Paris: Galilee, 1979
188 x 130 mm, unpaginated. Original wrappers with artist designed dust jacket. Artist’s book created from the novel by Touratier which Boltanski designed the dustjacket for - with images of shaped sugar cubes (which are to be found in the text). This is one of only 50 special editions in which Boltanski cut a hole in the middle of the book, glued a shaped sugar cube and then places a wire cage around the object. The colophon is signed and numbered in inky by the artist. A very rare artist book by Boltanski and surprisingly not found in any catalogue raisonne. VG+ condition.

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Paris: Limage, 1979.
26 x 18.5cm, 144pp plus original card covers. Artist's book created y Pierre Tilman which has original contributions by Annette Messager, Pascal Doury, Peter Klassen, Urs Luthi, Jacques Monory, Arnulf Rainer and Bruno Richard as well as Boltanski.
Boltanski's contribution is 6pp and is Les Jardins Japonais which is a pair of photographs of a model garden in black and white with the lighting creating a strong polarisation of the images.
This is the first known printing of such an image from a model - similar works were later the main subjects of photographic works and artist's books such as Lanterne Magique in 1982. The style of the photographs showing a "trail" of light which bends over the pages is similar to later works also.
This book is not referenced in any catalogue raisonne. Very rare. VG+.

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London: Coracle Press, 1979
21 x 19cm. 40pp plus card covers with tipped on self-portrait. First edition of William's photographs of poets and artists with reminiscences. There are 30 tipped in colour reproductions including William Carlos Williams, Myrna Loy, Herbert Read, Allen Ginsberg, David Hockney, Dorothy Brett as well as Ian Hamilton Finlay. One of 1800 numbered copies. VG+.

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London: Serpentine Gallery, 1979
15 x 21cm, 32pp plus card covers. Group show in the UK with the participation of Annette Messager, Anne & Ptrick Poiret and others as well as Boltanski. The latter exhibited Japanese Gardens I - V (large colour images created using models and constructed backgrounds). Two images reproduced (one in colour, one in b/w) and a short text in English. Sadly this catalogue has some contemporary notes made by a critic on a number of the pages but the images of the works are not found elsewhere to our knowledge.

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Antwerpen: Ruimte Z, 1979
21 x 15cm, 6pp (single hand-folded sheet) black on grey. A "periodical" from the gallery (Nr 1) which announces a show of photographs of Beuys' Coyote aktion by Caroline Tisdall. Internal to the sheet is a text in Dutch "Coyote: I like America and America Likes me". Mild handling creases and a mailed, hand-addressed example. Else VG+.

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Frankfurt: Frankfurter Kunstverein, 1978
21 x 30cm, 2pp announcement leaflet for a group show of works and videos by Beuys, Joan Jonas, Rebecca Horn, Gerald Domenig, Nicole van den Plas, Christian Hanussek, Peter Scheich, Jorg Frank and others. On the reverse there is a graphic by Ben Vautier for a Fluxus Concert with works from Brecht, Paik, Higgins, Beuys,, Knowles, Filliou, Page, Koepcke, Jones, Andersen, Vostell, Young, Shiomi, and others performed by Ben. This example is signed in red felt tipped pen by Beuys with a blue Haupstrom rubber stamp impression over a photograph of an empty gallery space. VG+.

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N.p.(Edinburgh): Robert Matthew, Johnson-Marshall and Partners, 1978
21 x 30cm, 43pp plus printed glossy covers. A set of proposals by Finlay for architectural and sculptural interventions in the Peterhead Power Station which was to be build. The book was published by the architects as part of the proposals for the site. The drawings by Ian Appleton are given very clear explanations by Finlay - proposed are a wall of glass floats, four stones with carves words indicating the theoretical structure of classical and other universes in fours (suits of cards, directions, elements, primary colours), a maze made out of fishermen's nets (which we would dearly like to see realised), a large stone carving of the SEA'S WAVES'S SHEAVES (which was installed elsewhere eventually), a concrete poem TERRA/MARE to be carved in Caithness Stone, various inscriptions of natural boulders (including SEApink) to be placed on site which remind one of the later PEBBLES series of works, a sundial with the inscriptions Rete Luci Tentu/A Net for the Light, names of fishing boats carved into garden slabs, a large sculpture of a bronze oar placed on a hill far away from the station which would visually reflect the chimney of the newly built station and also be a sort of sundial gnomon along with a site layout which shows the various shadows cast by the oar on the landscape at different times, a large rock with "It's Scotland's Atlantis" carved on it (with the word oil crossed out) an unusually political work by Finlay, and, finally, a carved oar into the face of a heap of sawn boulders (referencing `Ullysses).
To the best of our knowledge none were actualised. The sheer number of wonderful ideas proffered by Finlay for this project is quite astonishing.
This is a wonderful book although the style of the architectural drawings are strange for a Finlay collaboration - one suspects he did not choose the artist.
Murray places this book in amongst other artist's books by Finlay but we have recategorised it as a "proposal" as it clearly is just that and because of the style of the book it does not feel or look like a Finlay publication. This is a rarity and very hard to find. VG+.

