ACTUALITE D’UN BILAN PARIS. 1972. WITH BUREN’S RIPPED PAGEWORK

Paris: Galerie Yvon Lambert, 1972 30 x 26cm, 136pp plus covers. Artist book/exhibition catalogue which was published on the 6th anniversary of Lambert's opening of the famous conceptual gallery. Each artist contributed an original pagework contribution (often 4pp) - including Buren' (4pp of hand-ripped pages printed with stripes), On Kawara, Twombly, Christo, Heubler, Dibbets, Broodthaers, Andre, Long, Marden, Mangrove, Lewitt, Fulton and Weiner amongst others. Slight marking to white covers otherwise very good. Scarce.

£95.00

LAWRENCE WEINER. 1972.

Dusseldorf: Konrad Fischer, n.d. (1972) 10.5 x 15cm, 4pp. Announcement card which is also a conceptual artwork - with the following texts: (    ) DOWN A HATCH DOWN A HATCH (     )   (    ) UP A TREE UP A TREE (     )   (    ) AROUND A TOWN AROUND A TOWN (     )   in each of the three pages. VG+. Scarce.

£100.00

4 CUTS PLACED IN / A FIRST QUARTER”, A FILM BY LAWRENCE WEINER. 1973.

NYC: Castelli/ Chatham Square, 1973 A standard 12 inch, 33rpm record in pictorial sleeve which exhibits two images from the film (which were photographed by Landry). The record cover shows a text work by Weiner "One quart of paint" having been roughly painted on a wall (the partly obscured text is in Dutch) by a young man and verso three actors from the film. The LP is a recording of music used as the soundtrack to Weiner's film. A very scarce record although this copy is displaying wear along the edges of the mostly dark sleeve and along where the record has moved internally but otherwise very good.

£75.00

DURATION PIECE #8. GLOBAL. 1973.

New York/Torino: Castelli/Sperone, 1973 40.8 X 29cm. 56pp. Profusely illustrated throughout. Self-tabloid. First edition of this expansive conceptual work. Content of response contributions by 50 participating artists including Elanor Antin, John Baldessari, Robert Barry, Bernd & Hilla Becher, Alighiero e Boetti, Stanley Brouwn, Daniel Buren, Robert Cumming, Hanne Darboven, Jan Dibbets, Gilbert & George, Hans Haacke, Sol Lewitt, Lucy Lippard, Adrian Piper, Ed Ruscha, Lawrence Weiner, et. al. One of 2,000 examples issued. A fine copy of this imperative document. Increasingly scarce.

£175.00

VAN TIJD TOT TIJD / IN EEN RELATIE STAAN TOT DINGEN. 1973.

Amsterdam: Art & Project, n.d. (1973)
42 x 30cm, black on white displaying the text: VAN TIJD TOT TIJD / IN EEN RELATIE STAAN TOT DINGEN/GEESCALEERD/ VAN TIJD TO TIKD/ OVERLADEN/ VAN TIJD TO TIKD/ HERROEPEN/ VAN TIJD TO TIKD One of the earliest and most scarce of Weiner's poster works - here not an exhibition poster as such but a work unto itself which was intended to be posted on street lamps and walls throughout Amsterdam. VG but folded for storage and a couple of soft creases bottom left which could easily be ironed out. Rare.

£395.00

ONCE UPON A TIME / C’ERA UNA VOLTA. 1973. ARTIST’S TWELTH BOOK.

Milan: Franco Toselli, 1973
17 x 12cm, 44pp. Pictorial card covers in yellow and black. First edition of this conceptual art book with Weiner's texts in English and German. Eight b/w photographic images by Giorgio Colombo plus cover image. One of 500 copies released. Ref: Schwarz nr 12. Scarce. Fine.

£375.00

ART & PROJECT BULLETIN 72. LAWRENCE WEINER. 1973.

Amsterdam: Art & Project, 1973 30 x 21cm, 4pp b/w conceptual artwork issued in a series of Bulletins. Internally Weiner has supplied three statements for conceptual works: escalated from time to time/ overloaded from time to time/ revoked from time to time - in English and Dutch. Scarce. Fine unmailed copy.

£125.00

(OFTEN FOUND) WITHIN THE CONTEXT OF EFFECTIVENESS. 1974.

Los Angeles: CLaire Copley Gallery, 1974<BR> 30.5 x 45.7cm, 1pp b/w offset lithographic poster used in the street as a conceptual work in itself. Some mild discolouration top right but else VG. Extremely rare.<BR><BR>

£475.00

WITH AN ADVANCE DECLINED AT/TO. 1974. ORIGINAL ARTWORK /MAQUETTE FOR INTERFUNKTIONEN. SIGNED, DATED AND DECIATED BY WEINER TO RUDI FUCHS.

Amsterdam: Weiner, 1974 25.3 x 20.2cm, 2pp. The original artwork/maquette created by Lawrence Weiner for the important art journal Interfunctionen which was published in the 11th number of the journal. Weiner's work here has the original typed texts on blue paper tipped onto a backing sheet of rules school paper along with handwritten ink additions. The sheet has also had the top left corner of the paper cut off by Weiner (something he often did to modify paper or posters). One the top left of the sheet there is a handwritten dedication "For Rudi" (Fuchs) and signed Lawrence in black ink along with the date and place: "A'dam 1974". On the reverse Weiner has also written "published Interfunktionen 11, 1974" in black ink. The backing paper is a little browned after nearly 50 years and the glue on the back of the typed blue papers has discoloured the paper a little in places. The work has also been double punched for storage but this has avoided any of the texts. A unique and important relatively early work by the conceptual artist with the association with the Dutch conceptual art curator.

£7,500.00

JE NOUS W IK J. 1975.

Bruxelles: Mussee d'ixelles, 1975 34.5 x 28cm, unpaginated. Collective artist's book with the intent of creating an "art political circus" in collaboration with the Belgium art magazine Pour. Harald Szeemann curated the show and the artist's contributions as pageworks were assembled into a collaborative book - of which this is an example. Many important conceptual artists of the period took part including Andre, Artswager, Ben, Beuys (front cover), Boltanski, Buren (an extensive plan of the installation in colours), Byars, Christo, Filliou, Huebler, On Kawara, Kienholtz, Ono, Panamarenko, Spoerri, Tuttle and Weiner amongst others. Slight wear to the dark wrappers and one slight unopened slit along the fold at the bottom of the spine but over all very good. Very scarce.

£495.00

3 WORKS IN RELATION TO PLACE. 1975.

Dusseldorf: Konrad Fischer, 1975 9 x 15cm, 4pp black text on white card designed by Weiner with a conceptual work on the inner two sheets and back sheet (ON A ROUGH _____/ ON A SMOOTH _____/ IN THE ROUGH), on the front gallery details. VG+ but with a hand alteration to the date as issued. Scarce.

£100.00
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