: Le Nouveau Musee, 1990 20 x 20cm. 24pp with card covers Artist's book designed throughout with a text/graphic work by Weiner. Fine condition. Increasingly scarce.
OPEN MIND / GESLOTEN CIRCUITS. 1990.

OPEN MIND / GESLOTEN CIRCUITS. 1990.

Ghent: Museum den Heedendaaste,1990 42.5 x 42.5cm two colour silkscreen on cloth (creating an handkerchief). Blow your mind to open it. Designated as an unlimited edition but the first and only printing is now out of print. Fine.
VINTAGE PHOTOGRAPH OF LAWRENCE WEINER. C. 1990. INITIALLED BY THE ARTIST.

VINTAGE PHOTOGRAPH OF LAWRENCE WEINER. C. 1990. INITIALLED BY THE ARTIST.

10 x 15cm, b/w original silver gelatine photographic print of the conceptual artist which was taken around 1990. This photograph has been initialled bottom right by Weiner in black ink. VG+.
OUT ON THE ICE. 1991.

OUT ON THE ICE. 1991.

N.p.: Holy Cross Gallery, 1991 5 x 5cm, b/w transparency with a photograph of a wall installation in the Sprengel Museum, Hannover. VG+.
LAWRENCE WEINER. 1991.

LAWRENCE WEINER. 1991.

Monchengladbach: Stadtisches Museum Abteiberg, 1991 30 x 21cm, 4pp gallery handout for a permanent installation with two works illustrated in b/w - DOWN A HATCH (1973), and BLOWN AWAY UNDER CERTAIN CIRCUMSTANCES (1976). VG+.
LAWRENCE WEINER. 1991.

LAWRENCE WEINER. 1991.

Munchen: Kunstler, 1991 30 x 21cm, 16pp monograph in the form of a serial publication here dedicated to Lawrence Weiner - nine colour images of works in situ and fifteen in b/w including one portrait of the artist. VG+. JOINT AS ISSUED: Munchen: Kunstler, 1991 30 x 21cm, 4pp biography and exhibition history. VG+ although with punchholes for storage as issued.
AN ARCH AFFORDED IN A WALL OF STONE WITH A KEYSTONE OF CHALK & IMPOSTS OF SLATE.

AN ARCH AFFORDED IN A WALL OF STONE WITH A KEYSTONE OF CHALK & IMPOSTS OF SLATE.

Glasgow: Transmission Gallery, n.d.13 x 13cm green and black on self-adhesive sticker with title text and ends of the square cut off. A multiple by Weiner. Slightly worn due to the cheap printing employed.
(&) SO WEITER. 1991.

(&) SO WEITER. 1991.

Koln: Konig, 199115 x 10.5 colour postcard designed by Weiner as part of an art card edition. The card has three holes in it as part of the design. Slight mark top left - priced thus.
IN THE CRACK OF THE DAWN. 1991.

IN THE CRACK OF THE DAWN. 1991.

Bruxelles: Mai 36 Galerie, Lucerne and Yves Gevaert, 199129 x 21cm, 32pp. full colour comic book. Text by Weiner, illustrations by Mullican. One of the 1,000 unnumbered copies aside from the numbered and signed hardback edition of 100. A fine example.
AN ARCH AFFORDED IN A WALL OF STONE. 1991.

AN ARCH AFFORDED IN A WALL OF STONE. 1991.

Glasgow: Transmission Gallery, 1991 42 x 62cm, green on white offset lithograph. Artist designed poster for a solo show in Scotland. Formerly folded for mailing else VG.
ALL FALL DOWN. 1992.

ALL FALL DOWN. 1992.

Bozen/Bolzano: Muzeum fur Modern Kunst/Museo D'Atre Moderna, 1992 22 x 22cm, 32pp plus card covers. Artist's book designed by Weiner for a show alongside Maurizio Nannucci and Heinz Gappmayr. Texts are displayed in three languages - Italian, German and English. One of 600 copies but very scarce. VG+.
SHOW (&) TELL. THE FILMS & VIDEOS OF LAWRENCE WEINER. 1992.

SHOW (&) TELL. THE FILMS & VIDEOS OF LAWRENCE WEINER. 1992.

Gent: Imschoot, Uitgevers, 1992 28.5 x 21.5cm, 148pp. Cardboard wrappers. The catalogue raisonné of films and videos designed by the artist and with texts by Alice Weiner, Bartomeu Mari, Dieter Schwarz and Lawrence Wiener. Illustrated in b/w and colour. VG+ although one tiny paper scuff on the front cover.
6 POSTCARDS. 1992.

6 POSTCARDS. 1992.

NYC: Gallery Interform, 199215.5 x 11cm, printed folder content of six separate 15 x10.5 colour postcards in original thin plastic envelope. Fine.
SHOW (&) TELL. THE FILMS & VIDEOS OF LAWRENCE WEINER. 1992.

SHOW (&) TELL. THE FILMS & VIDEOS OF LAWRENCE WEINER. 1992.

Gent: Imschoot, Uitgevers, 1992 28.5 x 21.5cm, 148pp. Pink boards with yellow spine. The catalogue raisonné of films and videos designed by the artist and with texts by Alice Weiner, Bartomeu Mari, Dieter Schwarz and Lawrence Wiener. Illustrated in b/w and colour. VG+ although the outer boards are sun affected at the top and bottom and slightly faded.
NED SUBLETTE, LAWRENCE WEINER & THE PERSUASIONS PUBLICITY PHOTOGRAPH. 1993.

NED SUBLETTE, LAWRENCE WEINER & THE PERSUASIONS PUBLICITY PHOTOGRAPH. 1993.

N.p.: n.p., n.d. (1993) 20.2 x 26cm, b/w publicity press b/w photograph of Weiner with the band that he created a number of musical works with. Some red text on back for reproduction and a part clipping of the image that is rubber stamped “SU DEC 5 - 1993”. VG.
SHIPS AT SEA/SAILORS & SHOES. 1993. WITH MINIPOSTER DESIGNED BY WEINER.

SHIPS AT SEA/SAILORS & SHOES. 1993. WITH MINIPOSTER DESIGNED BY WEINER.

New York: Excellent Records, 1993 Standard audio CD with 23 x 34 cm. (unfolded) offset mini-poster designed by Weiner. Housed in standard plastic jewel case. First issue of this soundwork collaborative multiple. Lyrics by Weiner. Fine condition in like jewel case.
PISS & GINGER & APPLES & PAIRS. 1993.

PISS & GINGER & APPLES & PAIRS. 1993.

Bolzano: Galleria Klemens Gasser, 1993 59.5 x 42cm, b/w exhibition poster - actually offset lithography after an original stamp print work by Weiner. VG+.
TO BITCH IS TO BE/BOSE IST BESSER/CATTIVO E MEGLIO. 1993.

TO BITCH IS TO BE/BOSE IST BESSER/CATTIVO E MEGLIO. 1993.

NYC: Die Damen, 1993 10.5 x 15cm, 2pp artist's postcard displaying the three members of the Dutch feminist art group Die Damen alongside Lawrence Weiner who is dressed in the same costume as the women. Texts by Weiner around the outside of the image. Scarce. VG+.
ZWEI BLOCKE, TWO BLOCKS. 1993. EDITIONED LETTERPRESS PRINT - ONE OF 300 - SIGNED BY WEINER

ZWEI BLOCKE, TWO BLOCKS. 1993. EDITIONED LETTERPRESS PRINT - ONE OF 300 - SIGNED BY WEINER

Nordhorn: Stadtische Galerie, 1993. 84 x 60cm, three colour letterpress (red, yellow and black) and black offset (gallery Information)- with the title text and design by Weiner. One of only 300 examples which all have the feel of being very hand made due to the inconsistent letterpress printing of the black text. This copy is signed by Weiner at the bottom right. One of the harder to find posters by the artist especially with a signature.
WATER & SAND/STICKS & STONES. 1993.

WATER & SAND/STICKS & STONES. 1993.

Dublin: IMMA/the artist, 199324 x 16cm, 6pp exhibition brochure in the form of a card folder content of 3pp of artist designed typographic texts and diagrams and 8 colour images of the work in situ as Weiner created. Very scarce.
STEEL PENNIES DON'T COME FROM OR GO TO HEAVEN. 1993. SIGNED BY WEINER.

STEEL PENNIES DON'T COME FROM OR GO TO HEAVEN. 1993. SIGNED BY WEINER.

Halifax: Henry Moore Sculpture Trust, 1993 30 x 25.5cm, 48pp, Board covers covered in embossed silk - deliberately chosen by Weiner to reflect the colour and feel of lingerie. Internally b/w and colour photographs of Weiner's site-specific installation in a Yorkshire factory. This copy is signed and dedicated to one of the curators who helped install the works on the last page. Covers slightly marked due to the fragile nature of the silk.
STEEL PENNIES DON'T COME FROM OR GO TO HEAVEN. 1993. SLIGHT MARKING TO SILK.

STEEL PENNIES DON'T COME FROM OR GO TO HEAVEN. 1993. SLIGHT MARKING TO SILK.

Halifax: Henry Moore Sculpture Trust, 1993 30 x 25.5cm, 48pp, Board covers covered in embossed silk - deliberately chosen by Weiner to reflect the colour and feel of lingerie. Internally b/w and colour photographs of Weiner's site-specific installation in a Yorkshire factory. Covers slightly marked due to the fragile nature of the silk.
MUTTI-VATI KULTURE. TILL DEATH DO US PART. AS LONG AS IT LASTS. WITTE DE WITH CAHIERS Nr. 1. 1993. WITH SPECIALLY DESIGNED COVER SIGNED BY WEINER

MUTTI-VATI KULTURE. TILL DEATH DO US PART. AS LONG AS IT LASTS. WITTE DE WITH CAHIERS Nr. 1. 1993. WITH SPECIALLY DESIGNED COVER SIGNED BY WEINER

Rotterdam: Witte de With Center for Contemporary Art, 1993 27 x 20 cm, 196pp plus covers with an original designby Lawrence Weiner. First edition of this artist's journal. This copy is unusually signed on the inside of the book by Weiner in pencil. VG.
WHAT IS SET UPON THE TABLE SITS UPON THE TABLE - WAT OP DE TAFEL STAAT STAAT OP DE TAFEL. 1993.

