Artist's Postcards - Unoriginal Sins

04 Jul THE LITTLE DRUMMER BOY. VIALA. HOMMAGE A DAVID. 1983?

Posted at 17:05h in Artist's Postcards

Little Sparta: Wild Hawthorn Press, n.d.(1983?) 8.4 x 7cm, 8pp single folding card printed on one side only in blue and red on white. The first panel lists the publishing details, the second shows the ship that has reef knots that look like the decorations on the side of the drums of the revolutionary army - the boat is called The Littel Drummer Boy and the panel remembers Bara the martyr, the third panel has the name Viala with a tricolour ribbon - here memorialising the death of the young martyr Joseph Agricol Viala who tried to demolish a bridge while under attack and died calling for Liberty and finally, the text "Hommage A David" who was a third martyr to the Terrorists murdered in his bath. A card in honour of three Republican deaths. This example is signed "To Janet (Boulton) yours Gary (Hincks)" in blue and red crayon. VG+....

03 Jul TREE COLUMN-BASE “SAINT-JUST”. 1983.

Posted at 22:38h in Artist's Postcards

Little Sparta: Wild Hawthorn Press, 1983
12.4 x 15.2cm, 1pp. A drawing of an installation of one of Finlay's Tree Column-Base dedicated to the French revolutionary Saint-Just in the garden of Little Sparta. Finlay notes that the tree is a Silver Birch (which has a noble and straight growing trunk) and that the plants around the base are strawberries (a passionate fruit one might argue due to colour and flavour). The base was an unturned capital of a Doric pilaster. Together this represents the character of the young incorruptible. The drawing was by Andrew Townsend. VG+.

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28 Jun WILDFLOWER. A MEAN TERM BETWEEN REVOLUTION AND VIRTUE. UNCUT EXAMPLE. 1983.

Posted at 10:22h in Artist's Postcards

Little Sparta: Wild Hawthorn Press, 1983
21 x 30cm, 1pp. An uncut example of a folding card with Finlay's definition of a Wildflower as a mean term. This card was meant to be folded with a pressed wildflower (added by the owner) inside. VG+.

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07 Jun A VIEW ON THE HEDGEHOG GARDEN: LITTLE SPARTA IN WARTIME. 1983

Posted at 14:18h in Artist's Postcards

Little Sparta: Wild Hawthorn Press, 1983
17.8 x 12.8 cm , 2pp black on white artist's card with a photograph of Little Sparta by Norman Lockhart. In the reverse is a definition work: "CAMOUFLAGE, n. a presentation, a concealment".
The photographic image of the buildings are obscured (camouflaged) by foliage hanging from the trees in closeup. This is a common theme in Finlay how the placement of an object or a weapon in vegetation is a distant and subtle symbol of life being reminded of the ever potential of death. VG+.

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01 Jun WITHIN THE SYSTEM. 1983.

Posted at 14:38h in Artist's Postcards

Little Sparta: Wild Hawthorn Press, 1983
15.2 x 13cm, 1pp black on white artist's card with a drawing by Mark Stewart. The full title of of the card is "WITHIN THE SYSTEM OF GREEK ARCHITECTURE THE LEAST PART OF AN ELEVATION HAS THE ABILITY TO MAKE THE WHOLE KNOWN" a quotation from Quatremere de Quncy. The drawin is of the Dovecot at Littel Sparta with a gun barrel pushing out of double doors that seem to be made out of stacked hay bales creating a tank of sorts out of the building. The low lying gun barrel certainly could make the whole known if fired.
There is another card DOVECOTE from 1983 which shows the whole of the building form a distance with the barrel hard to see. VG+.

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01 Jun DOVECOTE. 1983.

Posted at 09:24h in Artist's Postcards

Little Sparta: Wild Hawthorn Press, 1984
20.9 x 14.8cm, 1pp. Two drawings of the dovecote at Little Sparta (by John Tetley) are shown without any text or explanation or even attribution. The second drawing is a detail of the bullding that appears to show a gun barrel sticking out of the double doors of the former dovecot. In truth the drawing isn't very clear in close up and this work seems somewhat out of place with Finlay's usual aesthetic apart from the general feeling that Little Sparta needed to be militarised after the initial raid by Strathclyde region. IN some sense the building has become an immobile tank.
Murray places this card at 1984 but out of order in his list (it is in the middle of a number of other cards published in 1983) and another version of the image with a drawing by Mark Stewart was also printed in mid 1983.. The exact date cannot be ascertained for sure so we have allocated this to 1983 for the proceeding reasons. VG+.

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30 May HOMAGE A DAVID (2). 1983.

