Little Sparta: Wild Hawthorn Press, n.d. (1994) 13.5 x 7.2 cm, 12pp plus card covers. Artist's book which has four one-line poems (one per page) thus:

the simplicity of sackcloth

the self-effacement of sackcloth

the aspiration of sackcloth

and

the REVOLUTION of sackcloth.



The lowly fabric (traditionally made out of goats hair) is cast by Finlay in its place but by the fourth line is allowed to turn against its oppressors. A reference to the French and other revolutions. VG+. ...

Little Sparta: Wild Hawthorn Press, 1994 10 x 7.4cm, 8pp plus wrappers and printed dustjacket. Artist's book with a poem by Finlay and a quote from Virgil's Aeneid about sailing which regards ships as "nymphs of ocean".:

"ships
nymphs

nymphs
ships

.

bark
barque

barque
bark

VG+. JOINT (LAID IN): 10 x 4.5cm, 2pp explanatory card ('bookmark") by Thomas A. Clark which points to the transformation of boat into wood and wood into boat as well as the classical tropes of change in gods and humans. VG+. ...

Little Sparta: Wild Hawthorn Press, 1998
12.7 x 16.3cm, 4pp with 1pp transparent leaf internally:

on the left and right of the internal pages are colour photographs of two metal sculptures - both wheel barrows one carrying fallen oak leaves and the other flowering pots. The photographs were taken by Antonia Reeve. The text on the leaf reads:

Be good and with me walk/The old devalued park/Where autumn has set in. - a line from a poem by the American poet Karl Shapiro.

The work shows the two seasons of Autumn and Spring - with the contents of the barrow reflecting the gardener's tasks at each time. VG+. ...

Munich/Stuttgart (St. Gallen): Octogan Verlag, 1993
18 x 12cm, 12pp plus card covers. Artist's book displaying six photographs of meals - each image being brightly coloured and fully saturated to make the posed images seem other-worldly and to emphasis their "fakery". The images resemble those used on restaurant menu boards.
This is one of 400 copies found in "World Soup" - this was Hans Ulrich Obrist's first ever curated exhibition and had major contributions by Hans Peter Feldmann, Roman Signer, Paul-Armand Gette, Fischli and Weiss, Richard Wentworth, C.O. Paeffgen, Frederic Bruly Bouabre. And each like Boltanski included an original publication or print to the catalogue which was published in only 400 copies.
Additionally there was a 30 x 21cm, 16pp pluys card covers general catalogue for the show which each artist provided a page contribution to - Bolanski showed two colour photographs of a kitchen cupboard but the second image has had a candle photo-manipulated into the image.
A rare publication - and this example has the Boltanski booklet signed on the first page in ink. All VG+ in like folder.
Reference: Calle Boltanski Artist's Books Page 77

...

Little Sparta: Wild Hawthorn Press, 1993
11 x 7cm, 44pp plus green embossed boards. An artist's book with sixteen line drawings of various roses by Gary Hincks with the names of appropriate boats and their harbour numbers below. The last rose is XMAS ROSE and the name printed in red.
A long time interest in using boat names and numbers as poetry and sound elements as well as identifying certain boats with flowers is here again prominent.
This was published as a Christmas gift by Finlay in an edition of only 250 copies. VG+.

...

Berlin: Kewenig, 1994
49 x 34.5cm, 8pp. Exhibition catalogue in the form of a tabloid newspaper. Five full sheet (one double) appropriated portrait images by the artist and a text in German and English by Jiri Svestka. Folded into sixths as issued and with original printed mailing band. VG+.

...

Munich: Gina Kehayoff Verlag, 1994 24 x 14,5 cm, 88pp. card covers. Artist's book. Facsimiles of portraits of orphans published by the Red Cross in Germany after the war and distributed throughout Germany in order to find those portrayed any relatives that may have survived the war. The artist writes in a foreword that " we also we seek our parents". This copy is one of 77 hand numbered copies which has an original re-photographed advert from the original red cross poster which is signed and numbered in blue ink on the back also. Fine....

Little Sparta: Wild Hawthorn Press, 1993
17.5 x 14.5cm, 4pp light green outer folder with printed title. Internally a 17.5 x 14.5cm, 4pp sheet with two concrete poems left and right
The left poem repeats the word oval as a central spine to the work with the words leaf blue song pink foal grey on both sides with the letters emboldened to create a rough oval of the letters (see photograph). The right hand poem has the same physical structure but the words leaf blue song pink foal grey become the central spine of the design and the word oval is repeated above, below and on both sides.
This is one of a series of works which the Wild Hawthorn Press denoted as "Poems in folders". VG+.

...

Glasgow: Fuse Project, 1993
15.5 x 11 x 1cm, printed colour folder content of 40 different artist designed cards by those Glaswegian artists who had studios in the Fuse Project building in Bridgeton. The artists includes some very famous names - Martin Boyce, Douglas Gordon, Emma Kay, Ross Sinclair, Simon Starling and Monk. Each card was different but Monk has a self-portrait made up as Gene Simmons from Kiss in full make-up. A very early work by the artist. One additional card with background to the project. The cards are all in VG+ condition but the printed folder is a bit worn and aged. Rare.

...

Lenbachhaus: Stadtische Galerie, 1993
11 x 10.4cm, 40pp plus printed brown boards. Artist's book with drawings of wild flowers by Gary Hincks with their common name alongs side their scientific classification. A single text at the end of the book states:
Das Wort aus Stein: Wildflower. (Trans. The word of stone: WIldflower).
which may refer to the strength of such flowers (oft called weeds) in surviving.
JOINT WITH: 11 x 10.4cm, 12pp accordion folded insert. A textual commentary by Patrick Eyres.
Both one of 750 examples printed on the occasion of a German exhibition in Lenbachhaus. VG+.

...

Little Sparta: Wild Hawthorn Press, n.d. (1993) 21 x 8cm, 4pp proposal by Finlay for a sculptural work to be built in Willam Shenstone's The Leasowes in the form of an artist card.
The internal drawing by Annet Stirling is of the proposed stone obelisk which bears a text "From this spot may be seen the works of Walter Somer's forgemasters inadvertent manufacturers of parts for the Iraqi super-gun. Citius elephantem subala celes - sooner could you hide an elephant under your armpit".

This is unusually a political work by Finlay - Sadam Hussain had attempted to build several super gun under the title of Project Babylon. The first gun had a bore of 350 mm (13.8 inches), and a barrel length of 46 metres (151 feet). Finlay wanted the work to be build in the grounds of the house near Halesowen. VG+. ...

39 x 59 cm unique collage/appropriation comprising a vintage magazine cover from Signal Magazine mounted on cardboard and placed in a glass and wooden frame - the work is signed 'C. Boltanski' on the label on the back of the 40.5 x 60.5 cm frame which is also the dated, numbered and inscribed '1993, 4/16 (Unikat) Collage Jahresausgabe des Museumvereins Mönchengladbach 1993' . Each of the 16 issued works was unique with a different cover from Signals Magazine - the war time magazine had interested Boltanski for a long period because in part of the day to day activities to be found in the illustrations - belying the conflict that was happening throughout Europe....

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