WHAT IS SET UPON THE TABLE SITS UPON THE TABLE - WAT OP DE TAFEL STAAT STAAT OP DE TAFEL. 1993.

Amsterdam: Stedelijk Museum, 1993 118 x 83cm - exceptionally large four colour silkscreen as designed by Weiner in blue, red, brown and yellow. Folded but otherwise very good. Scarce.
STEEL PENNIES DON'T COME FROM OR GO TO HEAVEN. 1993. WITH RSVP CARD IN "WEINER" FONT.

STEEL PENNIES DON'T COME FROM OR GO TO HEAVEN. 1993. WITH RSVP CARD IN "WEINER" FONT.

Halifax: Henry Moore Sculpture Trust, 1993 21 x 10.5cm, 2pp, announcement card designed by Weiner with gallery details on the reverse. JOINT: Halifax: Henry Moore Sculpture Trust, 1993 21 x 10.5cm, 2pp, RSVP card for the opening designed using Weiner's choice of font. VG+. PRICE IS FOR BOTH TOGETHER.
FLY BY NIGHT/ UP & ALL ABOUT EVE. 1994.

FLY BY NIGHT/ UP & ALL ABOUT EVE. 1994.

Stuttgart: Brigitte March Galerie, 1995 21 x 15 cm. 16pp plus card covers with a design by Weiner. The book is printed dos-a dos and reproduces 11 drawings by Weiner in full colour. VG+.
WITHOUT REGARD OR / ODER OHNE RUCKSICHT. 1994.

WITHOUT REGARD OR / ODER OHNE RUCKSICHT. 1994.

Chemnitz: Städtische Kunstsammlungen, 1994 10.5 x15cm, 4pp. Announcement card with design by Weiner. Folded from the top. Internally gallery information. Fine.
LOST AT SEA. 1994. ONE OF 200 SIGNED & NUMBERED EXAMPLES.

LOST AT SEA. 1994. ONE OF 200 SIGNED & NUMBERED EXAMPLES.

Dusseldorf: Edition Lippert Wilkens Partner, 1994 2.6 x 16.6mm cardboard box content of a 16.5 cm long stainless steel pocket knife. Artist's multiple. The knife when closed is engraved with the word "Lost" but when opened this becomes "Lost at sea". A favourite Weiner motif and metaphor that of sailing ships passing unbeknown to each other. One of 200 copies. Fine.
QUESTION:? WHEN IN DOUBT ANSWER: PLAY TIC TAC TOE & HOPE FOR THE BEST. 1994. ONE OF 100 NUMBERED EXAMPLES

QUESTION:? WHEN IN DOUBT ANSWER: PLAY TIC TAC TOE & HOPE FOR THE BEST. 1994. ONE OF 100 NUMBERED EXAMPLES

Neuchatel: Editions Media, 1994 24.8 x 32.2cm, black, red, yellow and blue silkscreen on thick grey card. A limited edition of 100 numbered copies signed by Weiner utilising a rubber stamp impression in black on the back. Fine.
DIE DAMEN BOSE IST BESSER. 1994. ONE OF ONLY 100 NUMBERED EXAMPLES

DIE DAMEN BOSE IST BESSER. 1994. ONE OF ONLY 100 NUMBERED EXAMPLES

Vienna: Die Damen, 1994 22.5 x 16.5cm, x 2cm, silkscreened two part box content of a silk bag (with tie) and in turn that has a pair of female pantyhose with a Weiner three colour design silkscreened onto the nylon. One of 100 numbered copies. In fine, unworn condition).
SILVER ANNIVERSARY. (DIECUT VARIANT) 1995.

SILVER ANNIVERSARY. (DIECUT VARIANT) 1995.

NYC, Leo Castelli, 1995 17.8 x 12.5cm, 2pp invitation designed by Weiner card for Castelli's anniversary as a gallerist. There were two versions of this card - both with a picture of the gallerist and Weiner sharing two glasses of champagne recto and verso gallery information (and Weiner's text "& Stones& Stones& Stones& Stones& Stones& Stones"): however one variation had a diecut ampersand cut into the card which could act as a stencil - the other variation did not. This is an example of the more interesting cut-away card and may be regarded as an object multiple by Weiner of sorts. Fine.
MORE YELLOW THAN BLUE. 1995.

MORE YELLOW THAN BLUE. 1995.

N.p.: Holy Cross Gallery, 1995 5 x 5cm, b/w transparency with a photograph of a wall installation in Helsinki. VG+.
(ALL ABOVE) IT ALL. 1995.

(ALL ABOVE) IT ALL. 1995.

N.p.: Holy Cross Gallery, 1995 5 x 5cm, b/w transparency with a photograph of a Weiner installation on the windows of the Whitney Museum in New York. VG+.
BAUEN TO BUILD A SQUARE IN THE RHINELAND. 1995.

BAUEN TO BUILD A SQUARE IN THE RHINELAND. 1995.

Koln: Verlag der Buchhandlung Walther König, 1995 29.5 x 25cm, unpaginated (c. 48pp) plus embossed boards. Artist's book with b/w photographs and textual designs by the artist showing his public art floor work. VG+.
WWS 1966. WIDE WHITE SPACE BEHIND THE MUSEUM. 1995. DESIGNED BY WEINER.

WWS 1966. WIDE WHITE SPACE BEHIND THE MUSEUM. 1995. DESIGNED BY WEINER.

Bonn: Kunstmuseum, 1995 75.5 x 60cm, black, red, yellow offset exhibition poster designed by Weiner for a retrospective of the Wide White Space (which Weiner's early works were part of). Listing many of the artists in the show (including Andre, Broodthaers, Buren, De Maria, Downsbrough, Kineholtz, Lamela, Nauman, Torini, Palermo, Van Snick, Baumgarten, Byars, Filliou, Beuys, Christo, Koepcke, Panamarenko and others) this is one of Weiner's most sought after posters (it also has a triangular die cut at the bottom missing as issued). VG but there are hard to see pin holes in the corners where the poster has been hung in the past.
WWS 1966. WIDE WHITE SPACE BEHIND THE MUSEUM. 1995. INVITE CARD DESIGNED BY WEINER. SLIGHT DAMAGE.

WWS 1966. WIDE WHITE SPACE BEHIND THE MUSEUM. 1995. INVITE CARD DESIGNED BY WEINER. SLIGHT DAMAGE.

Bonn: Kunstmuseum, 1995 11.5 x 14.5cm, 4pp announcement card designed by Weiner for a retrospective of the Wide White Space (which Weiner’s early works were part of). Listing many of the artists in the show (including Andre, Broodthaers, Buren, De Maria, Downsbrough, Kineholtz, Lamela, Nauman, Torini, Palermo, Van Snick, Baumgarten, Byars, Filliou, Beuys, Christo, Koepcke, Panamarenko and others). VG but there is a glue adhesive strip inside the card which slightly obscures the museum text. Priced to reflect that flaw.
KOPFBAHNHOF/TERMINAL. 1995. ONE OF 121 SIGNED & NUMBERED EXAMPLES.

KOPFBAHNHOF/TERMINAL. 1995. ONE OF 121 SIGNED & NUMBERED EXAMPLES.

Leipzig: Leipzig Hauptbahnhof, 1995 13 × 24 × 3 cm, two part cardboard box content of 80 printed timetables for the trains in the city of Leipzig. Each has a different variation of a text piece by the artist as a public intervention. This box contains the complete collection along with a signed and numbered yellow band from a total edition of 121 copies. All VG+ in like box.
LEARN TO READ ART. THE BOOKS: LAWRENCE WEINER. 1995.

LEARN TO READ ART. THE BOOKS: LAWRENCE WEINER. 1995.

NYC: Marian Goodman Gallery, 1995 100 x 70cm, full colour offset poster with colour illustrations and detailed bibliographic information about all (then) known Lawrence Weiner's artist multiples based on the collection of Piet De Jonge. Folded as issued but now a bit worn and grubby through use as the best reference of the works up until 1996. This now needs updated. Very scarce.
TO BUILD A SQUARE IN THE RHINELAND. 1995. ONE OF 100 SIGNED AND NUMBERED COPIES.

TO BUILD A SQUARE IN THE RHINELAND. 1995. ONE OF 100 SIGNED AND NUMBERED COPIES.

Koln: Verlag der Buchhandlung, 1995 11.5 x 10cm, unpaginated (c. 44pp) plus hard board covers. Artist’s book designed by Weiner with a number of different textual works. This is one of 180 signed and numbered copies. Slight wear to boards but else VG. Now very scarce.
SOME THINGS BROUGHT TO HAND. THE MULTIPLES OF LAWRENCE WEINER. 1995.

SOME THINGS BROUGHT TO HAND. THE MULTIPLES OF LAWRENCE WEINER. 1995.
BEMALTE STEINE DIE TRUMMER EINES GEBILDES. 1995.

BEMALTE STEINE DIE TRUMMER EINES GEBILDES. 1995.

Winterthur: Kunstmuseum Winterthur, 1995 2 x 4.8cm enamel badge (pin) made out of metal with title text. One of 1,200 copies. Now hard to find.
AAN TAFEL/A TABLE. 1996. SIGNED BY WEINER.

AAN TAFEL/A TABLE. 1996. SIGNED BY WEINER.

Bruxelles: Maison du Spectacle, 1996 100 x 70cm, red, blue and orange offset lithographic exhibition poster from a design by Weiner in three languages. Signed in black ink on the bottom right, VG.
A TALE OF A MAIDEN OR TWO. 1996.

A TALE OF A MAIDEN OR TWO. 1996.

Koln, Germany: Salon Verlag, 199617 x 12cm, 32pp plus green wrappers. First edition artist's book with text and graphics by Weiner. One of 1,000 numbered copies. Fine.
WIND & DE WILGEN / WIND & THE WILLOWS. 1996.

WIND & DE WILGEN / WIND & THE WILLOWS. 1996.

Middelheim/Antwerpen: Open Luchtmuseum, 199621 x 21cm, 28pp. Card covers. Artist's book with typographic design by Weiner. Fine.
5 WORKS OF LAWRENCE WEINER. 1996.

