26 Apr MARBLE PAPER BOAT, 1975- 1976. 2025.
Edinburgh: Museums Of Scotland, 2025 14 x 14cm, 2pp commercial art postcard displaying a stone sculpture by Finlay. VG+. ...
Edinburgh: Museums Of Scotland, 2025 14 x 14cm, 2pp commercial art postcard displaying a stone sculpture by Finlay. VG+. ...
Edinburgh: Museums Of Scotland, 2025 21 x 14.5cm, 2pp commercial art postcard displaying a stone sculpture by Finlay. VG+. ...
Edinburgh: Museums Of Scotland, 2025 14.5 x 21cm, 2pp commercial art postcard displaying a stone sculpture by Finlay. VG+. ...
Edinburgh: Museums Of Scotland, 2025 21 x 14.5cm, 2pp commercial art postcard displaying a duotone image of a younger Finlay with some of his hand-made toys. Verso museum details. VG+. ...
N.p.: n.p., n.d. (c. 1969) 42 x 30cm, pint and blue limited edition poster based on the broadside issued in 1969 in a much smaller size. Concrete poem by Finlay illustrated with two drawings by Furnival. This is not in any catalogue raisonne. VG+....
Edinburgh: Reaktion Books, n.d. (1985) 21 x 15cm, 4pp subscription leaflet for advance orders of "A Visual Primer by Yves Abrious". Three b/w images of Little Sparta taken from the book. VG+. ...
N.p.: n.p., n.d. (2023) 7.5 x 5cm, plastic and paper and magnetic strip - a fridge magnet which quotes Finlay: "The same sort of thing happened in my dispute with the National Trust book: Follies: A NationalTrust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture." This is printed white text on a black background - there is also a black on white example. An odd item published posthumously. Limitation unknown as is the reason for creating this oddity. VG+. ...
N.p.: n.p., n.d. (2023) 7.5 x 5cm, plastic and paper and magnetic strip - a fridge magnet which quotes Finlay: "The same sort of thing happened in my dispute with the National Trust book: Follies: A NationalTrust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture." This is printed black on white - there is also a white on black example. An odd item published posthumously. Limitation unknown as is the reason for creating this oddity. VG+. ...
Liverpool: Tate Gallery, 1991
24 x 10.5cm, 8pp exhibition catalogue/museum handout with a reproduction of Finlay's Evening Will Come They Will Sew The Blue Sail on the front in black on white and a short essay by Ken Cockburn Four works reproduced in b/w internally. VG+.
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Warszawa : Galeria Zacheta, 1995
21 x 15 x 6cm, grey printed card slipcase content of 22 volumes of pamphlets from different participating artists in this large exhibition in the Zachęta National Gallery in Warsaw commemorating the fiftieth anniversary of the end of the second World War. Each volume is 21 x 15cm, pagination varies.
Finlay's booklet is 21 x 15cm, 24pp plus wrappers. String bound. It includes various images of works including Inscription (a quote by Mathiez on Robespierre) shown on a blackboard, and Sundial as well as a stone inscription with a text taken from Finlay's Detached Sentences on The French Revolution. Most of the works displayed were inspired by Finlay's fascination with the events in France after the fall of the Bastille.
The sundial has a latin inscription carved into it - E-CAELO. That translates as "Out of heaven" - which clearly refers to the sun rays that hit the gnomon and create the shadow.
Other artists include Christian Boltanski, Jochen Gerz, Anselm Kiefer, Jannis Kounellis, Gabriel Orozco, Arnulf Rainer, Lawrence Weiner amongst others. All booklets are in VG+ condition. The outer slip case (being very fragile and cheaply made) is a little torn and battered in places. A scarce publication especially complete.
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Belper: Aggie Weston's Editions, 2000
21 x 15cms, 16pp, plus cards covers. An anthology of poetry chosen by Clark which includes Finlay's A LITTLE POEM TO PUT YOUR EYES TO SLEEP LITTLE.:
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Two colour photographs (each 10 x 15cm) of a small maquette for a major installation in Den Haag - ET IN ARCADIA EGO .
This work was stolen from the Ingleby Gallery and it is known who the thief is (the work was in his bathroom on display for many years) but despite the person writing this telling the police who and where the work was they refused to investigate without further evidence. The same thief also stole significant items from Richard Demarco's storage unit in Edinburgh in 2013. There you have it.
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