Helsinki: Helsinki Festival / Kunsthalle Helsinki, 1998
33 x 25cm, 86pp including 40pp of b/w images of the installation. Gray cloth-covered boards with title stamped in gray and red on cover. Exhibition catalogue for "Christian Boltanski: Night in August," which was part of the Helsinki Festival. Boltanski's installation was "Dernières Années" which consisted of several sections - a clothing collection (folded and placed on shelves), objects and images covered in black cloth (as if shrouded) to hide their content and a major archive of tin boxes with faces of unidentified people. There is an essay (in Finnish, Swedish and English) by Michael Glasmeier and an interview with Boltanski (in Finnish, Swedish and English) by Jan Kaila. VG+.

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Valencia: La Imprenta Comunicación Gráfica, 1998
25.4 x 18cm, slipcase content of two volumes - both 25 x 17.6cm, 86pp and 212pp respectively plus blue boards. The ornate exhibition catalogue(s) for a major site-specific installation where Boltanski placed many objects and pieces of furniture in a former silo and offered them for sale. When any item was sold, a white sheet was placed over the object to create an ever increasing sense of being a mortuary. Additionally hidden audio speakers were placed among the objects, recounting personal stories and memories attached to each item. Some of the stories are recounted in this book. Essay by Jose Miguel G. Cortes.
Texts are in Spanish and Catalan, with an English summary in the first volume. Illustrated throughout in b/w. VG+.

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Munchen: Gina Kehayoff Verlage, 1998BR> 14 x 21cm,28pp plus card covers. Artist's book consisting of 132 small b/w photographic images of relics from both East and West youth culture in Berlin in the 1970s (before the Berlin wall came down) The images are of toys, exercise books, sports drawings, fan articles, drawings, photos." The book is printed dos-a-dos with the Eastern objects shown in one direction until half way, and the Western images in the other direction once the book is turned over. Minimal text in German. VG+.

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Paris: Musee d'Art Moderne de la Ville de paris, 1998
26.5 x 21cm, 28pp plus card covers. Exhibition catalogue that has an important text "Le Voyage au Perou/The Journey to Peru" which is in French and English. The text gives insights into the artist's practice - how he likes to reinstall works which change depending on the situation, the role of objects as a means of referencing "humanity" in his installations, the role of memory and archiving in his work and the importance of religion in art, the issue of death and its denial by society, and the artist's "journey to Peru' which relatees to the chronological experiences and knowledge. Black and white images of installations and works throughout. A wonderful catalogue. VG+.

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Paris: Musee d'Art Moderne de la Ville de Paris, 1998 10 x 21cm, 2pp typographic announcement card for a major solo show. Verso museum details. VG+. ...

Berlin: Wiens Laden & Verlag, 1998 10.5 x 15cm, 2pp typographic announcement card issued for the release of the artist's book Ensembles (with Jaques Roubaud). Boltanski spoke at a presentation on May 12th 1998 in the gallery. Verso gallery details. VG+. ...

Paris/Munich: Editions des musées/ Gina Kehayoff Verlag, 1998. 26.5 x 20.5cm, 1168pp plus boards. First edition of this huge artist's book which reproduced 1148 black and white photographs all without detail taken from Botlanski's personal collection of found images. All are figurative - people in all of their different forms - and the title Kaddish is a Jewish call for praise of god - and sometimes part of mourning rituals.
There are four sections - Menschlich, Sachlich, Ortlich, Sterblich. Boltanski has adopted an interest in his father's religion and while not practising he clearly identifies with some of the religion's compassion.
VG+.

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Paris: Yvon Lambert, 1998 21 x 15cm, 2pp announcement card for the signing event for the artist's book Ensembles. VG+. ...

Paris: Editions 9 février, 1997
24 x 18cm, unpaginated plus printed boards - all bound in a thick metal spiral. A joint artists' book in which Jacques Roubaud takes three of Boltanski's "list" books (The work people of Halifax, Liste des Suisses morts dans le Canton du Valais en 1991 and Liste des artistes ayant participe a la Biennale de Venice 1895 - 1995) and utlising different arbitrary rules re-orders the names into 99 different lists.
This is followed by a number of unidentified portraits of people printed on semi-transparent paper which are split into three sections allowing parts of the faves to be rearranged to create "new" portraits. In some manner this latter re-organisation of the facial features reflects Roubaud's re-categorisation.
The cover displays the two artists but with their portraits cut up and recombined to create a new image. VG+. ...

München: Süddeutsche Zeitung, 1997
One part printed folder (black on blue) content of a 30 x 21cm, 92pp colour magazine. Artist’s book which was created annually by the newspaper for its Sunday supplement here dedicated to Christian Boltanski. Long essay text in German and many colour reproductions of works. The cover of the magazine has a tipped on card label printed with the text "Verloren in Munchen". VG+ in like folder and there is an ex libris "From the Library of Anthony d'Offey" on the inside of the folder. Not in any catalogue raisonne.

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