5 WORKS OF LAWRENCE WEINER. 1996.

n.p. (Zurich): Haus Bill, 1996Two part cardboard box (4.5 x 18 x 1.5cm) with printed labels content of five graphite pencils, each of which has a silkscreened text in silver and yellow. GRAPHITE + WOOD & IN A BOX/GRAPHITE + WOOD & IN A PILE/GRAPHITE + WOOD & IN A PUDDLE/GRAPHITE + WOOD & IN A LINE/ GRAPHITE + WOOD & IN MOTION. FINE IN LIKE BOX. Edition size not known.
WEST, EAST OF EDEN AND WEST OF THE ROCKY MOUNTAINS. 1996.

WEST, EAST OF EDEN AND WEST OF THE ROCKY MOUNTAINS. 1996.

Steamboat Springs: Riverhouse Editions, 1996 Set of three original colour transparencies displaying the three etchings and aquatints created by Weiner for the publishing hose., The works are West, East of Eden and West of the Rocky Mountains. All fine condition in original tripartite plastic holder.
HERE TODAY GONE TOMORROW AS THE DAWN COMES UP IKE THUNDER /ANOGY A NAJNAL HASAD MINT A MENNYDORGES MA, ITT, HOLAP OTT. 1996.

HERE TODAY GONE TOMORROW AS THE DAWN COMES UP IKE THUNDER /ANOGY A NAJNAL HASAD MINT A MENNYDORGES MA, ITT, HOLAP OTT. 1996.

Budapest: Galeria 56, 1996 4cm dia b/w badge (pin) made out of metal, paper and plastic with title text. Limitation unknown. Sadly this is heavily browned under the plastic - possibly through damp in the past. Scarce but priced thus for the damage.
MONSTERS FROM THE DEEP. 1997.

MONSTERS FROM THE DEEP. 1997.

London: Excellent, 1997 Standard cd in standard jewel case content of 11 musical works by Weiner - 43 min approx. Contains a Weiner designed insert. Unopened copy.
APRES LE FAIT MAIS AVANT LE DELUGE. 1997.

APRES LE FAIT MAIS AVANT LE DELUGE. 1997.

Lille: Art?, 1997 35 x 58cm, black and yellow silkscreen ink on white with a typographic work by Weiner - the text translates to "AFTER THE FACT BUT BEFORE THE DELUGE". One of only c. 50 such prints made. VG+.
(XY) Y FRIPON FRIPON & DEMI. 1997.

(XY) Y FRIPON FRIPON & DEMI. 1997.

Paris: Galerie Lambert, 1997 44 x 44 cmm red and black and blue on white offset lithographic artist designed exhibition poster with a design based on the title text. Very good and unfolded.
HULL HORIZON. 1998.

HULL HORIZON. 1998.

n.p. (Manchester): Transartspennine, 199810.5 x 10.5 cm. Offset litho 2 colour beer/drink mat object multiple in heavy card. With archetypical Weiner diecut shaped hole. Fine estate
LAWRENCE WEINER. 1998.

LAWRENCE WEINER. 1998.

London: Phaidon Press, 1998 29 x 25cm, 110pp plus card covers and printed pictorial dust wrapper. A major monograph on the work of the conceptual artist which is illustrated in colour throughout and with essays by Alice Zimmerman, Alexandro Alberro, Benjamin Buchloh and David Bachelor as well as Weiner himself. VG+.
AFTER THE FACT & BEFORE THE DELUGE. 1998. POINT D'IRONIE NR 6.

AFTER THE FACT & BEFORE THE DELUGE. 1998. POINT D'IRONIE NR 6.

Paris: Agnes B, 1998 43 x 31cm, 8pp. artist's book in form of a tabloid magazine with each page designed by Weiner with texts in French and English. Very scarce indeed.
AUF DEN WIND GESCHRIEBEN / WRITTEN ON THE WIND. 1998. SIGNED BY WEINER.

AUF DEN WIND GESCHRIEBEN / WRITTEN ON THE WIND. 1998. SIGNED BY WEINER.

Numberg: Kunsthalle Nurnberg, 1998. 84 x 60 cm, b/w large exhibition poster with a long text in german and English explaining the exhibition of posters (of which the poster itself was an exhibit). Designed by Weiner this copy is signed by him in black ink bottom right. Fine.
ON THE WALL SOME PRINTED POSTERS OF LAWRENCE WEINER. 1999.

ON THE WALL SOME PRINTED POSTERS OF LAWRENCE WEINER. 1999.

NYC: Bound & Unbound, 1999. 36 x 27cm, red on cream paper offset lithographic exhibition poster designed by Weiner. Fine.
KUNST BUCH ART+ BOOK + FRIENDS OF & FOR WALTHER KONIG. 1999. WITH SPECIALLY DESIGNED COVER BY WEINER

KUNST BUCH ART+ BOOK + FRIENDS OF & FOR WALTHER KONIG. 1999. WITH SPECIALLY DESIGNED COVER BY WEINER

Koln: Edition Hansjörg Mayer, 1999 25 x 18 cm. 192pp plus card covers and French folds. A collective artist's book in hommage of the publisher Walther König with contributions by John Baldessari, Lothar Baumgarten, Bernd & Hilla Becher, ein loses vierseitiges Insert von Claus Böhmler, Christian Boltanski, George Brecht, Günter Brus, Hanne Darboven, Hans-Peter Feldmann, Peter Fischli & David Weiß, Isa Genzken, Hans Haacke, Candida Höfer, Carsten Höller, Jenny Holzer, Roni Horn, On Kawara, Sol LeWitt, Nam June Paik, ein lose einliegendes Walther König-Lesezeichen von Tobias Rehberger, Ulrich Rückriem, Tomas Schmit, Schuldt, Thomas Struth, Rosemarie Trockel, Franz Erhard Walther. The cover was designed by Lawrence Weiner. Slightly grubby cover but else VG.
LOST & FOUND. VERLOREN & GEFUNDEN. 1999.

LOST & FOUND. VERLOREN & GEFUNDEN. 1999.

Hamberg: Ascan Crone, 1999 10.5 x 15cm, 1pp announcement card with a design by Weiner in yellow on white. Verso address label and mailing frsanks and stamp.
TATSACHLICH. SKULPTUREN UND BUCHER VON LAWRENCE WEINER. 1999.

TATSACHLICH. SKULPTUREN UND BUCHER VON LAWRENCE WEINER. 1999.

Bremen: Neues Museum Weserburg. 1999 25 x 28cm, 40pp . Original printed boards. Exhibition catalogue and artist's book with text in both German and English and ten colour images of installations both inside and outside the gallery. The design of the catalogue was by Weiner. VG+.
CAUGHT BETWEEN SHIPS PASSING IN THE NIGHT. 1999. SIGNED PROOF COPY.

CAUGHT BETWEEN SHIPS PASSING IN THE NIGHT. 1999. SIGNED PROOF COPY.

Canada: Art Metropole, 199911.4 x 13.6cm, silver, red and black silkscreen on cotton cloth with the title text in English and Japanese - a proof copy aside from the signed and numbered edition of 100. The silkscreen has a slight flaw in the silver. This cloth multiple is designed to be sewn onto a jacket or a shirt.
LAWRENCE WEINER. 1999.

LAWRENCE WEINER. 1999.

Tokyo: 360 degrees, n.d. (1999)5 x 8cm,1pp business card / publicity card printed red on white with only the name of the artist. Released at the time of the Washed in Water show. Fine.
TATSACHLICH/IN FACT. 1999.

TATSACHLICH/IN FACT. 1999.

Bremen: Neues Museum Weserburg, 1999 21 x 10.5cm, 2pp - typographic announcement card with a design by Weiner. For a show of sculptures and books. VG+.
A BASIC ASSUMPTION & 5 FIGURES OF STRUCTURE. 1999.

A BASIC ASSUMPTION & 5 FIGURES OF STRUCTURE. 1999.

NYC: Marion Goodman, 199945.5 x 45.5cm, orange, blue and black exhibition poster designed by Weiner. Folded for storage/mailing twice else VG.
TATSACHLICK/IN FACT. 1999. HAND-SIGNED BY WEINER.

TATSACHLICK/IN FACT. 1999. HAND-SIGNED BY WEINER.

Bremen: Neuen Museum Weserburg, 1999 82.5 x 59cm, blue, red, yellow and black lithographic offset exhibition poster designed by Weiner for a show of sculptures from the Onnasch collection. The poster is hand signed in black, on the bottom right by Weiner. VG+.
LEARN TO READ ART. 1999.

LEARN TO READ ART. 1999.

New York, NY Public Library, 1999 30 x 21cm, 8pp (single sheet folded) which is the exhibition catalogue and also artist's book and poster all designed by Weiner in black, yellow and silver - each of the items displayed in the show is listed in detail. Fine.
MOVED PICTURES. 2000.

MOVED PICTURES. 2000.

Wein: Hauskino, 2000 55 x 46cm red and black and blue on white offset artist designed exhibition poster with a design promoting a series of the conceptualist's film works being shown in Vienna. Very good.
OUT FROM UNDER. 2000.

OUT FROM UNDER. 2000.

Tel Aviv: Dvir Gallery, 2000 27 x 22cm, 48pp plus card covers. Artist's book designed and written by Weiner with text printed blue and red throughout. The texts are in English and Hebrew. Rather nice. VG+.
THE SOCIETY ARCHITECT PONDERS THE GOLDEN GATE BRIDGE. 2000. POSTER/BROCHURE.

THE SOCIETY ARCHITECT PONDERS THE GOLDEN GATE BRIDGE. 2000. POSTER/BROCHURE.

Berlin: Hamburger Bahnhof, 2000 21 x 10cm, 12pp (single folded sheet that opens to 42 x 30cm). Typographic announcement brochure and small poster for the premier of the collaborative opera between Weiner and Gordon (a minimalist and jazz composter). Text in German. Folded for mailing else VG+. Scarce.
BENT & BROKEN SHAFTS OF LIGHT. 2000.

BENT & BROKEN SHAFTS OF LIGHT. 2000.

Wolfsburg: Kunstmuseum Wolfsburg, 2000 32.5 x 20.5cm, 48pp plius card covers. Artist's book designed by Weiner with texts on uncut semi-transparent pages. A history of the artist's installations in the city with b/w images. Texts in German and English. VG+.
THE SOCIETY ARCHITECT PONDERS THE GOLDEN GATE BRIDGE. 2000.

