Koln: Walther Koenig, 2002
15 x 22cm, 20pp plus original boards. Ten sheets of card which has a number of disturbing images that have been overprinted with a silver ink that can (if desired) be rubbed off to see the photographs below.
This example is unscratched - and in mint condition. It is also one of a small number of copies that were signed on the back cover by Boltanski in black felt tipped pen.

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Munchen: Galerie Bernd Kluser, 2002
10 x 21cm, 4pp typographic announcement card content of a 21 x 10cm, 1pp printed on semi-transparent paper (also typographic design). This inner sheet is signed in blue in by Boltanski.

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Koln/Dessau: Walter Konig/ Anhaltische Gemaldegalerie, 2001 25.5 x 20.5cm, 208pp plus boards. First edition of this artist's book with 101 images (collaged from xerox images by Boltanski) and texts in French, German and English from people who knew Boltanski printed opposite to the images on some pages. The pages with the images are printed on semi-opaque paper and backed by black blank sheets to cause a ghostly effect. As ever the images in the collages are taken from the artist's own collection of vintage photographs usually found in flea markets and in unidentified photo-albums.
Published in conjunction with an exhibition at the Anhaltische Gemäldegalerie, Dessau, Nov. 2001-Jan. 2002. VG+.

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Warsaw: Centre for Contemporary Art, 2001
27 x 14.5 x 4.8cm, two part rubber stamped thick cardboard box content of:

WITNESS. 10.5 x 14.5cm, 32 2pp postcards bound as a book with wrap around cover. Each card in b/w displaying shots of the public installations "Witness" - enlarged eyes on posters around the city.
REVENIR. 42 x 29.8cm, 4pp artist's book (magazine) consisting of a group photograph of young men (possibly a sport club) and three enlarged faces from the photograph. Folded to fit the box.
UNTITLED (CHINESE PORTRAIT). 42 x 29.8cm, 4pp artist's book (magazine) consisting of a double sheet image of the enlarged eyes and two enlarged faces which appear to be Chinese faces. Folded to fit the box.
Two booklets - CHINESE PORTRAIT/ PORTRAIT CHINOIS- each 18 x 12.5c, 32pp. Text only in English and French with a short text by curator Magdalena Abakanowicz. The work WITNESS is briefly discussed with Boltanski placing the works around the city when he realised there was very little in the way of record of the Warsaw Ghetto.
UNTITLED - eight sheets - each 30 x 21cm, folded and bound together by a paper band - text in Polish. One sheet has some recent b/w portraits of the artists.

BOLTANSKI. 20 x 14.5cm, unpaginated (c. 48pp) printed on semi-opaque and opaque papers with some of the sheets fold outs. Minimal text with full colour images of the various works exhibited in the show. Hard printed boards.
An extensive exhibition catalogue with artist's booiks/publications included. VG++ condition and somewhat hard to find.

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Edinburgh/London: Morningstar/Lisson Gallery, 2001
10 x 10cm, 6pp concertina folded single sheet with two of Monk's meeting works printed on it - suggesting a rendezvous at the "Luxor (main entrance) 3900 S. Las Vegas Blvd. Las Vegas USA, November 21, 2010, sunset" and on the reverse another meeting with the text in Arabic (which sadly we cannot translate). Printed in an edition of 5,000 copies. VG+.

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Koln: Kiunst-Station Sankt Peter Koln, 1994
55 x 42cm, 2pp broadside/poster. Exhibition handout which reproduces the main image for the exhibition and on the back an interview between Boltanski and Friedhelm Mennekes. Folded for storage (as issued) and VG+. This copy is signed in in above the interview by the artist.
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Edinburgh: Morning Star, 200
13.5 x 10cm, 32pp plus COVERS. Artist's book in the form of a faux passport contributions by Finlay, Alex Finlay, Simon Patterson, Lawrence Weiner, Donald Evans, David Faithfull as well as others. Each page is in the form of actual rubber stamp impressions in black, red and blue from stamps designed by the artists. One of 750 copies produced but this is surprisingly hard to find. VG+
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Paris/London: Galerie Yvon Lambert/Book Works, 2000
10 x 12.5cm, 8pp concertina folded single sheet with one of Monk's meeting works printed on it - suggesting a rendezvous at the Tour de Eiffel on the 13th October 2008. Printed in an edition of 10,000 copies according to the publication. In original printed envelope with the title and name of artist. VG+.

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Little Sparta: Wild Hawthorn Press, 1999
Original mailing box content of a 2 x 4 x 1cm, pewter faux "net marker" with the inscription "SP" and a 12 x 16cm, 4pp printed card. A Christmas gift (here to the art dealers and curators M+R Fricke, Dusseldorf). Net markers, traditionally made of wood or cork, were used to establish ownership of nets in fishing communities and in ports usually carved with the fisherman's initials (sometimes a monogram) or later, as boats and their crews grew larger, with the fishing numbers of the fisherman's boat.
The card has a drawing on it (by Gary Hincks) of five net markers with A, JS, JN, SP, A on them - these represent the first five of Jesus's disciples and there is a biblical quote - from Matthew 4: 'As he walked by the Sea of Galilee, he saw two brothers, Simon, who is called Peter, and Andrew his brother,...

Kõln: Salon Verlag, 1999
17 x 12cm, 32pp. plus slightly oversize wrappers. There are 30 b/w portraits of young men and women in their teens placed on a graph-lined back ground and their dates of birth with a space for their later death dates. One of 1000 numbered copies.VG+.

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Little Sparta: Wild Hawthorn Press, 1996

7 x 8.5cm, 12pp plus printed card covers. Artist's book which is printed in green in one direction (Orchard) and once turned around is orange in the other (Larder). The words in both directions are APPLE, PEAR, CHERRY, PLUM, TREE and APPLE, PEAR, CHERRY, PLUM, JAM. The former is denoted as the "Inauguration of the orchard, Little Sparta, Autumn 1999" and the latter "Replenishment of the larder, Little Sparta, Autumn 1999". A small delight. VG+.

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