Stoneypath): Wild Hawthorne Press, 1975
19 x 28 cm. board war game for two players consisting of playing board, die cut counters and printed instructions. Fine copy of this rare work. Still in original plastic wallet and unusually here with mimeographed order form - black on pink 80gsm uncoated stock A4, folded to DL size as for mailing. This example has never been played - the die cut counters are still in their original card mouldings. Finlay's interest in the WWII war in the Pacific as metaphor led to the production of this unusual artist's game.
JOINT WITH:<BR< Original cardboard mailer with rubber stamp impression "Pacific The non-scale Wargame". VG+.
Finlay apparently believed that Pacific could be a successful and financially beneficial game but sadly that did not happen.

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Dunsyre: Wild Hawthorn Press, 1975
9.9 x 22.5cm, 4pp Folding card printed only on the inside. Left and right respectively are found:

TEA-KETTLE-DRUM and WATER - LILY - CUP

in a slightly archaic font. The colours of the words alternative black and russet red.
The two groups of three words are able to be combined in any three ways - on the left it can be Tea kettle, Tea drum (a place to store tea) and Kettle drum (a type of drum) on the right Water lily, Water cup and Lily cup (a part of the flower). Additionally the complex words Tea kettle drum and Water Lily cup are in themselves things and have a visual resemblance to each other.
Finally it may be that the mention of the drum recalls the French Revolutionary Army and Bara, the martyred drum boy. The French crown was long associated by the fleur-de-li, a lily. And of course the head of the king (lily cup) was removed when he was legally murdered by the new Republic.
Simple and complex like the best of Finlay and ultimately a "text visual" as opposed to a "visual poem".

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Zagreb: GalerieSuvremene Umjetnosti, 1975 21 x 20cm, 18pp plus white card covers. Artist's book issued during a show in Croatia where the "4 Saynetes Comiques Interpretees par Christian Boltansi" are reproduced in b/w and a short forward in Croatian. VG+. Very hard to find. ...

Reno: Wild Coast Poetry Review, 1975
29 x 29cm, 56pp plus pictorial card covers. Artist's book published on the occasion of an exhibition in North Wales with numerous b/w photographs by Dave Paterson of works and views of Little Sparta with commentaries by Bernard Lassus and Stephen Bann in English and German. VG+.

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Dunsyre: Wild Hawthorn Press, 1975
11.7 x 13.5cm, 4pp. The front of the card has a poem under the title:

Lily has grown
a full stop.
Iris has not<BR
On the back of the card is a photograph by Dave Paterson of a small wooden sculpture by Finlay called "Lily" and the poem is an adaption of a Cutt's poem FAMILY which we believe to be about the latter's children but cannot confirm. Finlay's mild parody references the photograph where an additional floating "leaf" appears to have been attached to the sculpture by wire - almost as if it has grown -the shape of the leaf, is like the round full stop. VG+.

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Geneva: Edition Adelina Cuberyan, 1975
22.5 x 13cm, 22pp plus card covers. Artist's book released at the same time as an exhibition by Boltanski in the Centre d'Art Contemporain, Geneva.
The book is another produced during a period where Boltanski performed in public dressed slightly formally in suit and hat (bit looking vaguely dishevelled) with a ventriloquist's dummy of a young child which was meant to represent the young artist (with wild hair). The performances were comic re-inactions of parental (and grand- parental) activities from the earliest days - but, of course, only remembered through the eyes of a child - so the events are sometimes extreme - punishment, birthday gifts - or routine (the artist's mother cleaning the house).
In VG+ condition. Scarce.

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NYC: John Gibson, 1975
15 x 10.5cm, 10pp - single accordion folded sheet. Promotional and announcement card for an exhibition of additions to the "largest collection of Beuys' multiple objects, prints, posters, books and catalogues". Additional to the exhibition the card promotes the Iphigenie-Set - a portfolio of 8 offset prints in a small edition of only 7 examples. All eight prints are reproduced in b/w on the card. VG+.

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Belfast: Ulster Museum, n.d. (1974) 13.8 x 10.5cm, 2pp announcement card for one of the exhibitions displaying Beuys' drawings in various Irish and British museums - here a Northern Ireland date. Text on one side, verso a reproduced b/w drawing by Beuys which has been signed in red ink by the artist. There is also a mention of a public meeting with Beuys and his (then) lover Tisdall. VG+. Scarce....

Munster: Westfalischer Kunstverein, 1974
22.2 x 16cm, 100pp plus card covers. Artist's book which coincided with a second museum exhibition by Boltanski in Munich within 18 months - this time the show being titled "Affiches, Accessoires, Decors, Documents photographiques".
The 49 photographs are all of Boltanski's comic performances in a suit pretending to be various parental and grand parental figures and sometimes the younger Boltanski. Sometimes the backgrounds are painted - further making the fact that the performance are theatrical and each group of photographs is preceded by a text with details of the "play". Texts including an essay by Klaus Honnef in German, French and English. VG+.

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Copenhague:Berg, 17 septembre 1974
29 x 21cm, 1pp. Original carbon copy of a typed and signed letter from M Berg thanking Boltanski for agreeing to publish an artist's book with the latter and John Hunov and that a maquette is being prepared for the project. He also thanks Boltanski for the invite card from Munster and says he will order the publication being released at that exhibitiion. VG+.
JOINT:
Copenhague:Berg, 17 septembre 1974
29 x 21cm, 1pp. Original carbon copy of a typed and signed letter from M Berg to Westfalischer Kunstverein requesting a copy of the exhibition catalogue/artist's book.

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Paris: Boltanski, 4 septembre 1974
29.7 x 21cm, 2pp Original handwritten letter in blue ink from Boltanski thanking Berg for his "bravery" in buying a painting from a young artist from a strange gallery.
Boltanski mentions Annette Messager's book and says he is very happy to create a book with Berg and announcing that he will soon send a maquette for the publication.
Boltanski says he has a new idea for works - a series of "burlesque" images of sketches (which are to be photographed - one being displayed in the work at the Munster Kunstverein.
He then sends his best wishes to Berg's wife, has good memories of his trip to Copenhagen and hopes to return one day.

A further handwritten addition from Annette Messager thanking Berg for his support and saying that she is working hard.
Both notes are signed by the writer.

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