Paris: Alice Traval & FLorence Loewy, 2010
120 x 150cm, white silkscreen on green cotton. The text reads

A TIME
&
A PLAVE
AT SOME POINT IN THE FUTURE

The work is banner and flag at the same time although the instruction is to pin the work to the wall rather than fly it on a pole. A reference to the work of conceptual artist Lawrence Weiner, the banner's text is also a "meeting" text - suggesting a generalised description of a place and time.
This is one of 40 examples alongside 10 artist's proofs - each signed and numbered on a separate paper certificate. In original 23 x 36 x 4cm two part heavy cardboard box with tipped on printed label. VG+.

...

Berlin: BQ, 2010
10.5 x 15cm, 2pp, Announcement card for exhibition and book launch - the two sides of the card are both typographic but on the back Monk has mirrored the front of the card. Additionally Monk has signed both sides of the card in pencil but on the back his signature is approximately in reverse also. Unique thus due to the signatures. VG+.

...

Berlin: Kewenig Galerie, 2010 30 x 21cm, 18 unbound sheets of which 15 are full colour images of works in the exhibition. There is a short essay in German and a cover sheet. All in original plastic transparent folder. A press pack for journalists that was not available to the general public. VG+. ...

Berlin: Haubrokshows, 2010
15 x 10.5cm, 4pp. Announcement card for a joint show with Klaus Merkel - the front of the card is a text in English by Merkel and on the back of the card Monk has simply mirrored the text such that it reads right to left. This is a strategy Monk has used in other works - reflection. Internally gallery text. VG+.

...

Polígrafa Obra Gráfica, 2010 47 x 57.5cm, Portfolio with 11 lithographs each with a number from 1 to 11 printed in the respective number of colours of the number i.e. 6 has 6 overlapping different colours. We assumed the choice of 11 numbers reflects the number of players in a football team and the whole in in a printed card box with a centre circle from a football pitch design however we asked Jonathan Monk and he replied: "the piece was not really supposed to relate to football but the publisher is a big Barcelona fan and he proposed the football related portfolio...

NYC: Park Avenue Armory, 2010 27 x 19cm, 8pp (single sheet, opens out to 38 x 54cm). Exhibition brochure which when open displays a poster photograph of one of Boltanski's clothing installations as well on the outside a tin box installation. This was Boltanski's most ambitious project in the States to date with a number of different works displayed in the 55,000 square foot building. VG+. ...

Paris: Tornabuoni Art/Yvon Lambert, 2010
21 x 15cm, 4pp, Announcement card for the solo exhibition by Monk which took place during the major retrospective of the work of Alighiero Boetti in Paris. The car reproduces one of Boetti's Mappa works on the inside and back cover mentions the Monk show.
JOINT:
21 X 15cm, 1pp invitation leaflet to the launch of the Boetti book "Catalogue General d'Alighiero Boetti". Typographic only.

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VItteaux: Les Presses du réel, 2010
21.2 x 12.4cm, 44pp plus card covers. Exhibition catalogue with 4 colour images and 4 b/w images of shadow projections onto the outside of buildings from silhouettes cut out by the artist. Eight b/w lithographs reproduce the cut outs. Essay in French by Estelle Beauseigneur and an interview with Boltanski with Xavier Douroux. VG+.

...

London: The Economist, 28th November 2009
30 x 21cm, 106pp plus wrappers. A single number of this important international financial magazine which contains a paid advert by Jonathan Monk on page 104 - "Keith Arnatt was an artist" under the "Business & Personal" section. Arnatt sometimes used commercial tv advertising for works. VG+.

...

Paris, Éditions 591, 2009
28.5 x 20.5cm, 200pp plus covers. The extensive and best to date catalogue raisonne of Boltanski's work - that covers the artist's earliest and middle career output (not artist's books which Calle published a separate book) from the earliest films, mail art, sculptures, installations and vitrines/archives. Illustrated in b/w throughout. Text in French.
JOINT AS ISSUED:
21 x 15cm, 24pp (Self cover) An English translation of certain sections of the French book - text only. VG+.
JOINT AS ISSUED:
The silver mylar outerr bag to store the books in,
This example is one of a small number of copies which are signed by both Christian Boltanski and Bob Calle (the author and, coincidentally, the father of Sophie Calle). VG+.
BR>...

N.p: s.p., n.d.
Two different 84 x 64cm, full colour lithographic prints each with a different view of the artist’s father having fallen through a deckchair while relaxing in his garden. A typically nostalgic use of the artist’s family archive to create a new work used we believe as a floor stack in the way that Felix Gonzalez-Torres would do. Limitation unknown. VG+.

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Berlin: Eroticxa, n.d. (c 2009)
38 x 34cm, black silkscreen on cream cotton pus handles. One of a number of such bags where Monk indicates his interest in their products by his simple endorsement. On the back of the bag, the design is repeated but in a mirror image. Slightly faded but else VG+.

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