Mejan d'Arles: Actes Sud, 1989
19 x 9.8cm, 48pp plus card covers. First edition of this artist's book that reproduces found b/w vintage portraits of unknown people. VG+

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Little Sparta: Wild Hawthorn Press, 1989
13.4 x 9.2cm, 4pp red outer folder with a drawing by Kathleen Lindsley. Internally a 13.4 x 9.2cm, 4pp sheet with a poem:

Avenue Studios, Fulham Road*

Rose
Pettigrew

Pettigrew
Rose

Rose Pettigrew was the most significant of Whistler's models but later is recorded as falling in love with Philip Wilson Steer (apparently unrequited). Steer was one of the artists who lived at the Avenue Studios which gives this poem it's name.
By reersing the model's name in the second part of the poem, Finlay is comparing her to an English rose.
This is one of a series of works which the Wild hawthorn Press denoted as "Poems in folders". VG+.

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Little Sparta: Wild Hawthorn Press, 1989
10.4 x 14.1cm, 4pp light brown outer folder. Internally a 10.4 x 14.1cm, 4pp sheet with a poem and a drawing (a still life)by Carlo Rossi.
The poem is:

Still-life
"From the Monad and the Dyad
Come the numbers"
- Of 'le violon', 'la musique',
Et 'la carafe'.

The poem cites a pre-Socratic saying meaning that number is an emerging-property of units and elements. Those elements in a still life are a violin, music and a jug which are common in most period still-lives.
This was one of a series of "poems in folders". VG+.

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Little Sparta: Wild Hawthorn Press, 1989
15.3 x 10.6cm, 16pp plus card wrappers and red dust jacket. Four poetic works all relating to the French revolution. The first is

July 28, 1794
Refreshment for the wild flowers
which is a direct reference to the deaths of the members of the Committee of Public Safety who were the effective dictators of the Terror. The wild flowers being fed blood and bodies.

A Riddle
To those who watch, a waterfall; to its victim, a glacier.
The truth of the relativity of the observer when facing the guillotine.

One of only 250 copies. VG+.

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Little Sparta: Wild Hawthorn Press, 1989
13.5 x 13cm, 12pp plus silkscreen blue card covers. Drawings by Grahame Jones. The poems in French are all based on those by Verlaine and Denis. The first is
After Verlaine>

Les violons
De l'automne

(Les triangles
Du Printemps..)

One ofFinlay's most lovely of books. VG+.

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Paris: Carte Segrete Editeur, 1989
27 x 21cm, 134pp plus printed blue card wrappers. Exhibition catalogue for a conceptual group show (which doesn't have a physical gallery to exhibit in) which includes documenation of early work from 1972 onwards from Christian Boltanski, Daniel Buren, Andres Cadere, Annette Messager, Sarkis and others.
Boltanski's section includes images of work not shown elsewhere including Ombres - an installation in windows where shadows of interesting events could be seen from outside and French WIndow - a similar work elsewhere.
VG+ - very scarce.

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Warszawa: Galeria Foksal, 1989
21 x 15cm, 4pp. Exhibition catalogue with two colour images of the installation - second hand clothes left on the floor in the gallery spaces - a format used by the artist in a number of different venues. VG+.

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Little Sparta: Wild Hawthorn Press, 1989
13 x 9.1cm, 4pp light brown outer folder. Internally a 13 x 9.1cm, 4pp sheet with a poem

Sundial
The motto is silent.
The shadow speaks.

The poem emphasises that the true importance on a sundial is the shadow of the gnomon and not the carvings added to it as decoration. The drawing on the cover was by Kathleen Lindsley.
This was one of a series of "poems in folders". VG+.

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Denville: Artforum (Volume XXVII No. 8), April 1989 26.8 x 26.8cm, unpaginated (c. 300pp) plus wrappers. A single number of the long running art journal which has an original page work by Boltanski (joint with Annnette Messager) on pages 126 - 129. Two b/w images of children with stuffed toys (chosen by Boltanski) are reflected in two colour images by Messager which use later examples of the toys to create new photographs. This is a very unusual joint work by the lovers. VG+.
Reference: Flay Catalogue Page 182.

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Rivoli: Castello di Rivoli, 1989 10.5 x 15cm, closed printed envelope - black on gold paper. The announcement for a solo show by Byars - the envelope has inside three small plastic balls that can only be found by felling through the paper. An invite in the form of an object multiple. Slight wear to the outside of the envelope due to the plastic balls creating a stress on the paper else VG+ (and unopened). Scarce. ...

London: Coracle, 1989
12 x 17.5cm, 60pp plus pictorial boards. A festschrift for Jonathan Williams's 60th birthday. More than three dozen contributors include: Ian Hamilton Finlay, Gael Turnbull, Glen Baxter, R.B. Kitaj, Thomas A. Clark, Richard Caddel, Roy Fisher, Charles Tomlinson, Basil Bunting, Eric Mottram, and Sandra Fisher.
Finlay's contribution is a single page:

Aram Saroyan pays Homage
to Jonathan Williams
on his 60th Birthday.

undoubtedly
avant-
garde

Aram Saroyan was known for his minimalist works and Finlay here parodies the style in honour of his friend Williams. VG+.

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Little Sparta: Wild Hawthorn Press, 1989
13.5 x 13cm, 16pp plus printed brown card covers. Four drawings of proposed texts" for a paved area adjacent to a barn." each drawn by Stephen Raw. Included are the works:
Swallows
Little Matelots

Brown barns
Slower than old beige barges

VG+.

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