THE SOCIETY ARCHITECT PONDERS THE GOLDEN GATE BRIDGE. 2000.

Berlin: Hamburger Bahnhof, 2000 21 x 15cm, 8pp. Typographic design - the concert programme for the collaborative opera between Weiner and Gordon. Reproduces the libretto in English. "The opera's plot is based on an actual court case: on the Golden Gate Bridge, an artist is hit by a car driven by a drunken architect. In the court case, however, a paradoxical twist occurs--the artist becomes the defendant under the examination of a reactionary judge." VG+. Scarce.
HOW TO TOUCH WHAT. 2000.

HOW TO TOUCH WHAT. 2000.

New York, Power House Books, 2000 16 x 18.5cm, 56pp plus thick boards and artist's book with 27 photographic reproductions by Even Sonneman overlaid with texts by Weiner. More humorous than most of Weiner's books this is a small delight. VG+.
MOVED PICTURES. 2000.

MOVED PICTURES. 2000.

Wien: Kunsthauskino, 200054.5 x 46cm. Red and black on white offset from a design by Weiner. Fine.
NACH ALLES/AFTER ALL. 2000.

NACH ALLES/AFTER ALL. 2000.

Berlin: Deutche Guggenheim , 2000 10.5 x 15cm, 2pp postcard with a reproduction of a work from the solo exhibition on the front, verso museum details. VG+.
THE SOCIETY ARCHITECT PONDERS THE GOLDEN GATE BRIDGE. 2000. PRESS RELEASE.

THE SOCIETY ARCHITECT PONDERS THE GOLDEN GATE BRIDGE. 2000. PRESS RELEASE.

Berlin: Hamburger Bahnhof, 2000 30 x 21cm, 2pp. Typographic design - the press release for the collaborative opera between Weiner and Gordon (a minimalist and jazz composter). Text in German. Folded for mailing else VG+. Scarce.
WILD BLUE YONDER. 2001. ONE OF 300 COPIES.

WILD BLUE YONDER. 2001. ONE OF 300 COPIES.

NTC: Moved Pictures, 2001 Standard (printed) DVD in card cover with two colour, artist designed printed label. Content of a 15 minute and 15 second film by Weiner with both live action interspersed withÂ standard Weiner artworks. Edition of only 300. Fine condition.
BLUE MOON OVER. 2001. SCREENPLAY FOR THE CARTOON.

BLUE MOON OVER. 2001. SCREENPLAY FOR THE CARTOON.

NYC: Moved Pictures, 2001 23 x 18cm, 32pp “screenplay/comic book” printed in yellow, red, blue and black. This is the trade edition of the artist's book that was made to accompany the title animation film. Fine condition and unique thus.
NYC MANHOLE COVERS. 2001.

NYC MANHOLE COVERS. 2001.

Weiner, Lawrence NYC: Public Art Fund, 2001 21.8 x 14cm, 20pp plus card covers and printed "blueprint" dust jacket. Artist's book. Weiner was commissioned in 1999 to produce a public art work for New York “he introduced 19 manhole covers to Manhattan “ each carrying the message: "IN DIRECT LINE WITH ANOTHER AND THE NEXT". Placement mirrored the stars above in the shape of 3 constellations including the Great Bear. All of the 19 manholes are reproduced herein along with the blueprint dj which shows the placement and original instruction drawing supplied to the manufacturer. Fine estate. Now scarce. 95 uk pounds
BLUE MOON OVER. DELUXE. 2001. WITH ORIGINAL SIGNED DRAWING.

BLUE MOON OVER. DELUXE. 2001. WITH ORIGINAL SIGNED DRAWING.

NYC: Moved Pictures, 2001 27 x 22 x 3cm, two part black box with printed circular label. Content of a 23 x 18cm, 32pp "screenplay/comic book" printed in yellow, red, blue and black and released in only 100 signed and numbered copies (with a small diagrammatic drawing by Weiner as part of his signature at the back and a 12.5 x 12.5cm folder containing the dvd of the film as well as a black sealed wrap around. The cover of the dvd has an original drawing by Weiner in black silver and red and is signed and numbered (although each has a different drawing). Fine condition and unique thus.
IN ONE END & OUT THE OTHER. 2002.

IN ONE END & OUT THE OTHER. 2002.

Prague: Gandy Gallery, 2002 42 x 30cm. red on white exhibition poster designed by Weiner with the title text in Czech and English. Unfolded and fine.
TOWARDS THE END OF THE BEGINNING. 2002.

TOWARDS THE END OF THE BEGINNING. 2002.

Lisbon: Christina Guerra, 2002 26 x 20.5cm, unpaginated (44pp) plus card covers. Artist's book designed by Weiner with texts and graphics on each page and minimal text. The colour green is dominant throughout. VG+. Scarce.
UNTIL IT IS. 2002.

UNTIL IT IS. 2002.

Columbus: Wexner Center for the Arts/Ohio State University/Yale University Press, 2002 15 x 36cm, unpaginated (40pp) plus wrappers. Bound with an oversized spiral binding. Published on the occasion of an installation and audio project in the Wexner Center's 'Notations' series. Colour images of installatins and works and texts in English. One colour portrait of the artist. VG+.
PUT ASIDE PUT AWAY. 2002.

PUT ASIDE PUT AWAY. 2002.

Koln: Buchmann Galerie, 2002 10.5 x 15cm, 2pp announcement card with a design by Weiner on the front and verso gallery details. VG+.
WILD BLUE YONDER. 2002.

WILD BLUE YONDER. 2002.

NYC: Moved Pictures and Printed Matter, 2002 18.5 x 17.5cm, unpaginated (c. 120pp) plus card covers. Artist's book combining images from Weiner's film of the same title and the artist's graphic design. VG+.
INVITATION TO THE DANCE. UNIQUE DRAWING. MAY 2003. SIGNED, DATED & TITLED.

INVITATION TO THE DANCE. UNIQUE DRAWING. MAY 2003. SIGNED, DATED & TITLED.

15 x 21cm, blue, yellow, red, black and silver ink on paper: signed, titled "Invitation to the dance" and a quotation - "Anglosaxinated” is placed above a directional arrow displacing the text towards two open spaces in a silver wall. Given the geographical location of the work's sale (Glasgow, Scotland) during a period of political debate over Scottish independence; it is tempting to see the work as a comment on English imperialism over their Northern neighbours. Fine. Image on request. Full provenance available.
GIVE & GET/HAVE & TAKE. 2003?

GIVE & GET/HAVE & TAKE. 2003?

N.p.: n.p., n.p. (2003?) XL white cotton t-shirt with a black and grey silkscreen on the front (GIVE & GET) and on the reverse a red and balck silkscreen (HAVE & TAKE) Design by the artist. Unworn, near mint.
A DAY IN THE LIFE. 2003.

A DAY IN THE LIFE. 2003.

Tokyo: Gallery 360, 2003 14.5 x 11cm, 60pp plus card covers. Photographic artist's book with over 50 colour images of the artist in New York and some drawings. One of 1,000 issued. VG+.
A DAY IN THE LIFE. PHOTOGRAPHS BY SHINGO WAKAGI. 2003.

A DAY IN THE LIFE. PHOTOGRAPHS BY SHINGO WAKAGI. 2003.

Tokyo: Gallery 360, 2003 15 x 10.5cm, 2pp announcement card for an exhibition of photographs of Weiner taken in a single day. One colour image on front, verso gallery details. VG+.
DIE SAMMLUNG MARZONA. ARTE POVERA MINIMAL ART CONCEPT ART LAND ART. 2003.

DIE SAMMLUNG MARZONA. ARTE POVERA MINIMAL ART CONCEPT ART LAND ART. 2003.

Berlin: Kulturstiftung der Länder und Kulturstiftung des Bundes und Verein der Freunde der Nationalgalerie, 2003 27 x 21cm, 186pp. Card covers. Exhibition catalogue with cover by Weiner for this exhibition taken from the famous collection. VG.
ON A STRING. 2004.

ON A STRING. 2004.

Zurich: Mai 36 Gallery, 200410.5 x 15cm, 2pp announcement card for the title exhibition with recto a design by Weiner printed in black on white. Verso: gallery details. Fine.
BREMERHAVEN. 2005. ARTIST'S BOOK WITH SIGNED EX LIBRIS BY WEINER - ONE OF 150 WITH SILKSCREENED SLIPCASE.

BREMERHAVEN. 2005. ARTIST'S BOOK WITH SIGNED EX LIBRIS BY WEINER - ONE OF 150 WITH SILKSCREENED SLIPCASE.

Koln: Salon, 2005 21 x 15cm, unpaginated. Original card covers with printed cardboard slipcase. A reprint of the three artist's books issued by the Kabinett fur Aktuel Kunst - Within forward motion, Towards a reasonable end and With a touch of pink along with a signed printed Ex Libris slip inserted into the book. This is number 33 from 750 and is one of the 150 deliuxe copies with a printed silkscreened slipcase designed by Weiner . VG+.
LAWRENCE WEINER. 2005.

LAWRENCE WEINER. 2005.

Salzburg: Galerie Thaddaeus Ropac, 2005 15 x 21cm, 2pp announcement card with a design by the artist on the front, verso gallery details. VG+.
HAVE & TAKE, GIVE & GET. 2005.

HAVE & TAKE, GIVE & GET. 2005.

NYC: The Wrong Gallery, 2005 Printed cardboard box content of two 16.5cm x 5cm brass metal stencils housed in die cut inner sleeve. The texts on the stencils are "HAVE & TAKE” and "GIVE & GET”. One of 1,000 unnumbered copies. Fine in like box. The Wrong Gallery was an idea of Maurizio Cattelan who published small size editions.
X Y & Z. 2006.

X Y & Z. 2006.

Wein: Bawag Foundation, 2006 20.5 x 20.5cm, unpaginated (48pp) plus typographic designed boards by Weiner. Artist's book with colourful geometric designs and texts on each page. VG. Scarce.
X Y & Z. 2006. TYPOGRAPHIC ANNOUNCEMENT CARD & PRESS RELEASE.

X Y & Z. 2006. TYPOGRAPHIC ANNOUNCEMENT CARD & PRESS RELEASE.

