Belper: Aggie Weston's Editions, 2004
19 x 13cm, folded single printed dustjacket for the book edited by Stuart Mills of content of Finlay's notebooks. This was sent to Paul Robertson by Mills with a post-it note on the back with the words "Covers, Have you found the card yet?" and an arrow pointing to a sculpture reproduced on the back "The star in its stable of light". Mills knew at the time Robertson had been searching for a copy of that card.VG+.

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NYC: Nolan/Eckman, 2004
30 x 9 x 9cm, glass bottle content of olive oil and with plastic, metal and ceramic stopper. An unusual object multiple by Finlay where the bottle has an illustrated label on front reads "fleur de l'air.horloge de flore" and a further tiny label on back of bottle. This was one of only 150 on sale during the exhibition - all unnumbered or signed.
Sadly our copy at some point leaked the oil and the label has become discoloured with the grease.

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Chicago: Art Club of Chicago, 2004 14 x 14.5cm, 32pp plus card covers and red on grey dust jacket. Exhibition catalogue for an exhibition of sculptural works with the title Vessels having a dual meaning of both carriers of liquids (watering can, vases) and marine vehicles (which carry humans often). Twenty colour images of works with legends. One of FInlay's last exhibition catalogues. Only 300 copies were published. VG+. ...

Edinburgh: Show and Tell Editions, 2003
2.5 x 3 x 3cm (approx) wood and rubber stamp  consisting of a reproduced image of the artist's  right thumbprint. One of 65 signed and numbered  (on a certificate) examples from the important  British conceptual artist (and curator) Monk.  Referencing Manzoni (who often stamped works  with his thumbprint), and, perhaps indirectly,  Warhol - the idea of the unique re-made as a  multiple was never before more apposite as here.  Fine condition.
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Two colour photographs (both 21 x 29.7cm)) and two 35mm colour slides. Signed certificate with instructions for display: "The two images should not be displayed within the same space. The work can be made in a number of different ways, either both photographs can be show, both slides projected (the projected dimensions are variable) or one photograph and one projection.
The owner of the work must decide how the piece is to be installed. For every installation a different rule can be followed.
Duplicate slides should not be made. Fading only alters the look of the piece, but not it's intention."
The work shows two similar but slightly different images of a lorry being refuelled in a Mexican petrol station. In the background are stripes on a wall which look somewhat like a Daniel Buren stripes work (hence the title "Photo Souvenir - which is a title Buren uses for his photo=documentations of works).
An unique work by Monk only ever exhibited in the "Secret Exhibition" show in Edinburgh in 2013 curated by Paul Robertson. VG+.

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Paris: Février Editions, 2003
20.4 x 15cm, 12pp (self cover). Printed on very thick card. The book reproduces five double page images from the artist's very early 1969 film L'homme qui tousse - where the artist is disguised as a mannequin (with paper mache head and in rags) in a derelict room and is clearly unwell - vomiting and coughing.
The film can be seen here: https://www.youtube.com/watch?v=bfJJwdD306c
The book has a custom shaped audio-CD with the soundtrack from the film. VG+.

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Copenhagen: Nicolai Wallner, 2003
10.5 x 15cm, 2pp hand made artist's postcard issued during a Danish solo show - each card having a different artist's name rubber stamped underneath the printed text: "This postcard has been influenced by the work of". Here: JOSEPH KOSUTH. The card is signed "JM" on the back and additionally there is an added yellow post-it note added with the text: "Dear Paul, Unique hand stamped postcard never mailed. Signed on reverse. JM>" An unique work with unique added message. VG+.
joint:
Original hand-addressed envelope sent to Paul Robertson from Jonathan Monk.

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Pistoia:Gli Ori, 2002
22.5 x 17cm, 120pp plus boards. Publisher's bandeau with title. Monograph and exhibition catalogue published on the occasion of the exhibition at the Palazzo delle Papesse, Siena with txts by Maurizio Marrone and Marc Scheps in Italian and English. Biography and bibliography. B/w and colout reproductions of works in the text and in plates outside the text. VG+.

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Toronto: Art Metropole, 2002
10.5 x 15cm, 2pp printed b/w postcard with a hand-drawn pencil line by Monk with instructions to "install this postcard on any wall with the pencil line six feet above the floor". A self portrait of the artist of sorts. One of 200 copies of this object multiple which is signed on the reverse in pencil. VG+.

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Karlsruhe: Meyer Riegger Galerie, 2002
21 x 9.9cm, single sheet folded to 12pp which opens to 42 x 29.5cm. Announcement and exhibition poster printed on grey paper which internally notes over a flat sheet of grey that the first public exhibition of Daniel Buren's vertically striped paintings in Paris at the Galerie Fournier in March 1966. This leaflet is signed by Monk on the front in pencil. VG+.

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Paris: Point d'ironie/Agnes b, 2002
43.4 x 30.7cm, 8pp, A single number of the artist's periodical which invites a single artist to create an artist's book. This is one of two such publications by Boltanski in the series - he also did number 50 8 years later. The pages of the tabloid do not register other than a general shape when looked at in isolation but when one opens up the pages and conjoins the sheets one can see an appropriated vintage b/w photograph of an unidentified man and a woman. Folded for storage else VG+. Somewhat scarce despite the large edition size of 10,000 copies.

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