60 x 42cm, double sided artist designed poster by Jonathan Mink for a group exhibition with Marinus Boezem, Simone Forti, David Medalla, Maurizio Mochetti, Maurizio Nannucci, Malick Sidibem Michael Snow and others. Monks contribution is a poster that has the texts: IERI OGGI DOMANI ECCETERA positioned around the print in sty style of Robert Barry (the translation being YESTERDAY TODAY TOMORROW ETC). Limitation unknown. JOINT Original printed envelope that contained the print - carefully opened - VG+. ...

Bruxelles: More Publishers, 2016
94 x 68cm, four colour silkscreen print showing a photograph of a package of coloured fridge magnets as well as the unopened package of 10 of the same fridge magnets. A self-referential artwork - the print is expected to be held in place on a metal background by the magnets.
This is one of only 25 signed and numbered examples (aside from 5 artist's proofs).
Both magnet package and print are in VG+ condition.

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Geneva: 5 rue de La Muse, 2016
21 x 15cm, 4pp announcement card reproducing a bitmapped photograph of a black Porche sportscar over the inner pages. A work dedicated to RH (Richard Hamilton) - the actual car shown was Hamilton's that came to auction in the year before this election. Monk also discovered that the car's official manual was written by a "Richard Hamilton" - hence he began to recreate the car but by enlarging the online auction image - the life size images being heavily pixilated. This card is in VG condition and is signed on the back cover by Monk.

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Iona/Glasgow: Iona Craft Shop/Wax366, 2016
11 x 21cm, 2pp artist's postcard letterpress on thick grey card - in 2015 Bellingham cast models of the planets out of bronze and buried them in a remote field on the island of Iona. Each was buried a relative distance from the surface as their average orbits are from the sun.
This card is an extension of that work when two astronomers Konstantin Batygin and Mike Brown proposed that a large ice planet might be found far out in the solar system and only so far apparent due to it's effects on other orbits.
Belling in response, cast a new model of the hypothetical planet and thrown into the sea from "The Bay at the Back of the Ocean" on the west coast of the isle o Ioan next to the site of the original "Hidden Solar System".
it is proposed by Bellingham that the new planet be given the name Echo suggested by the words of Batygin who in stressing the speculative foundation of his evidence said "all we have now is an echo".
JOINT: Iona/Glasgow: Iona Craft Shop/Wax366, 2016
30 x 21cm, 1pp. Reproduction of am open letter from Bellingham to the scientists suggesting the name of the "planet" be called Echo based on the words of Batygin. Folded for mailing else VG+.
JOINT: Iona/Glasgow: Iona Craft Shop/Wax366, 2016
10.5 x 15cm, 2pp. Full colour postcard with a photograph of the model ice planter on teh shore of Iona prior to be cast into the sea, verso details of the image. VG+
JOINT:
D5 printed envelope hand addressed by Bellingham to Paul Robertson.

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Bologna: Galleria Enrico Astuni, 2016
15 x 21cm, folded poster/booklet that opens up to 60 x 84cm poster. Designed by Monk each page opens up to a different textual work. This was issued during a group show curated by Lorenzo Bruni but Monk did not exhibit simply offering this work. The texts are in order: "IERI. OGGI. DOMANI. ECCETERA." which translated means "YESTERDAY. TODAY. TOMORROW. ETC."
JOINT:
Original printed envelope, neatly opened, signed in pencil on the back by Monk.

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Glasgow: WAX336, 2016
Two cards both 7.5 x 11.5cm, 4pp. Both are "in memoriam" cards printed black on white - the first has the text "In loving memory of yesterday. Aged 24 hours", the second: "In loving memory of last yea. Aged 365 days".
The two cards were issued in the original black 11.5 x 16cm, envelope as a New Year's gift from Bellingham to friends and colleagues. Both VG+ in like envelope.

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France: Monnaie de Paris, 2015
50 x 46cm, printed brown paper bag with string handles. Boltanski organised along with Hans Ulrich Obrist a series of TAKE ME I'M YOURS exhibitions (beginning in 1995 at the Serpentine Gallery, London) where the artworks could be taken away by visitors. Boltanski often created "Dispersions" - piles of second hand clothing that anyone was welcome to put into the specially printed bags (of which this is one example) and take home. Theoretically an unlimited edition but time limited.
This example is in VG+ condition but folded twice for storage.
JOINT:
France: Monnaie de Paris, 2015
21 x 15cm, 1pp typographic handout describing the work from the exhibition. Also mentioned the Felix Gonzalez Torres works on show in the exhibition. VG+.

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Glasgow: Kingsford Captial Management/Partick Thistle, 2015
11 x 7.4cm, black on yellow "referee's card" with the text "You have officially been cautioned" printed on it in diecut red card folder. A limited edition object multiple given out at a Partick Thistle football match to "be used in situations both on and off the pitch where you wish to advise others : A line has been crossed and caution is advised. Put it to good use." This copy is signed on the back in felt tipped pen by Monk.

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Paris: Dilecta Editions, 2015
30 x 22cm, 64pp plus card covers. Additionally there are seven 30 x 22cm, 1pp sheets of adhesive stickers with one work by each of the participating artists. The exhibition catalogue of a exhibition curated by Hans Ulrich Obrist and Christian Boltanski at the Monnaie de Paris where all of the works were available for the visitors to take home (at least in part). Boltanski's contribution was a dispersion of second hand clothing in printed paper bags.
Other artists included James Lee Byars, Gilbert & George, Jeremy Deller, Hans-Peter Feldmann, Douglas Gordon, Carsten Holler, Jonathan Horowitz, Gustav Metzger, Philippe Parreno, Yoko Ono and others.
The catalogue also acted as a sticker album - the colour stickers on the sheets being expected to be peeled off and places in the correct space in the book. This copy retains all of the stickers on the original sheets and is VG+.

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Grand-Hornu: Musee des Arts Contemporains au Grand-Hornu,2015
15.5 x 11.5cm, outer card folder which opens to 6pp (unprinted). Tipped in such that they open up to 42 x 30cm, 1pp are posters on the left and right sides of the open sheets for the two works (Les Registres du Grand-Hornu and Apres), in the middle is a 15 x 10cm, 8pp with texts by Laurent Busine and Boltanski in French.
An unusually designed exhibition catalogue for the artist's Belgium show. VG+. Scarce.

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Glasgow: Seebed Press, 2015
15 x 21cm, 52pp in embossed and printed thick boards, string bound. A cataloguing of the works commissioned by the European Association of Archaeologists Glasgow up to 2015. Works include the Boyle Family, Thomas Joshua Cooper and Catherine Mooney, Kate Downie as well as Finlay's ALL GREATNESS STANDS FIRM IN THE STORM from 1990 where the text in Greek (a translated quotation by Heidegger from Plato's Republic) was inscribed in both languages on the granite pillars of the Old Caledonian Railway Bridge over the River Clyde. The site specific work clearly emphasises the structure and its solidity over the centuries. One colour image of the work is reproduced. VG+.

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