Wein: Bawag Foundation, 2006 15 x 21cm, 1pp typographic announcement card with a motif designed by Weiner. VG. Scarce. JOINT: Wein: Bawag Foundation, 2006 Four, 30 x 21cm, 1pp typographic press release for the show (printed recto only), Folded for mailing.
AS FAR AS THE EYE CAN SEE. 2007.

AS FAR AS THE EYE CAN SEE. 2007.

NYC: Whitney Museum of American Art, 2007 25.5 x 17cm, 6pp announcement with a short essay by Jarrett Gregory and six images of works by the artist. VG+.
FOREVER & A DAY. 2017.

FOREVER & A DAY. 2017.

Dusseldorf: Antiquariat Querido, 2017 10.5 x 15cm, 2pp. Promotional card for a bookshop displaying two hugging figures wearing temporary tattoos by Weiner. VG. <BR
TURNING SOME PAGES. 2007. SIGNED BY WEINER.

TURNING SOME PAGES. 2007. SIGNED BY WEINER.

London: Greencoat, 2007 25 x 20cm, unpaginated (c. 100pp) pls printed soft boards. Unusual for Weiner this appears to have been commissioned by Greencoat to showcase their range of paper products. The various sections of Weinber's book are printed on different paper stocks. This is nonetheless a lovely production and Weiner's graphics and texts are complex and intriguing. This example is signed in ink by Weiner on the first inside page. VG+.
AS FAR AS THE EYE CAN SEE. 2008.

AS FAR AS THE EYE CAN SEE. 2008.

Dusseldorf: K21, 2009 12.5 x 12.5cm, black on yellow paper napkin silkscreen over printed with the artist's design. Theoretically unlimited but issued at the opening event. VG+. Very scarce.
AS FAR AS THE EYE CAN SEE. 2008.

AS FAR AS THE EYE CAN SEE. 2008.

Dusseldorf: K21, 2009 84 x 59.5cm, offset lithographic poster for this exhibition with a design in green and black by Weiner. VG although one slight pinch in the upper part of the poster.
SWIMMING IN A VAST WHIRLPOOL. 2008.

SWIMMING IN A VAST WHIRLPOOL. 2008.

Koln: Konig, 200815 x 10.5 colour postcard designed by Weiner as part of an art card edition. Fine.
QUID PRO QUO. 2008.

QUID PRO QUO. 2008.

Rome: Gagosian, 2008 21.5 x 21.5cm, unpaginated. Original card covers. Artist's book with various maquettes (designated as 'prologue' and 'epilogue' by the artist) and two extensive wall "sculptures" - one as two double fold out pages on card bound in. Issued on the occasion of an exhibition in Rome there is rather good essay at the back of the book. Some marks to the front cover including a small ink line else VG+.
& GIVEN & REPLACED. 2009.

& GIVEN & REPLACED. 2009.

Newlyn: Newlyn Art Gallery, 2009 60 x 42cm, red, blue and black exhibition poster and print designed by Weiner. Fine.
STRAIGHT IS THE GATE BUT WATER FINDS ITS OWN LEVEL. 2009.

STRAIGHT IS THE GATE BUT WATER FINDS ITS OWN LEVEL. 2009.

Zurich, Grand Curtius Gallery, 20099 x 21cm, 2pp announcement card with a design by the artist. Fine.
HAVING BRIDGED A ( THE ) GAP. 2009. (MUSEUM FUR MODERNE KUNST).

HAVING BRIDGED A ( THE ) GAP. 2009. (MUSEUM FUR MODERNE KUNST).

Frankfurt am Main: Museum fur Moderne Kunst, 200910.5 x 15cm, 2pp. Announcement card, recto: Weiner's text in English and German. Verso:museum details. This card uses the same design as a Weiner card from 1975 - although is slightly raised relative to the bottom of the card - but is additionally dedicated to Hanne darboven who died only a little while before the exhibtion. VG+.
DICHT BIJ. 2010. ONE OF 300 EXAMPLES.

DICHT BIJ. 2010. ONE OF 300 EXAMPLES.

Utrecht: BAK, 2010 25cm dia x 12cm, plus ribbons. Limited edition sailors hat with the Dutch title text DICHT BIJ which translates to CLOSE TO. Issued during an exhibition in a limited edition of only 300 examples. In VG+ unworn condition.
PENDING RESOLVE.

PENDING RESOLVE.

NYC: MOMA, N.D. Clothing object multiple - a textual screenprinted grey t-shirt with white text. Medium size only.
AS FAR AS THE EYE CAN SEE. c. 2010.

AS FAR AS THE EYE CAN SEE. c. 2010.

Koln: Konig, n.d. (2010s?)10.5 x 15cm, 2pp commercial artist's postcard after a 1988 print by Weiner. Fine.
LAWRENCE. 2011. ONE OF ONLY 300.

LAWRENCE. 2011. ONE OF ONLY 300.

Vienna: Black Pages, 2011 21 x 15cm, 16pp plus card covers. Artist's book released as the 22nd in a series issued by Christoph Meier, Ute Müller and Nick Oberthaler where the design of each book (named after the forename of the artist) is based on a black background. Weiner's design is in light blue and white. One of only 300 released. VG+. Scarce.
SPECIFIC OBJECT PRESENTS LAWRENCE WEINER'S WORK FROM THE JEAN-NOEL HERLIN ARCHIVE. 2011.

SPECIFIC OBJECT PRESENTS LAWRENCE WEINER'S WORK FROM THE JEAN-NOEL HERLIN ARCHIVE. 2011.

NYC: Susan Inglett Gallery, 2011 10.5 x 15cm, 2pp announcement card with a colour image of the former dealer Jean-Noel Herlin (looking much like Larry David) leaving Lawrence Weiner's house with Weiner standing in the doorway. VG+
QUELQUE CHOSE POUR QUELQUE CHOSE. 2011. SIGNED AND DEDICATED BY WEINER

QUELQUE CHOSE POUR QUELQUE CHOSE. 2011. SIGNED AND DEDICATED BY WEINER

N.p.: Ballore, 2011 18 x 16cm, 36pp plus full colour pictorial wrappers. Artist book with designs by Weiner and images of works. A rather attractive and accessible work by the conceptualist. This example is signed and dedicated in ink by Weiner on the first page along a curve. VG++.
EVER SO MUCH/MAI COSI' TANTO. 2012.

EVER SO MUCH/MAI COSI' TANTO. 2012.

Firenze: Base, 2012 84 x 62cm, blue, black and orange offset lithographic poster with a typographic design by Weiner. VG+.
CONCENTRICITY PER SE. 2012.

CONCENTRICITY PER SE. 2012.

Berlin: Blain Southern, 2012 84 x 59cm, yellow, black and blue on gloss paper. Offset lithographic exhibition poster with a design by Weiner. VG+.
EVER SO MUCH/MAI COSI TANTO. LAPEL BADGE. 2012.

EVER SO MUCH/MAI COSI TANTO. LAPEL BADGE. 2012.

Firenze: Base Prosetti Per L’Arte,2012 3 x 3 x 1cm, enameled metal pin lapel badge. In original unopened plastic bag.
THE GRACE OF A GESTURE. 2013.

THE GRACE OF A GESTURE. 2013.

Venice: Written Art Foundation, 2013 42 x 36cm, black and white on blue cotton tote bag - Weiner's sea-bourn text in different languages VG+.
WEEK END #3. 2013. TOTE BAG.

WEEK END #3. 2013. TOTE BAG.

Koln: Armedangels, 2013 40 x 36cm, black, blue and orange on white cotton tote bag. VG+.
WEEK END #3. 2013. LARGE T-SHIRT.

WEEK END #3. 2013. LARGE T-SHIRT.

Koln: Armedangels, 2013 Large size t-shirt with a design by Weiner printed black, blue and orange on white cotton tote bag. VG+.
ASSUMING THE POSITION. MEDIUM ARTIST'S T-SHIRT. 2014.

ASSUMING THE POSITION. MEDIUM ARTIST'S T-SHIRT. 2014.

NYC: Moma, 2014 Medium size blue cotton t-shirt with the title black and white silkscreen artwork on the front - a clothing multiple specially designed for the NYC MOMA and only available for a short time. VG unworn condition. Size of edition unknown.
OVER WIJ ABOUT WE.

OVER WIJ ABOUT WE.

N.p. (Amsterdam): n.p., n.d. Large black 100% cotton t-shirt with the title text silkscreened in white as designed by Weiner. Limitation unknown.
PAST THE END OF THE DOCK. 2014.

PAST THE END OF THE DOCK. 2014.

Bremen: Galerie Bismarck, 2014 XL white cotton t-shirt with blue, red and black silkscreen with the title text in two languages - German and English with the phrase repeated twice in German. Design by the artist. Unworn, near mint.
AFTER FINE ART. 2014. SMALL SIZE ARTIST DESIGNED T-SHIRT.

AFTER FINE ART. 2014. SMALL SIZE ARTIST DESIGNED T-SHIRT.

NYC: Sprz, n.d. (2014) Small yellow cotton t-shirt with blue and black silkscreen design by Weiner. Previously worn but VG+.
WITH A WARM EMBRACE (COME WHAT MAY). 2014.

WITH A WARM EMBRACE (COME WHAT MAY). 2014.

NYC: Moma, 2014 Small size white cotton t-shirt with the title red and black silkscreen artwork on the front of Weiner's well known ship logo a - a clothing multiple specially designed for the NYC MOMA and only available for a short time. VG unworn condition. Size of edition unknown. Attached is a 10 x 10cm, printed title label also designed by Weiner.
BOOKS POSTERS MULTIPLES OBJECTS AUDIO WORK SOUVENIRS CARDS & STATEMENTS ON TYPE. 2014.

BOOKS POSTERS MULTIPLES OBJECTS AUDIO WORK SOUVENIRS CARDS & STATEMENTS ON TYPE. 2014.

Koln: Stefan Schulke, 2014 Five separate 30 x 14cm, 6pp (single folded sheet) catalogues of inventory from the artist relating to Lawrence Weiner. Each has numerous small colour images of the books, cards, multiples. While not comprehensive the catalogues are useful references. VG+. In original printed bandeau.
ZEIT IST ZEITLICH/TIME IS TEMPORAL. 2014. ONE OF A SMALL SIGNED EDITION.

