Paris: Galerie Tournesol, 1966
18 x 21cm, 1pp hand typed letter from Boltanski on Galerie du Tournesol letterhead paper to M. Berg apologising that the gallery will be closed on 7th of April 1966 and that Boltanski will only return to Paris on the 13 April but he would be happy to meet Berg on any other date. He also mentions Berg's interest in the work of Romero. The letter is signed in black ink. VG+.

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Paris: Gallery du Tournesol November 1966
17 x 8cm, 6pp. Announcement card printed black on beige with a detailed reproduced drawing by Romero over the inner pages. The gallery logo of a sunflower is on the front of the card - and there is a possibility that that drawing was by Boltanski. VG+. Rare.

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Paris: Galerie Tournesol, 14 Fevrier 1966
21 x 13.5cm, 1pp hand typed letter from Boltanski on Galerie du Tournesol letterhead paper to M. Berg thanking the collector for his cheque. Boltanski points out that A very large painting by Ramon was a great success at the last Salon de Jeune Peinture and was reproduced n several magazine. Finally Boltanski hope to see Berg again in Paris.

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Paris: Gallery du Tournesol, 1966
8 x 18cm, 12pp (but opens out to 16 x 54cm, printed recto only). Announcement leaflet for a very early Jean Le Gac show at Boltanski's gallery where he showed mostly paintings. VG+. Very scarce.
JOINT WITH:
15 x 21cm, 2pp hand written note and diagrams which appears to have notes about the installation of the show by Boltanski.

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Copenhague: Berg, 9 Decembre 1965
30 x 21cm, 2pp. Original carbon copy of a typed and signed letter from M Berg indicating he was interested in acquiring one of the paintings by Ramon however the images sent by Boltanski do not show the colours. He also notes he is coming to Paris and will meet Boltanski and look at works in person including a painting by Romero.
This letter has some notes in red ink.

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Paris: Galerie Tournesol, 1965
21 x 13.5cm, 2pp hand typed letter from Boltanski on Galerie du Tournesol letterhead paper to M. Berg replying to the latter's letter of 19 Nov 1965, discussing a painting that Berg was interested in buying. Boltanski claims in "the Possible Life of Christian Boltanski" that his father told his mother they had better open a gallery together to allow their son to learn how to be an artist. The Gallery sold only Jiddish art but clearly Boltanski's interest in the avant garde made the chosen artists a little more radical. The motivation for starting the gallery is probably not true (like many of Boltanski's tales it is more than likely deliberately false) but he ran the venture from 1965 until 1968.
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Paris: Ramon Gallery du Tournesol, 1965 21 x 13.4cm, outer folder with stapled in 4pp title page and a 6pp fold out "Ordre de Mobilisation" designed by the artist. Exhibition catalogue at the gallery where Boltanski was the co-ordinator/curator. The back of the booklet reproduces a silkscreen portrait in white of the artist's grandfather when he was in the military and the front a letter from his to his wife dated 26 December 1914.
VG+. Very scarce.

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