Appeldoorn: Gemeentelijke Van Reekumgalerij, 1980 10.5 x 15cm, 2pp announcement card with an image of Warhol by Duane Michels on the front in b/w and verso museum details. Two exhibitions took place at the same time - Beuys by Warhol showing graphics and magazines published by the pop artist (such as Exposures) and Beuys - a show of drawings, multiples and poster. VG+. ...

3,5 x 1.7cm, gold-coloured metal fishing hook - a gift from the artist to the collector and art historian Marianne Büchler. We estimate this work to have been made around 1980. The gold colour was often used by Byars to symbolise perfection and beauty. The metaphor of a fishing hook can only be guessed at....

6 x 4.5cm, hand-made paper envelope which has been painted gold (possibly using spray paint) and is content of five different small cards (each 5.6 x 4.2cm) which have also been spray-painted gold. Under the gold it appears there are five scenes of alpine houses and landscapes which are only visible because the gold has never dried and comes off with any disturbance or handling. A curious small unique work by Byars which was a gift from him to the collector and art historian Marianne Büchler. We estimate this work to have been made around 1980. Fragile and very unusual. ...

6 x 4.5 x 3.5cm (approx) found stone upon which Byars has written "KOWALSKI 1969 - 1972" in black ink. Piotr Kowalksi was an artist friend of Byars (And who owned several works by the latter) and this appears to be a homage to the former, although we do not know the meaning of the dates chosen other than it appears Byars first met Kowalski in 1969 at the studio of Sara Holt and both Byars and Kowalksi had shows at the Kunsthalle Bern. A small unique work owned by the Swiss collector and art historian Marianne Büchler. We estimate the date of origin of this work as c. 1980....

Aisbach: Verlaggaleria Leaman, 1980
31 x 27cm, printed plastic and card folder with metal ring binder. Content of individual contributions and multiples by a wide range of artists (many from the fields of conceptual art, visual poetry and some of the Fluxus- affiliated artists) including Filliou Monnier, SAito, Armleder and others as well as Boltanski.
Boltanski includes two sheets of "composition" images not shown elsewhere - stalk white on black outlines of objects which might be roughly painted or processed photographically (it is not clear which). Palms trees, a woman carrying a basket, fleeing couple, a man cutting wheat. The title Composition Feeriques suggests these are images of a "fairy world" and perhaps one can read a rough narrative into the eight images. Fine in like folder. Scarce. Not mentioned in any catalogue raisonne.

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6 x 21cm, original vintage xerox which on one side has "THE MINIMUM NUMBER OF SHARES AS QUOTED ONN THE FORM DOES NOT APPLY IF YOU ARE ALREADY AN EXISTING SHAREHOLDER" and on the other side an original (and as far as we know an unpublished piece of doggeral by Finlay:
"What is this life
if full of care
a po-faced look
is all we wear." The poemis of course a parody of W. H. Davies's poem Leisure which has the line "What is this life if, full of care,: We have no time to stand and stare.". We do not know the date of this item. Folded. Unique.

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Little Sparta: Wild Hawthorn Press, n.d. (c. 1980)
16.2 x 22.9cm, printed envelope content of a selection of two artist's books (Woods and Seas, Two Billows) and four artist's cards (Snowbark, Birch-Bark, Cytheria and ARBRE (TREE))- while thematically about "woods and seas" as per the title the selection seems a little random and possibly simply filled with items from the Press that Finlay had many copies of (Two Billows was also bound into another publication about artist's books so one guesses over a 1,000 would have been needed to fulfil all those publications and to be a stand alone book which is almost three times Finlay's most common print run of 350). These items are all described elsewhere on this site so this entry is for completeness really. All VG+ in like envelope.

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Paris: Cheval d'attaque, 1979
22 x 16cm, 108pp plus pictorial card covers. An artist's book of sorts (although published on the occasion of the exhibition in la Maison de la Culture de Chalon-sur-Saone so may also be seen as an exhibition catalogue) in that five previously published works are reprinted in chronological order after a short interview between Irmeline Lebeer and Boltanski.
The reproduced works are Recherche et presentation de tout ce qui reste de mon enfance, Tout ce que je sais d'une femme...

Saint Pierre des Corps: J. & J., Centre Saint Pierre des Corps, 1979
19 x 13cm, 24pp plus original wrappers. Artist's book unusually created from a nine minute b/w film of the same name by Jacques Parart based on the artist's life as a young man. The book has original texts by Boltanski which are printed in poetic structures on the left of each double page and, on the opposite page, deliberately childlike drawings by Jennifer Gough-Cooper and Jacques Caumont. The stories are reminiscences of early childhood life with some rather important events (such as over-hearing that his grandfather had died while pretending to be asleep in bed).
VG+ condition. A scarce publication released at the same time as an exhibition "Boltanski, ouevres de 1974 - 1975". This was the last (for a period of years) of the artist's books based on recreations of his early life - after this exhibition a period of creating large photographic works from posed items dominated the artist's output.

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London: Editions Poetry, 1979
24.5 x 18.8cm, 112pp plus original colour printed wrappers. the first number of this poetry and literature review which is notable for a full colour pull out of a reproduced lithograph by Graham Sutherland and work by Ted Hughes, Alan Brownjohn, Bernard Gutteridge, Iris Murdoch, Bob Dylan, Craig Raine, and many others. For our interest however the back cover is a reproduction of Finlay's rare print Le Circus! A VG+ copy.

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Berlin: Kaiserring der Stadt Goslar, 1979
16 x 16cm, 4pp embossed white card with an internal text inviting the participant to the ceremony of the city of Goslar giving Joseph Beuys the "Kaiserring der Stadt Goslar" (one of Germany's most prestigious art prizes) with a speech in honour of Beuys by Dr. Wieland Schmied. VG+.

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