ZEIT IST ZEITLICH/TIME IS TEMPORAL. 2014. ONE OF A SMALL SIGNED EDITION.

Koln: Kolnischer Kunstverein, n.d. (2014)32 x 32cm, 1pp black, white and blue silkscreen on thick cardboard with die cut holes. A print edition by Weiner which was given only to members of the museum as a gift on renewal of their memberships. The number of the edition is not known but not too many - the work is initialled by Weiner on the reverse on an attached label. Very scarce. VG+.
WHEN IN DOUBT. THROW IT OUT. 2014.

WHEN IN DOUBT. THROW IT OUT. 2014.

NYC: UNIQLO, 2014 Medium size silkscreened v-neck t-shirt with a design in black on light blue cotton by Weiner. VG+.
WATER FINDS ITS OWN LEVEL. LARGE ARTIST'S T-SHIRT. 2014.

WATER FINDS ITS OWN LEVEL. LARGE ARTIST'S T-SHIRT. 2014.

NYC: Moma, 2014 Large size grey cotton t-shirt with the title three colour silkscreen artwork on the front - a clothing multiple specially designed for the NYC MOMA and only available for a short time. VG unworn condition. Size of edition unknown.
ON THE VERGE. 2015. TOTE BAG.

ON THE VERGE. 2015. TOTE BAG.

Istanbul: Istanbul Biennale, 2015 37 x 35cm, white cotton tote bag plus handles silkscreened in acquamarine and black with a design by the artist. Limitation unknown. VG.
DRY EARTH & SCATTERED ASHES/DRY EARTH & BURIED GOLD. 2015.

DRY EARTH & SCATTERED ASHES/DRY EARTH & BURIED GOLD. 2015.

Blenheim Palace: s.p. (Weiner), n.d. (2015) 3.5cm, two sided printed wooden coin with the title text in a design by Weiner. An unlimited (supposedly) object multiple given away during the artist's installation at Blenheim Palace. VG+ condition. NB: Illustration shows both sides of the "coin" - price here is for ONE COIN only.
WITHIN A REALM OF DISTANCE: LAWRENCE WEINER AT BLENHEIM PALACE. 2015.

WITHIN A REALM OF DISTANCE: LAWRENCE WEINER AT BLENHEIM PALACE. 2015.

Blenheim: Blenheim Art Foundation, 2015 29.5 x 25cm, 136 plus artist designed boards. Exhibition catalogue of essays and images which positions Weiner’s solo, site-specific exhibition Within a Realm of Distance at Blenheim Palace in 2015 within the wider context of his work since the 1960s as a founding figure of New York Conceptualism. Texts in English by Michael Frahm, Lord Edward Spencer-Churchill, Iwona Blazwick, Jordan Wolfson and Christian Gether. VG+.
ONE HUNDRED MULTIPLES OF LAWRENCE WEINER. 2015.

ONE HUNDRED MULTIPLES OF LAWRENCE WEINER. 2015.

Edinburgh: Summerhall, n.d. (2015) 21 x 15cm, 8pp. Colour xerox as issued - the gallery handout for an exhibition of Weiner's multiples taken from the collections of Piet de Jong and Paul Robertson which took place during the Edinburgh Festival. Each of the 100 object multiples is listed in detail making this an useful reference. Some stains on the paged but else VG.
ENOUGH OF THIS/ENOUGH OF THAT.

ENOUGH OF THIS/ENOUGH OF THAT.

n.p. : n.p., n.d.4 x 6.5 cm, plastic and paper temporary tattoo. Limitation unknown. Fine, unused estate.
MISS READ: THE BERLIN ART BOOK FAIR. 2015. CATALOGUE COVERS DESIGNED BY WEINER.

MISS READ: THE BERLIN ART BOOK FAIR. 2015. CATALOGUE COVERS DESIGNED BY WEINER.

Berlin: Berlin Art Book Fair, 2015 30 x 21cm, 74pp plus printed covers. The catalogue for the book fair where Lawrene Weiner has designed the cover and back cover in his distinctive typographic style and font. VG example.
FOREVER & A DAY. TEMPORARY TATTOO.

FOREVER & A DAY. TEMPORARY TATTOO.

n.p. : Weiner, n.d. 10.2 x 15.4cm (approx) multi colour temporary tattoo with the title text in a design by Weiner. Unlimited edition. Fine.
ON THE VERGE. TEMPORARY TATTOO. 2015

ON THE VERGE. TEMPORARY TATTOO. 2015

Istanbul: Istanbul Bienalle, 2015 6.5 x 7.8cm (approx) multi colour temporary tattoo with the title text in a design by Weiner. Unlimited edition but only available in Instabul during the Festival. Fine.
THIS AS THAT [BE THAT AS IT MAY]. 2015.

THIS AS THAT [BE THAT AS IT MAY]. 2015.

Gorebridge: Lust & the Apple/ Show and Tell Editions, 2015. 10.5 x 15cm, 2pp digitally printed announcement card and limited edition artist's card displaying the title work provided by Lawrence Weiner for an exhibition at Lust & the Apple. The work was painted directly on a dry stane dyke in the gallery's garden. Only 200 such cards printed.
IN THE STREAM OF LIFE. 2016.

IN THE STREAM OF LIFE. 2016.

Bern: Kunsthalle Bern, 2016 42 x 35cm, cotton tote bag plus handles with the silkscreen title text in red and black in German, English, French and Italian, Limitation unknown. Fine.
WITH A TOUCH OF PINK WITH A BIT OF VIOLET WITH A HINT OF GREEN. 2016.

WITH A TOUCH OF PINK WITH A BIT OF VIOLET WITH A HINT OF GREEN. 2016.

Berlin: Konrad Fischer Galerie, 2016 10.5 x 15cm, 1pp announcement card with a design by Weiner - the fourth of five Weiner designed cards here for a group show in memoriam for Dorothee Fischer. Fine.
WHEREWITHAL WAS ES BRAUCHT. 2016.

WHEREWITHAL WAS ES BRAUCHT. 2016.

Bregenz: KUB, 2016 21 x 15cm, 20pp exhibition catalogue with a design by Weiner on the front. Six images of works mostly in situ and one portrait of the elderly artist. VG+.
HERE TO THERE. 2016. ENGLISH/JAPANESE WITH TAN COVER.

HERE TO THERE. 2016. ENGLISH/JAPANESE WITH TAN COVER.

N.p.: s.p. (Weiner), 2016 15 x 12cm, 32pp plus card covers. Artist's book with designs by Weiner with half of the book in English and then do-a dos, in Japanese. VG+ condition.
HERE TO THERE. 2016. ENGLISH/SPANISH WITH GREY COVER.

HERE TO THERE. 2016. ENGLISH/SPANISH WITH GREY COVER.

N.p.: s.p. (Weiner), 2016 15 x 12cm, 32pp plus card covers. Artist's book with designs by Weiner with half of the book in English and then do-a dos, in Spanish. VG+ condition.
EVERY WHICH WAY + UP. 2017.

EVERY WHICH WAY + UP. 2017.

Aspen Baggu/Aspen Art Museum, 2017 35 x 33 x 12cm natural canvas shoulder bag with adjustable strap with the text: "EVERY WHICH WAY + UP" in red and black. Unused. Limitation unknown.
NAU EM I ART BILONG YUMI. 2017.

NAU EM I ART BILONG YUMI. 2017.

N.p. (Milan): s.p. (Weiner), n.d. (2017) 21 x 30cm, diet blue card sheet with the title text on it. A stencil for adding the artist’s text to walls etc. Unlimited edition. Unused and pristine.
NAU EM I ART BILONG YUMI. 2017.

NAU EM I ART BILONG YUMI. 2017.

N.p.: s.p., n.d. (2017) 6 x 6cm temporary colour tattoo with the title text on it. Unlimited edition. Unused although the backing paper has slightly ruffed but not affecting the tattoo.
MIND THE STEP. 2018. ONE OF 500 EXAMPLES.

MIND THE STEP. 2018. ONE OF 500 EXAMPLES.

Koln: Walther Konig, 2018 19.5 x 19.5cm, printed custom cardboard box content of a 15 x 15 x 1cm glazed ceramic tile with a typographic design by Weiner. One of 500 examples issued. VG+.
PAS JEUNE JEUNE. 2018. one of 50 signed & numbered publications.

PAS JEUNE JEUNE. 2018. one of 50 signed & numbered publications.

Paris: Yvon Lambert, 2018 32 x 23 cm closed card folder that opens up to 32 x 88cm and displays an original silkscreen in blue, red and orange with the text in French and English: "UNE PLUS UNE C'EST DEUX/MAIS/UNE GOUTTE D'EAU C'E MIEUX" and "ONE PLUS ONE EQUALS TWO/ BUT/ A DRIP MAKES A HOLE IN THE STONE." This was the fifth book from the collection Pli selon pli issued by Yvon Lambert. It is one of only 50 numbered and signed copies (with some artist's proof hors commerce). Fine.
ATTACHED BY EBB AND FLOW. 2019.

ATTACHED BY EBB AND FLOW. 2019.

Orani: Museo Nivola, 2019 22 x 16cm, 134pp plus card covers. Exhibition catalogue for a solo show with numerous installation views in colours (including one portrait of the artist in a wheelchair wearing his sailor hat) and an essay in Spanish and English by Antonella Camarda as well as an interview with Weiner. VG+.
FOREVER & A DAY. LAWRENCE WEINER 1968 - 2018. STATEMENTS. 2018.

FOREVER & A DAY. LAWRENCE WEINER 1968 - 2018. STATEMENTS. 2018.

Dusseldorf: Querido, 2019 30 x 21cm, 88pp plus card covers. Bookseller's catalogue which is wonderfully designed and contains a text in German and English by Dieter Schwarz, "Apples as they are". Listed are 410 items, nearly all with coloured images. Contains sections on Works, Autographs & Photographs, Books, Monographs & Catalogs, Contributions to Group Exhibitions and Publications, Records, Tapes, CD s & Films, Multiples, Editions & Graphics, Souvenirs & small Objects, Posters and Invitations Cards, Postcards, Bookmarks and Tattoos as well as new Releases 2018. Published in 300 numbered copies. VG+. A really well made catalogue which is probably as close to the most up to date catalogue raisonne for the artist.
ME + YOU & WE. 2020. ONE OF 175 PLATES.