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Warsaw: Galerie Foksal PSP, 1978
15 x 21cm, 16pp (self cover) exhibition catalogue but also artist's book displaying the 14 b/w large photographs of everyday objects which could have been from the artist's past such as a toy cowboy or a jigsaw.
An important exhibition which is on the cusp of Boltanski's change of direction - thereafter for a number of years much of his publicly shown artworks were posed photographs of model or meals or diaoramas. This show both relates to the earlier archiving of his past life (truthful or not) and the future deliberately forged pictures. VG+ although some rusting to the staples.
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Karlsruhe : Badischer Kunstverein, 1978
26 x 22 x 2cm, two part black conservation box content of a 24 x 19.5cm, 124pp plus boards and dust jacket. The deluxe version of the exhibition catalogue for a solo show of mostly photography. Texts in German by Andreas Franzke and Michael Schwartz. Later sections include re-printings of various of the artist's previous exhibition works and images from artist's books including Reconstitutions de Gestes Effectues par Christian Boltanski, L'album Photographes de la familie D., Les Habits de Francoise C., Les 62 Membres du Club Mickey en 1955,the Inventaire des objets appartenant a un jeune homme d'Oxford, Descriptions des 20 Regles et techniques utilisee en 1972 par un enfant de 9 ans, Les Images Modeles, Les compositions fleuries, and Les Compositions Photographiques and other images of the artist's "comic" performances of the 70s.
This deluxe copy of the book comes with two original editioned photographs by Boltanski - the first three original passport style b/w photographs of the artist taken on the dates - 5 September 1965 (the day before the artist's birthday), 27 November 1970 and 28 January 1978. The dates are written in the artist's hand on the gridded 24.5 x 20.5cm, 4pp card under the tipped on images.
Inside the card is a second photographic print - here in colour - of a set of children's plastic toys that resemble worker's tools. The card is signed and numbered on the back of the card as "VI" in pencil by Boltanski with a rubber stamp impression. The last page of the hardback catalogue is also signed and numbered "VI" in pencil by the artist. There were only 20 such deluxe copies issued during the exhibition. ALl are VG+ in like box. Reference: Flay Boltanski Catalogue Page 146.

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Vaduz: Roberto Altmann, 1977
28.3 x 20.9cm, 40pp and card covers. A single number (and the last in the series) of an artist’s periodical that was produced unusually in Liechtenstein, This themed number is a collection of postcards by Roberto Altmann, Christian Boltanski, H.P. Gassner, Paul-Armand Gette, Norbert Haas, Gilbert Lascaux, Annette Messager and Maria Nevelson which are bound in and serrated to allow removal and use if desired. Boltanski shows appropriated images of a goat, children playing, a girl posing, a yacht amongst other things. The images used here were also released as a stand alone artist’s portfolio also by Altmann also entitled Les Vacances but in a cardboard folder. Flay in her Catalogue of Boltanski books notes that but does not reference this periodical presumably not knowing of it. VG+. Very scarce publication.

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Arnhem: Stichting Festival, 1977
23.5 x 17cm, 28pp plus card covers. Exhibition catalogue and programme for the annual festival which includes Annette Messager, Pieter Engels, Sigurdur Gudmundsson, Timm Ulrichs, Carolee Schneemann and others. Boltanski exhibited "Les 21 vetements de Francois C. en 1972" and there is one b/w image of part of that work. ...

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