Little Sparta: Wild Hawthorn Press, 1992 11.8 x 9cm, 36pp plus grey boards. An artist's book with descriptions of unrealised sculptural works designed to be placed in a garden (arcadia).
For instance:
The word FRAGILE in Roman letters, on a formal stone placed upright by the foot of a birch tree."

A birch has bark that is very easily removed - and even peels from weathering - hence it may be regarded as fragile. The Roman civilisation lasted for centuries but self-destructed very quickly in c. 480 AD. - and may also despite its long history be also regarded as fragile due to its own internal contradictions.
One of 250 such books printed as Christmas gifts by the Press. VG+.

...

Little Sparta: Wild Hawthorn Press, 1992
7.6 x 8.5cm, 4pp card. A schematic drawing by Eva Maria Weinmayr of the Villa and its environs. A descRIption of the Villa, which is set in the German Wörlitzer Park, notes how the building has a son et lumiere event where a "volcano" - actually a "rock island" - would spill water down to the lake lit by lanterns to make the event seem like lava. VG+.

...

Paris: La Hune, November 1992
33.5 x 24 x 5.5cm, one part archival box with pasted on title label, content of eight folders containing original & reproduced photographs, maps, sketches, photographs, transcripts, and documents relating to the occupants of a destroyed house (bombed by the Allies on 3 February 1945 which killed most of the residents).
For an exhibition in Berlin entitled "Die Endlichkeit der Freiheit", Boltanski initially placed "a series of 12 black and white plaques each mounted on the facing walls, storey by storey, indicating the family name, profession, and period of residency of each tenant who had lived in the bombed out apartments."
At the same time in East Berlin, Boltanski exhibited a series of vitrines with archival documentation of the various families and the building (the research here should be credited to art student, Christiane Büchner and Andreas Fischer). Interestingly during the research Boltanski and his assistants discovered that prior to 1942, many of this obliterated building's inhabitants had been Jews, until they were evicted, and deported to concentration camps.
The folders have around 150 photographs, photocopies, offset and stencil reproductions, postcards, maps, and other facsimile items - the eight folders are:

Folder 1: La Maison Manquante/The Missing House 15, Grosse-Hamburger-Strasse, Sept. 1990. A text in French faces an original colour photograph of the installation with tissue guard.
Folder 2: Autour de la Maison Manquante
Folder 3: Ceux Qui Vivaient au 15, Grosse-Hamburger-Strasse, de 1930 à 1945
Folder 4: Madame Kalies
Folder 5: Kurt Porteset
Folder 6: Monsieur Schnapp
Folder 7: Le 3 Février 1945
Folder 8: Le Cahier de Quittances

This is one of the most difficult to find of later artist's books by Boltanski and certainly one of his most complex productions, the level of research and the requirement to recreate original documents in high quality reproduction must have taken a lot of effort.
As usual there is no moral commentary on the events or people included in the survey of the building, The fact that some residents were Jews is ignored other than mentioned although readers may feel some irony present here. The bomb was neutral in its effect - devastating but uncaring of past history or status. It is a simple record of what happened - and an imperfect record as all historical reconstitution must be
This is one of 100 signed and numbered copies (aside from 20 HC copies) on a label on the inside front cover of the archival box and is in VG+ condition, complete although the two original thick rubber bands that close the folder are missing. A wonderful production.

...

Little Sparta: Wild Hawthorn Press, 1992
8.1 x 6.8cm, 4pp green outer folder with a drawing by Gary Hincks. Internally a 8.1 x 6.8cm, 4pp sheet with a text telling a tale of a discussion of "the moral effects of the arts and sciences" after stopping at an avenue of chestnut trees.
The text is in two parts - one taken from Thomas A. Clark and the other referring to an essay by Jean-Jacques Rousseau.
The title of the work refers to the attempted escape of the French king and queen while being held hostage during the first months of the French revolution - they were stopped on the way because a shop keeper recognised the King's striking (ie big nosed) visage from the coin of the realm and escorted back to the capital.
Together Finlay has created a new story of morals and escape from unthinking philosophies of behaviour.
This is one of a series of works which the Wild hawthorn Press denoted as "Poems in folders". VG+.

