The filmmaker Jud Yalkut not only made some of the most important documentary films in the East Coast USA avant grade art scene but he was close friends with Nam June Paik, Charlotte Moorman and Jonas Mekas amongst others and was active in the avant grade of the 60s and 70s.
A significant figure in avant grade cinema, Yalkut initially gained a lot of attention from his involvement in the USCO group: an American media art collective founded by Gerd Stern, Michael Callahan, and Steve Durkee but to which Yalkut soon became a significant figure creating many of the group’s installations, films and often designing the group’s publicity material. The films TURN, TURN, TURN , GHOST REV, DIFFRACTION FILM, and DOWN BY THE RIVERSIDE might be regarded as works that were primarily created as USCO artworks although the first of these films was created in co-operation with Nam June Paik – the giant of experimental video with whom, thereafter, he regularly collaborated.
The emerging counter culture scene and the rise of rock music as the dominant musical genre in the United States led Yalkut to make a number of films involving musicians and, in particular, the film AQUARIAN RUSHES where Yalkut documented the events and bands of Woodstock. He continued to involve himself with new music performances including being part at times of the Fluxorchestra (which had a fluid and ever changing membership) but he also continued to create major installations using projections and music. Even in his later years he would often film musicians including jazz innovators such as Warren James and Pee Wee Russell.
In 1967 Yalkut made SELF-OBLITERATION the most important film about Yayoi Kusuma which introduced her to a wider art audience. The film was shown regularly on the art circuit and drew more attention to the filmmaker who by now was a common figure at screenings in New York and, later, in Ohio.
Yalkut continued to work well into his 60s and in the 70s started a film and video program at Wright State University, Dayton, Ohio. His later life was as primarily as a teacher with occasional forays into the world of art. He died in 2013 only months after a major retrospective of this life and works was shown at Dayton University, OH.
Here we offer an archive of the ephemeral and other material from Yalkut’s activities – mostly from the period 1965 to 1975 when he was most active. There are very scarce items here including a number of unique horoscopes that Yalkut made for his friends and colleagues and, in particular, there is the original collage/paste up that Yalkut made for the premiere of SELF-OBLITERATION in 1967 which incorporates an original photograph by the artist of Kusama.
In total there are 72 items in this archive – all came directly or indirectly from Yalkut’s own holdings. The collection is for sale (or even available for exhibition under certain circumstances) – do enquire as to price. Please note we may consider selling individual items from this group – again please enquire.
UNDERGROUND FILM. 1976.
N.p. (Madison, WI): Madison Art Center, n.d. (1976) 34 x 26cm, 1pp poster printed black on yellow card for screenings of Kenneth Anger’s “Eaux D’Artifice”, Levy’s “Funeral” and Yalkut’s “Turn Turn Turn”. The reproduced drawing is probably by Anger. A mailed copy (hard written address on reverse, several folds and minor creases and a few purple and blue marks and scotch tape on the reverse (to seal for shipping).
THE FLOATING THEATER. 1976.
N.p. (Dayton, OH): Contemporary Media Study Center, n.d. (1976) 28 x 21.5cm, 2pp b/w announcement leaflet for a “media event”” by Yalkut and the Contemporary Media Study Center involving projections on a 360-degree globelike structure – which was in fact a 60 foot parachute held aloft by a giant electric fan. VG.
ATTENTION FILMMAKERS AND FILM BUFFS: BIG FILM WEEKEND. 1977.
Cincinatti: University of Cincinatti, 1977 28 x 21.5cm, 1pp black on yellow announcement leaflet/ programme for a number of “classic” underground films including Lucifer Rising, and works by Robert Breer and Bruce Connor as well as Yalkut showing video and filmic works on the Saturday where he was present to discuss the works. VG.
BENEFIT FOR MODERN TIMES BOOKS. 1978?
Dayton, OH: Modern Times Books, n.d. (1978?) 28 x 21.5cm, 1pp b/w leaflet for a benefit evening of underground film and “cheap beer!”. The films including Aquarian Rushes – Yalkut’s film of Woodstock. Also starring ” Ritey, M. Frant & Priscilla”: a soft rock band. VG.
VIDEO VECTORS FOR A CIRCULATING GALLERY BY JUD YALKUT. 1980.
Dayton, OH: Dayton Art Institute, 1980 28 x 21.5cm, 2pp b/ light blue leaflet/small poster for an extensive installation by Yalkut. One collage that looks somewhat like a USCO image as illustration. Text by the artist on the reverse explaining the work along with a short bio. VG.