ME + YOU & WE. 2020. ONE OF 175 PLATES.

NYC: Coalition for the Homeless, 2020 31 x 31cm, two part yellow cardboard box with foam insert supporting a 16cm dia. artist designed porcelain plate by Weiner. The charity edition fed 75 hungry homeless workers for each plate sold - and only 175 of each plate was produced. Weiner's text in red , yellow and blue is a conceptual art statement stressing our solidarity with each and every one of us. Mint. JOINT: the Coalition for the Homeless booklet showing all of the plates produced.
BOOKS DO FURNISH A ROOM. 2020.

BOOKS DO FURNISH A ROOM. 2020.

Homberg: n.p., 2020 15 x 10-.5cm, 1pp artist designed postcard with the slogan "BOOKS DO FURNISH A ROOM" in Weiner's typography on the front - semi-embossed. VG+.
EN ALGUN LUGAR AL SUR DE LA FRONTERA/SOMEWHERE SOUTH OF THE BORDER. 2021

EN ALGUN LUGAR AL SUR DE LA FRONTERA/SOMEWHERE SOUTH OF THE BORDER. 2021

Mexico: Casa Bosquese, 2021 8.5 x 15 x 1cm, bar of 72% dark chocolate with coconut sugar and blue maize and tabasco in original foil inner wrap and outer thick paper wrapper with a design by Lawrence Weiner with the title text. Limited edition in VG++ unopened condition.
A DETERMINATION OF WHERE WHAT FALLS OFFSIDE RESTS. 2022.

A DETERMINATION OF WHERE WHAT FALLS OFFSIDE RESTS. 2022.

Venezia: Arsenale Institute for Politics of Representation, 2022 10.5 x 15cm, 2pp artist's postcard issued during the posthumous exhibition of works, on reproduced text work on front. VG+.
THE LANGUAGE OF LAWRENCE WEINER. 2022.

THE LANGUAGE OF LAWRENCE WEINER. 2022.

Venezia: Arsenale Institute for Politics of Representation, 2022 10.5 x 15cm, 2pp artist's postcard issued during the posthumous exhibition of works, with a b/w photograph of Weiner as a child on the front, verso gallery details. VG+.
TIRE A QUATRE EPINGLES. 2003.

TIRE A QUATRE EPINGLES. 2003.

Paris: Seuil Jeunesse. 2003 18 x 17.8cm, 12pp (self cover). Artist's book in the form of a children's book with each page being a thick card board with the design by the artist in red, yellow, blue, orange, and black. VG+.
SOUVENIR DE: LES CHAMPS DE LA SCULPTURE 2000. 1999.

SOUVENIR DE: LES CHAMPS DE LA SCULPTURE 2000. 1999.

Paris: Devarrieuxvillaret, 1999 10.5 x 15cm printed outer folder with a 15pp tipped on concertina set of postcards showing the installation of a text work in situ "COPPER & NICKEL & SWEAT MIXED UPON THE GROUND" which is painted on a pedestrian crossing in France. The postcards can be separated out if desired and sent in the mail. Very scarce.
DEUTSCHE ANGST/WHERE IT CAME FROM. 1982.

DEUTSCHE ANGST/WHERE IT CAME FROM. 1982.

Brussels: Les Disques Du Crépuscule, 1982 Standard 7 inch single record in original printed sleeve designed by Weiner in two colours on grey. Recodings of Deutsche Angst (5:49) and Where it came from (4:15). The music for Deutsch Angst was composed by Peter Gordon. Reference: Broken Music, p. 255.Slight handling creases for cover, record VG+ with centre removed.
SHIPS AT SEA NOT DUCKS ON A POND. SIGNED BY WEINER.

SHIPS AT SEA NOT DUCKS ON A POND. SIGNED BY WEINER.

N.p. (USA?): n.p., n.d. 10 x 10cm, 2pp artist designed card with a design in blue and white on the front, gallery artist rota on back. An unmailed example, this copy is signed by Weiner with his initials bottom right in ink. VG+.
3 ELEMENTS 2 TIMES. 1999.

3 ELEMENTS 2 TIMES. 1999.

Mainz: Choius-Verlag, 1999 30 x 21.3cm, 76pp plus card covers. Exhibition catalogue displaying in situ works by Weiner alongside reproductions of instruction drawings, photographs of the artist and texts by Martin van der Koelen and an interview with Weiner - in English and German. Slight bump to top of spine else VG. Uncommon.
REGARDING INSCRIPTIONS (OF A SORT) / HINSICHTLICH INSCHRIFTEN. 1978.

REGARDING INSCRIPTIONS (OF A SORT) / HINSICHTLICH INSCHRIFTEN. 1978.

Basel/New York: Rolf Preisig & Moved Pictures,1978 18 x 14cm, 42pp plus card covers with a b/w photograph of Grand Central Station on the front. Artist's Book with texts by Weiner in English and German and photographs by Beate Nilsen. The texts in Weiner's typical construction are reflected by the items photographed. Hence: REGARDING INSCRIPTIONS: INSCRIBED UPON: is followed by 3 small b/w images of items with inscribed patterns. One slight tear at the top of the spine else VG. One of 780 printed copies. Ref.: Lawrence Weiner: Books 1968-1989: Catalogue Raisonné Nr 22.
DER HORIZONT. 2001. SIGNED & DATED IN PENCIL BY WEINER.

DER HORIZONT. 2001. SIGNED & DATED IN PENCIL BY WEINER.

Hamburg: Griffelkunst-Vereinigung, 2001 81 x 52.5cm, offset lithograph with a work by Weiner on vellum. The text Der Horizont Fragestellung Nr. 1 Das Endziel is in Weiner's typical style. The work is signed and dated in pencil bottom left. VG+
FROM SOURCE TO USE. 1984/1985

FROM SOURCE TO USE. 1984/1985

N.P.: Bébert/The Archives, 1985 32.5 x 25cm, foil stamped text on plastic thick sheet. One of the elements from the edition box "From source to use. Contemporary Archeology Pandora Part One". Weiner's contribution to the box gave the title to the production. This is one of 200 initialled, dated (Weiner dated them 1984 prior to release) and numbered examples. Sadly Weiner's ink signature is slightly worn off as the ink did not attach readily to the plastic but else this is VG. JOINT: 32.5 x 25cm, 1pp printed name sheet as issued in the box. VG+.
SPECIAL EDITION. SOUTH LONDON GALLERY GOES INDEPENDENT. 2003. WITH A COMMISSIONED PAGEWORK BY LAWRENCE WEINER

SPECIAL EDITION. SOUTH LONDON GALLERY GOES INDEPENDENT. 2003. WITH A COMMISSIONED PAGEWORK BY LAWRENCE WEINER

Lonndon: South London Gallery, 2003 42 x 30cm, 16pp (self cover) tabloid newspaper issued on the occasion of the gallery becoming independent of Southwark Council. The middle 8 pages are a "pull out" section commissioned by the gallery from Lawrence Weiner printed red and black on white. Folded as issued else VG+. Hard to find.
STATSIS AS TO VECTOR. ALL IN DUE COURSE. 2020?

STATSIS AS TO VECTOR. ALL IN DUE COURSE. 2020?

Paris: Sacai x Colette, n.d. (c. 2020?) Medium mens size t-shirt printed white, red and blue on black cotton with a design by Weiner on the front. Perviously worn but laundered and in VG+ condition.
AFTER FINE ART. 2014.

AFTER FINE ART. 2014.

NYC: MOMA, 2014 Large male size heavy cloth t-shirt/sweat shirt with a design by Weiner on the front. Unworn - VG+.
8 ARBEITEN VON LAWRENCE WEINER. 1973. ONE OF 330 NUMBERED COPIES.

8 ARBEITEN VON LAWRENCE WEINER. 1973. ONE OF 330 NUMBERED COPIES.

Mönchengladbach, Städtisches Museum Mönchengladbach, 1973. 20.9 x 17.3 x 2cm (approx) two part cardboard box (with printed text green on the llid) content of a 60 x 42cm, 1pp green on white poster (folded as issued) and an artist's book entitled "A Primer": 14.5 x 10.5cm, unpaginated (c. 96pp) plus card covers containing short statements by Weiner in English and German. Additionally there is a 20.5 x 17cm, 4pp sheet with a text in German by J. Cladders which is numbered from the total edition of 330 examples. All contents areVG+but the lid of the box (as usually found) has a tear in one corner (see photographs). Now scarce.
# 15 B.M.R. 1986.

# 15 B.M.R. 1986.

Pas -de-Calais: Fonds Regional d'Art Contemporarain Nord, 1986 8 x 22cm, 64pp plus card covers. Artist's book where three artists Bieth Jean-Sylvain and Mercier Pierre and Robert Philippe carried out one of Weiner's instruction works by placing a rectangular object across an international border and then "turned to and then turned upon" the same object. The event was notarised by Patrick Ryckewaert whose report is reproduced in the book. Additionally there are 4 b/w photographs of the participants and the French-Belgium border where the event took place. One of 300 examples released this is a very hard to find book. Very slight discolouring to the glossy white wrappers else VG+.
THE LEVEL OF WATER DE WATERSTAND. 1978. ONE OF 300 EXAMPLES.

THE LEVEL OF WATER DE WATERSTAND. 1978. ONE OF 300 EXAMPLES.

Gent: Museum Van Hedendaagse, 1978 20.4 x 14cm, unpaginated (48pp) plus pink wrappers. Artist's book which offers a number of different statements about how a level of water should be manipulated along with 7 b/w schematic drawings by Weiner. Published by part by Anne de Dekker of the Wide White Space. One of only 300 copies. Very scarce. VG+ example.
WRITTEN ON THE WIND. 1995. FEMALE TANK TOP LARGE. UNWORN.

WRITTEN ON THE WIND. 1995. FEMALE TANK TOP LARGE. UNWORN.

NYC: SPRZ NY, 1995 Large size female 100% cotton tank top with a three colour (red, black and orange) design by Weiner of the front (WRITTEN ON THE WIND). Unworn albeit a little creased with original sale tags still attached.
STAGE SET FOR THE KYOGEN OF THE NOH PLAY OF OUR LIVES. 1995.