...

Little Sparta: Wild Hawthorn Press, 1992
8.4 x 15.4cm, 4pp card. Two water colour paintings by Gary Hincks of a embroidered name tag for clothing with the name "Philippe Francoise Nazaire Fabre" and a signpost with the text "Fabre D'Eglantine".
Fabre D'Eglantine was the pen name of Philippe Francoise Nazaire Fabre, the revolutionary actor and poet. Close to Danton he was the president of the Cordeliers club and also member of the Jacobin Club. He went to the guillotine along with the rest of the Dantonists after his personal actions in accepting financial gain from the corrupt actions around the East India Company having given Robespierre an excuse to act against his opponents and his previous friend Danton.
The two paintings show Fabre's aristocratic roots and his later more revolutionary activities in their forms - one elaborate, the other rough and practical. Fabre was also the main writer of the French republican calendar.
VG+.

...

Little Sparta: Wild Hawthorn Press, 1992
20.9 x 14.8cm, 12pp, card covers and printed dust jacket. A proposal for a public work at Tout Quarry, in Portland, Dorset in the form of an artist's book - the intent is to use the giant blocks of stone that are abandoned in the quarry and have them carved on the upper face and along the sides with an inscription 'Gods of the Earth / Gods of the Sea' from Virgil's Aeneid Book III. The full original text is "Gods of the Earth / Gods of the Sea, Gods who rule over storms, give us a wind to help our voyage and may your breath bring us aid."
The block will have an image of a net (where there are knots will be mechanically drilled holes and the lines by light chisling) and deeper letter forms. There are two drawings by Gary Hincks and Nicholas Sloan is also credited....

Little Sparta: Wild Hawthorn Press, 1992
15.3 x 11.1cm, 4pp grey outer folder with a drawing of a fallen leaves printed in green. Internally a 15.3 x 11.1cm, 4pp sheet with a poem:

SUICIDE NOTE

"The canoe
of life
is shattered.."

The windblown
willows' leaves
hide the path.

The suicide note referred to is from the Russian avant-garde poet Mayakovsky. The reference to the 'canoe of life is shattered" is a direct quote from his despairing final letter. Finlay brings attention to the shape of the willow leaves that have fallen (shattered by the wind) to the ground. The image on the front of the folder also shows that death of the leaves.

This is one of a series of works which the Wild Hawthorn Press denoted as "Poems in folders". VG+.

...

Saint-Gall: Stiftsbibliothek, n.d. (1992)
10.5 x15cm, 8pp (original postcards bound in) plus front and back cards. Artist's book consisting of postcards showing installation views of a small exhibition of books by Boltanski from a library exhibition in the abbey of Saint-Gall. The show consisted of a single vitrine it seems. The images do not really allow one to see the books but the library is clearly impressive. The installation was organised by Hans Ulrich Obrist but he claims elsewhere his first curated exhibition was one year later (which also included Boltanski).
Reference: Calle Boltanski Artist's Books Page 76.

...

Little Sparta: Wild Hawthorn Press, 1992
8.4 x 15.7cm, 4pp card. Two water colour paintings by Gary Hincks of wild growing flowers have two different Finlay definition works noted below each - the first is:

WILDFLOWER, n. a wayside text

and

WILDFLOWER, n. an inflammatory text

VG+.

...

Edinburgh: Graeme Murray Gallery/Fruitmarket Gallery 1992
21 x 7.8cm, 4pp announcement card with offers of editions and books released during the solo exhibition with a reproduction of Finlay's Evening Will Come They Will Sew The Blue Sail on the front in blue on white. The card announces the release of the second edition of the print (which was signed and numbered unlike the first edition from 1970). VG+.

...

Shopping cart0
There are no products in the cart!
Continue shopping