Little Sparta: Wild Hawthorn Press, 1991 30.8 x 12cm, 200 plus card covers and green printed dustjacket. Artist's book based on various Greek myths. Finlay supplies six small one line poems each with a single repeated illustration by Solveig Hill - such as:

APHRODITE

Oil, in the air's cool jar.

and

CHLORIS

The birds awake the dawn.

VG+. ...

Little Sparta: Wild Hawthorn Press, n.d. (1991) 5.4 x 8cm, 4pp. Artist's card with a gate on the front and inside left of sheep in a pasture by Gwyneth Leech. Inside the card next to the crease are the words "gate fold" - to make a joke of the format of the work. VG+....

Paris: Librairie Seguier, 1990
32 x 26cm, two part blue card box with handwritten title label content of a 30 x 21.5cm, 104pp plus blue card boards book with, again, an handwritten label. The book has been described as poetry in some online descriptions (presumably because of the poet's earlier works) but it is really a work in prose of reminiscences from the author's childhood - a subject matter which reflects much of Boltanski's interests in recovered memory.
This being the deluxe edition there is a further artist's book "Cinq Photographies de l'album de la famille D. " which is 8 x 11.5cm, and contains 6 appropriated photographs (taken from originals) mounted as if in a small photo-album. This book was only available in these deluxe copies making it one of the rarest of Boltanski productions.
There is also an untitled 24 x 18cm, b/w photograph of a young boy with his toy wooden horse standing outside of a house. The photograph is also mounted in a folder with tissue guard.
Finally there are four hand-written original manuscripts of texts from the book by Cluzel, and a colophon sheet which is also hand annotated by the poet and numbered from the edition of only 37 (this example is number 23). These pages are in a plastic transparent folder
Rare and important not least because of the inclusion of the small artist's book, this example is in VG++ condition although the front cover label has lost some of the ink from the title and Cluzel's signature - however, Boltanski's signature on the label is still very clear and dark.

...

Little Sparta: Wild Hawthorn Press, 1990
13.4 x 11cm, 4pp blue outer folder with a drawing of a bird. Internally a 13.4 x 11cm, 4pp sheet with a poem:

Morning and evening
dove

rill
in its throat.

This is one of a series of works which the Wild Hawthorn Press denoted as "Poems in folders". VG+.

...

Little Sparta: Wild Hawthorn Press, 1990
13.4 x 11cm, 4pp blue outer folder with a drawing of a broken tree branch with leaves. Internally a 13.4 x 11cm, 4pp sheet with a poem:

Broken
willow branch

bent
to the pool

Willow branches usually take a structure where they bend to the ground - a broken willow branch is doubling down on the phenomena.
This is one of a series of works which the Wild Hawthorn Press denoted as "Poems in folders". VG+.

...

Little Sparta: Wild Hawthorn Press, 1990
13.6 x 8.9cm, 4pp light brown outer folder. Internally a 13.6 x 8.9cm, 4pp sheet with a poem:

Sackcloth

Stars
woven
in

The stars are compared with the rough hew of the flax cloth.

This is one of a series of works which the Wild Hawthorn Press denoted as "Poems in folders". VG+.

...

Little Sparta: Wild Hawthorn Press, 1990
19.5 x 11.8cm, 4pp light brown outer folder with a drawing of a piece of turf. Internally a 19.5 x 11.8cm, 4pp sheet with a poem:

GOLDEN AGE

golden fields
golden flocks
golden flutes
golden hedgerows
golden hives
golden honeycombs
chuckie-stone currency

The repetition of golden initially refers to the light at the end of a summer day but turns into the colour of bees and their honeycombs. The abrupt last line is the key to the poem - a chuckie-stone is a stone that is thrown by children. The poem is a memory of a "golden age" when everything appeared bright and new.

This is one of a series of works which the Wild Hawthorn Press denoted as "Poems in folders". VG+.

...

Little Sparta: Wild Hawthorn Press, 1990

21 x 21cm, white outer folder content of two 21 x 21cm b/w lithographs by Gary Hincks which parody Victor Vasarely's op-art style. In both (one in outline, the other solid black) the outer square shapes slowly turn into guillotine blades much as OpArt works often show slow gradual change in shapes.
This is a visual poem which is made more poignant with the two quotes on the inside of the folder - one from Vasarely: "Let us first kill in ourselves egocentricity" and another from Anacharsis Cloots - the French anarchist - "France you will be happy when you are finally cured of individuals." by their addition the work reveals itself as being about the tension between the individuals role in the state versus his/her rights to individual liberty. VG+.

...

Little Sparta: Wild Hawthorn Press, 1990
17.6 x 11cm, 4pp grey outer folder with a drawing of a guillotine. Internally a 17.6 x 11cm, 4pp sheet with a poem:

1794.

The steeples fell silent.


The guillotine tolled.

1794 was the year in which the Committee of Public Safety under Robespierre became the most powerful centralised body in the state (or at least Paris). There had been a concerted campaign against the church by many of the Revolutionaries (but not Robespierre who thought it counter-productive) and churches and parts in many parts of France were closed. What was not closed was the guillotine. The tolling of that instrument of death is compared with the silence of the bells.
This is one of a series of works which the Wild hawthorn Press denoted as "Poems in folders". VG+.

...

Little Sparta: Wild Hawthorn Press, 1990
9.8 x 9.3cm, 16pp and card wrappers and printed light green dust jacket. Drawings by Kathleen Lindsley of various baskets containing bread, wheat leaves and finally, heads are denoted as DOMESTIC, PASTORAL, PARNASSIAN and SUBLIME. Again Finlay sees the extremes of the Terror as somehow pure and homely even if evil.
Staples are a bit rusted else VG+. ...

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