STAGE SET FOR THE KYOGEN OF THE NOH PLAY OF OUR LIVES. 1995.

Tokyo: Gallery 360 (degrees), 1995 10.5 x 15cm, 2pp announcement card for a solo show and edition - red, yellow, blue and bllack design by Weiner on front, verso text in Japanese. VG+.
KOPFBAHNHOF/TERMINAL. 1995.

KOPFBAHNHOF/TERMINAL. 1995.

Leipzig: Leipzig Hauptbahnhof, 1995 25.5 x 19cm, 32pp plus card covers. Exhibition catalogue for three installations in train stations By Maria Eichhorn, Douglas Gordon And Lawrence Weiner. Texts by the artists in English and German including a double page work by Weiner. Small b/w images internally Long essay by Gregor Stemmrich. VG+.
& THEN SHOW & TELL LES FILMS ET VIDEOS DE LAWRENCE WEINER. 1992.

& THEN SHOW & TELL LES FILMS ET VIDEOS DE LAWRENCE WEINER. 1992.

Geneva : Sous-Sol/École Superieure d’Art Visuel, 1992 17.5 x 25cm, 52pp plus card covers with a design by Weiner. Exhibition catalogue published in conjunction with show held March 2 - March 27, 1992. Text by Catherine Quéloz, Jérôme Hentsch, and Pierre Vadi with an interview between Catherine Quéloz and Lawrence Weiner. Includes synopsis of each of the films and videos by Weiner shown in the exhibition and a checklist of the exhibition. Text in French. Very slight 1cm paper scuff on cover else VG+.
BENT & BROKEN SHAFTS OF LIGHT . 2000.

BENT & BROKEN SHAFTS OF LIGHT . 2000.

Wolfsburg: Kunstmuseum Wolfsburg, 2000 25 x 17.3cm, 4pp invitation and announcement card for the opening of the title exhiibition of new works by Weiner. Two designs by Weiner on the front and internally. VG+.
SKIMMING THE WATER. 2010.

SKIMMING THE WATER. 2010.

s-hertogenbosch: Luisius Books, 2010 20 x 14.2cm, 1pp announcement card for new publication by Weiner. Typographic design. VG+.
VOGUE LA GALERE. 2009.

VOGUE LA GALERE. 2009.

Suresnew: Bernard Chauveau, n.d. (2009) 21 x 15cm, 2pp announcement for a limited edition book in 20 deluxe copies and a signed edition of 225 copies. COlour image of an installation by Weiner and the books on the front, verso text inEnglish. VG+.
THINGS PLACED IN THE SPACE WHERE TWO STONES FAIL TO MEET. C. 2018. ASTON MARTIN DEALERSHIP PRINT IN ASSOCIATION WITH LAWRENCE WEINER.

THINGS PLACED IN THE SPACE WHERE TWO STONES FAIL TO MEET. C. 2018. ASTON MARTIN DEALERSHIP PRINT IN ASSOCIATION WITH LAWRENCE WEINER.

N.p. (Gaydon): Aston Mrtin, n.d. (2018) 60 x 100cm, offset lithograph encapsulated in thick perspex on both sides. A promotional print made in association with Lawrence Weiner to promote the Aston Martin v 12 Vanquish. A large work which is extremely hard to find.
A NATURAL WATER COURSE DIVERTED REDUCED OR DISPLACED. 2001.

A NATURAL WATER COURSE DIVERTED REDUCED OR DISPLACED. 2001.

Cincinnati: Michael P Lowe, 2001 17.8 x 11.4cm, 54pp plus pictorial card covers. Artists book issued from a Weiner conceptual art text that was found in Halifax (originally c. 1969) by Gerald Ferguson and then later reprinted along with photographs by Alice Zimmerman. Now scarce this is one of an unnumbered edition which also had a du tete of 50 signed examples. Near fine.
ANTHOLOGY. 1997. ONE OF 200 EXAMPLES WITH ORIGINAL EMBROIDERED RIBBONS DESIGNED BY THE ARTIST.

ANTHOLOGY. 1997. ONE OF 200 EXAMPLES WITH ORIGINAL EMBROIDERED RIBBONS DESIGNED BY THE ARTIST.

Richard Tuttle, Harry Gilonis, Ian Hamilton Finlay, Jackson Mac Low, Ian Stephen, Graham Rich, Lesley Kerman, Simon Cutts, Medbh Mcguckian, Hans Waanders, Thomas A. Clark, Pavel Büchler, Michael Longley, David Bellingham, Zoë Irvine, Alec Finlay, Simon Patterson, Cecilia Vicuna, Kevin MacNeil, John Burnside, Lawrence Weiner Edinburgh: Morning Star Publications, 1997 14.3 x 10.3cm, 24pp plus original blue boards in carboard slipcase with tipped on label. An anthology artist's book in which invited artists created a phrase to be embroidered on clothing labels. Each of those respective labels are included in separate envelope to be glued if wished to the appropriate page. The artists included: Richard Tuttle, Harry Gilonis, Ian Hamilton Finlay, Jackson Mac Low, Ian Stephen, Graham Rich, Lesley Kerman, Simon Cutts, Medbh Mcguckian, Hans Waanders, Thomas A. Clark, Pavel Büchler, Michael Longley, David Bellingham, Zoë Irvine, Alec Finlay, Simon Patterson, Cecilia Vicuna, Kevin MacNeil, John Burnside and Lawrence Weiner. Now very scarce after the original issue of 200 copies. VG++.
TOWARDS MOTION. 13 NOVEMBER 1997. 1997.

TOWARDS MOTION. 13 NOVEMBER 1997. 1997.

London: Canary Wharf Ltd., 1997 21 x 15cm, 20pp (self cover) Artist's book published in conjunction with a work by Weiner on view at Canary Wharf Nov. 1997-Feb. 1998. Blue and black on white design by Weiner with short texts and b/w photographs and biographies of people involved in the project (one photo of the artist), Very slight creasing around spine else VG+. Now scarce.
DICHT BIJ. 2010.

DICHT BIJ. 2010.

Utrecht: BAK, 2010 15 x 10.5cm, 44pp plus card wrappers. Artist's book and exhibition catalogue with the first 20 pages after designs by Weiner and then essays in Dutch and English by Maria Hlavajova. VG+.
BOOKMAKERS. 1995.

BOOKMAKERS. 1995.

Saint-Yrieix-la-Perche: Zona Archives, 1995. 17.6 x 140cm, 52pp. Printed hard boards. Spiral bound. Exhibition catalogue for a show of artist's books by John Baldessari, Christian Boltanski, Daniel Buren, James Lee Byars, Hans Peter Feldmann, Ian Hamilton Finaly, General Idea, Jonny Holzer, Joseph Kosuth, Sol Lewitt, Richard Long, Giulio Paolini, Richard Prince, Edward Ruscha and Lawrence Weiner. Texts in French and English and illustrated in colour with images of books. There is a dialogue between the publisher/artist Maurizio Nannucci and Gabriele Detterer. The books in the show are all listed. VG+. Slightly scarce.
HEAD OVER HEELS. AFTER MARX & ANGELS. 2010. ONE OF 500 SIGNED & NUMBERED EXAMPLES.

HEAD OVER HEELS. AFTER MARX & ANGELS. 2010. ONE OF 500 SIGNED & NUMBERED EXAMPLES.

NYC: 20 x 200, 2010 25 x 20cm, red, dark blue, light blue, silver and black original digital print with the title text and heart design by Weiner. This is one of 500 examples - each numbered on a separate small sheet (to allow gluing if framed) by Weiner and signed. Additionally there is a information sheet with a short "statement" by Weiner where he says that "I do not subscribe to explaining what my intentions are/rather I prefer to present an existing fact and let the judgement of the receiver rest upon that/especially with the use of language explanatory verbiage is gilding a lily which is not necessary unless the subject is gilt." VG+_. 1
WORKS & RE-CONSTRUCTIONS. 1983.

WORKS & RE-CONSTRUCTIONS. 1983.

Bern: Kunstehalle Bern, 1983 14.5 x 210cm, 2pp announcement card with a design by Weiner reproduced in red and black on the front and verso museum details. VG+. Scarce.
OVER HILL & DALE. 1994.

OVER HILL & DALE. 1994.

Zurich: Mai 36 Galerie, 1994 42 x 30cm, 1pp red on cream paper offset lithographic exhibition poster with a design by Weiner. Folded for mailing else VG+.
TO BUILD A SQUARE IN THE RHINELAND. 1994.

TO BUILD A SQUARE IN THE RHINELAND. 1994.

Zurich: Mai 36 Galerie, 1994 42 x 30cm, 1pp black on red paper offset lithographic exhibition poster with a design by Weiner on the inside, externally gallery details. Folded for mailing else VG+.
THE RATE OF ATTRACTION......, 1980.

THE RATE OF ATTRACTION......, 1980.

Eindhoven: Stedelijk Van Abbemuseum, 1980 10.5 x 14.8cm, 2pp artist's postcard with an image of the title work "The rate of attraction of one object towards another as determined by the degree of encumbrance experienced by each object" on the front and verso museum details and standard postcard design. VG+.
LAWRENCE WEINER, 1993. 1993.

LAWRENCE WEINER, 1993. 1993.

Bolzano: Galleria Klemens Gasser, 1993 11.8 x 17.5cm, 2pp artist's card with an image of the installation "PIsse & Ingwer&Appel & Birnen" (Piss & Vinegar & Apple & Pear) on the front and verso gallery details. Announcement card but only has the year of the event not the opening dates. VG+.
EINLADUNG/PROGRAMM. 1998.

EINLADUNG/PROGRAMM. 1998.

Leverkusen: Kunstverein Museum Schloß Morsbroich, 1998 10.5 x 21cm, 2pp announcement card designed by the artist with verso event and gallery details.VG+.
THE LONG AND THE SHORT OF IT. c. 1990.

THE LONG AND THE SHORT OF IT. c. 1990.

Edinburgh: Morning Star Press, n.d. (c. 1990) 6 x 0.5cm, machine embroidered name patch issued as part of a book publication by the Press but here offered alone. The text reads "THE LONG AND THE SHORT OF IT". VG+ condition.