10 MAQUETTES FOR NEO-CLASSICAL STRUCTURES. 1992.
London: Victoria Miro Gallery, 1992 22 x 15cm, 4pp , triangular shaped announcement card fpr an exhibition of small maquettes for sculptures. These small works are delights and one - Pyramid Beautiful Fanatical - is reproduced on the front (the card shape having been chosen to reflect the shape. The work probably references either Saint Just or Robespierre. VG+.
EVENING WILL COME. 1992. SUBSCRIPTION CARD.
Edinburgh: Graeme Murray Gallery/Fruitmarket Gallery 1992
21 x 7.8cm, 4pp announcement card with offers of editions and books released during the solo exhibition with a reproduction of Finlay's Evening Will Come They Will Sew The Blue Sail on the front in blue on white. The card announces the release of the second edition of the print (which was signed and numbered unlike the first edition from 1970). VG+.
IAN HAMILTON FINLAY & THE WILD HAWTHORN PRESS 1958 – 1991. 1992. BOOK & EDITIONS LIST.
Edinburgh: Graeme Murray Gallery, 1992
21 x 7.8cm, 8pp publisher's book and edition list (in the year after the exhibition of the same name at the Fruitmarket Gallery) with a reproduction of Finlay's Evening Will Come They Will Sew The Blue Sail on the front in blue on white and internally price lists. VG+.
POIESIS. 1992.
Edinburgh: Fruitmarket Gallery, 1992
21 x 15cm, 8pp (single folded sheet). The programme and small poster for a group exhibition of works by a range of artists including Finlay. While not being specific to concrete and visual poetry the events (which included talks, films and workshops as well as the exhibition) - a large number of those exhibited worked in that field.
Poiesis as we all know is a definition of poetry as "anything supremely harmonious or satisfying" - which to be fair describes much of Finlay's work and motivation and is almost a definition of neo-classicism. Minor wear at folds else VG..
