Glasgow: Wax366, 2020
15 x 10.5cm, 12pp artist's book - which is completely hand-made and drawn by Bellingham in green, blue and black and blue felt-tipped pen. The title Sets is followed by pages with various shapes in colours (each page is different).
This is one of 50 proposed books in a series called "DRAWN ON DEMAND" each of which is hand-made on request by the artist (hence it is not clear that 50 such books will be realised). Signed on the back cover. VG+.

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Glasgow: Wax366, 2020
15 x 10.5cm, 12pp artist's book - which is completely hand-made and drawn by Bellingham in red and black and blue felt-tipped pen. The title Notes is followed by pages with various lines in colours (each page is different).
This is one of 50 proposed books in a series called "DRAWN ON DEMAND" each of which is hand-made on request by the artist (hence it is not clear that 50 such books will be realised). Signed on the back cover. VG+.

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Warszawa : Galeria Zacheta, 1995
21 x 15 x 6cm, grey printed card slipcase content of 22 volumes of pamphlets from different participating artists in this large exhibition in the Zachęta National Gallery in Warsaw commemorating the fiftieth anniversary of the end of the second World War. Each volume is 21 x 15cm, pagination varies. Finlay's booklet is 21 x 15cm, 24pp plus wrappers. String bound. It includes various images of works including Inscription (a quote by Mathiez on Robespierre) shown on a blackboard, and Sundial as well as a stone inscription with a text taken from Finlay's Detached Sentences on The French Revolution. Most of the works displayed were inspired by Finlay's fascination with the events in France after the fall of the Bastille.
The sundial has a latin inscription carved into it - E-CAELO. That translates as "Out of heaven" - which clearly refers to the sun rays that hit the gnomon and create the shadow. Other artists include Christian Boltanski, Jochen Gerz, Anselm Kiefer, Jannis Kounellis, Gabriel Orozco, Arnulf Rainer, Lawrence Weiner amongst others. All booklets are in VG+ condition. The outer slip case (being very fragile and cheaply made) is a little torn and battered in places. A scarce publication especially complete.

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Two colour photographs (each 10 x 15cm) of a small maquette for a major installation in Den Haag - ET IN ARCADIA EGO .
This work was stolen from the Ingleby Gallery and it is known who the thief is (the work was in his bathroom on display for many years) but despite the person writing this telling the police who and where the work was they refused to investigate without further evidence. The same thief also stole significant items from Richard Demarco's storage unit in Edinburgh in 2013. There you have it.

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22 x 14 x 3cm, carved wood and vaseline. A gift from the artist to Paul Robertson following the latter's life threatening triple heart bypass surgery. ...

300 x 60 x 60cm, plastic, metal, coloured aluminium. An unique bird table commissioned by the Lust & The Apple art gallery for its garden. Bright yet industrial it is a focal point for the local birds who can use it without any fear of attack by Marley the Avant Guard dog due to its high height. Not currently for sale....

London: London Magazine, January 1969
21.5 x 15.5cm, 116pp. Original boards. A single number of this long running literary journal which is notable for the first ever publication of the work AFTER THE RUSSIAN by John Furnival and Ian Hamilton Finlay, The work was later reprinted as a stand along broadside by Wild Hawthorn Press. VG condition.

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Paris: Centre Pompidou, 2019
24.5 x 33cm, thick printed card bound together with elastic band closures. A drawing board with two of the artist's installations on front and back - the lights spell out arrive and depart - an obvious reference to birth and death. This was an unlimited edition issued at the time of the major career surveying Paris exhibition. Initially "Faire son Temps" was envisaged as a major retrospective but the artist refused and insisted that new work be on display along with earlier material. This example is unwrapped in original shrink wrap plastic. VG++.

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Paris: Galerie Marian Goodman, 2018
19.5 x 25.5 x 4.5cm, two part cloth covered box content of a lenticular photograph taking two images from Saynètes comiques of 1974 - where the artist's performance in a black suit and hat consisted of him pretending to hang himself - only to show in a second photograph that the rope was fake. The title translates to "Death for a Laugh". When one moves the photograph the viewer can see one or the other image. From the 2000s onwards, Boltanski has increasingly used lenticular prints.
This is one of 200 signed and numbered copies on a label on the inside of the box lid. VG+.

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Paris: Editions Dilecta, 2018
30.5 x 25.5 3.5cm black clamshell box content of a 30 x 25cm, unpaginated artist's book displaying photographs of children from a group class image. A torn part of a silkscreen image of the original photograph tipped on to board. A photograph that has been overprinted in silver such that to see the image one has to scratch away the coating. And a certificate of authenticity numbered and signed by the artist tipped onto the lid of the box.
This is one of 170 signed and numbered copies (with 30 HC copies). VG+ with unscratched photograph.

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London: Marian Goodman Gallery, 2018
30 x 21cm, 2pp. Gallery handout for the show of video works and installations. Short text on the work and one installation view of Animitas - a film of a field of bells on metal stalks being sounded by the wind. VG+.
JOINT:
London: Marian Goodman Gallery, 2018
30 x 21cm, 1pp. Injet printout as issued - a list with small images of the seven works exhibited with descriptions. VG+.

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