Posted at 09:31h in Artist's Postcards

Little Sparta: Wild Hawthorn Press, 1983
20.7 x 10cm, 1pp. A cut-out drawing by Ron Costley of a republican army drum such as played by the martyred Viala. The boy's name is incorporated into the diagonal patterning around the sides - the name having letter shapes that match that well. VIVE LA REPUBLIQUIE!

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15 May A DRYAD DISCOVERED. 1983.

Posted at 10:01h in Artist's Postcards

Little Sparta: Wild Hawthorn Press, 1983
20 x 8.8cm, 4pp. A folding card with Finlay's poem overprinted on a camouflage pattern in green on light brown. The poem links various body parts and tree parts to others. The first half of the poem link the head to the fingers via other parts, the second the roots to the blossom on the twigs. The final line is "and fruit" which can be allocated both to the hand and the twig (a human can hold fruit). On the back of the card Trump cites both a book on Physiognomy - the habit of judging traits from structures and also Strathclyde Region's Schedule of Poinding Assessments Payable to the Strathclyde Regional Council (1982) in which Finlay would have been included because of his dispute over the Garden temple.
A dryad of course is a mythical spirit that is found within a tree - the metaphor of "tree - human" here is hinted at as being enough to allow judgement about that person, tree or even farm.

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07 May LEXICAL DIVERSIONS. 1983.

Posted at 14:12h in Artist's Postcards

Little Sparta: Wild Hawthorn Press, 1983
15.2 x 15.4cm , 1pp black on white artist's card. A text by Geoffrey Scott discusses Finlay's metaphors on architectural elements (from Lexical Diversions of Ian Hamilton Finlay) alongside a drawing of a Corinthian capital by Mark Stewart. VG+.

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07 May TWO TRANSLATIONS. 1983.

Posted at 13:46h in Artist's Postcards

Little Sparta: Wild Hawthorn Press, 1983
20.5 x 15.5cm , 1pp black on white card. The typographically designed card has two "translations:" which are poetic rather than accurate:
Ferme ornee
armoured farm
and
Arroisir
evening arrow
Hence 'ornate farm' becomes an 'armoured farm' and "watering can" becomes "evening arrow" both of which suggest the militarisation of the grounds. A reaction to Finlay's worries about his enemies coming to Little Sparta and stealing his assets as had happened in March of the same year as publication. VG+.

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06 May THE LITTLE SPARTAN WAR. 2 PROPAGANDA CARDS. TWO PROSPECTS, TEMPLE OF APOLLO. 1983.

Posted at 10:29h in Artist's Postcards

Leeds: New Arcadians Press, 1983
11 x 16cm, printed purple envelope with title and publication information content of two cards.
The first card is:
2 PROSPECTS.
8.3 x 10.9cm 6pp (asymmetric folds). A folding card which has two drawings by Ian Gardner which reflect the shape of each other. The first is a slope on a battle ship's deck, the second a slope on a hill with a house and a tree. The "elevation" of the guns to the deck and the "elevation" of the house to the tree are mathematically compared to each other in the diagram.
Two quotes one by Horace Walpole and the other John James note the evolution of "Ha! Ha!s" in gardening - places where the ground drops away suddenly and allows unimpeded access to the grounds. On a battleship the slope in front of a gun allows the missile to be projected without opposition.
The card may be a typical Finlay work bringing attention to a comparison or metaphor between two things but given the on-going feeling of conflict and being under attack at Little Sparta at this time - the card is also a threat to those attacking the elevations of the grounds.

The second card is
THE TEMPLE OF APOLLO
10 x 13cm, 2pp and a duotone photograph of the the Temple of Apollo (aka Garden Temple) - the building that Finlay disputed the rating value of and the heart of the dispute between him and the Regional Council.
Both cards are VG+.
Murray's flawed catalogue raisonne only notes the first card and does not note it was part of a pair or that it was published by someone other that the Wild Hawthorn Press. it appears these cards were published at the same time as an exhibition at Southhampton Art Gallery.

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02 May UNTITLED (A COLUMN A DAY). 1983.

Posted at 10:40h in Artist's Postcards

Little Sparta: Wild Hawthorn Press, 1983 20.5 x 10.4cm, 4pp (folding from the top). A cut-out drawing by Nicholas Sloan of a section of a tree trunk with an arrow piercing the wood allowing a three-dimensional paper sculpture to be made. The final image reminds one of Saint Sebastian martyred because of his supposed defence of early Christians. The attacks on Finlay at this time probably made him feel like a martyr but this image could also be read as a symbol of the garden of Little Spartas as being under attack. The title of the card is not included and the title here we have taken from Murray's catalogue raisonne although there is no reason to be sure it is correct. VG+.

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