Pittsberg: Carnegie Museum of Art, 1991
21 x 14cm, 40pp. Original card covers. Artist's book listing in alphabetical order all of the participants of the Carnegie International from 1896 to 1991 (Boltanski took part in 1991 and his name is included), VG+
JOINT AS ISSUED:
17.5 x 13cm, original b/w silver gelatine print showing Boltanski's installation in the Carnegie International which is signed on the back.
One of only 100 such books and photographs as a deluxe edition. Both VG++.

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Paris, Jean Daviot et Bernard Marcadé, automne 1991, 35 x 30 cm (opens out to 70 x 60cm), 2pp. A single number of this artist's publications which is dedicated to a single artist - here, obviously, Boltanski who reproduces two pages from the Spanish "detective" magazine "El Caso Criminal".
This is one of 200 signed and numbered examples aside from the larger run of the magazine. Folded as issued else VG+.

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Frankfurt Am Main: Portikus, 1991
15 x 10.5cm, 2pp announcement card for a solo show of installation works. One such work in b/w on the front, verso gallery details. VG+.

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New York City: Marian Goodman Gallery 1991
20.3 × 22.8 × 5cm two part tin box and two photographs glued and mounted on the inside lid and bottom of the box. The bottom image is of a Jewish school from Hamberg in 1938 taken just before the war began. Obviously the crimes of the National Socialists led to the deliberate massacre of Jewish people throughout Germany. The photograph in the top of the box is an enlarged detail from the photograph of a girl. One does not know her fate - it could have been very tragic and more than likely so.The photograph on the lid is lined with lightly creased and glued paper - creating a frame that is somewhat like a shroud.BR> There was a serial edition of 40 - with each box in the edition unique with a different face enlarged on the top. Signed and numbered on a label below the class photograph by Boltanski. The box is deliberately tarnished and the lid has a lot of oxidation which Boltanski deliberately encouraged by "watering" his stocks of the boxes which he kept for future use in such works.

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Imschoot: Uitgevers for Antichambres, Affinités Electives, 1991
22.3 x 16cm. 28pp plus card wrappers. Second edition of this artist's book which reprints the images of children from 1955 which had been sent to the Mickey Mouse Club and reprinted in their magazine. There were 62 members who were about the same age as Boltanski in that year and the images here consist of 148 duotone rephotographed portraits as if in an album. This book was originally published in 1990 bin 400 copies ut was so popular a second edition (as here) of 500 numbered copies was reprinted in 1991. This example is not numbered. VG+.

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Koln: Walther Konig, 1991
35 x 25.5 x 5.5cm, black cardboard clamshell box with tipped on label. The ornate reprinting of most of Boltanski's earlier and very hard to find artist's books including:
Jennifer Flay ed. C.B.: Catalogue: Books, Printed Matter ephemera 1966-1991: the first major catalogue raisonne of the artist's work up to 1991
The 45rpm vinyl record Reconstitution de Chansons
Ten ephemeral items such as manuscript letters, photos in envelopes and exhibition announcements and posters
and
reprints of 16 Boltanski artist books namely:
Recherche et presentation de tout ce qui reste de mon enfance 1969,
Reconstitution d'un accident. 1969,
Reconstitution de Gestes Effectues 1948-54 1970,
Cataogue: Essais de reconstitution d'objects.1948-54 1971,
Six Souvenirs de Jeunesse 1971,
10 Portrait Photographies 1946-64 1972,
L'appartement de a rue de Vaugirard 1973,
Les Histories 1973, Inventaire des Objects .Une Femme de Bois Colombes 1974,
20 Reges et Techniques utilisees en 1972. 1975,
Saynetes Comiques 1975,
Monuments 1986,
Le Lycee Chases 1987,
Geo Harly danseur parodiste 1988,
El Caso 1989,
Sans Souci 1991.

The re-printings make sense as part of Boltanski's reconstitution of his past - there is no reason why he should not make the rare books easier to find given the rarity of some of them (and the high prices) but book dealers curse this publication as sometimes these reprints are offered as first editions and it is hard to tell the difference.
This is one of 50 signed and numbered deluxe copies (on the front label) which has additional to all of the above an original photograph of Boltanski as a comic from the Saynetes Comiques series which is signed and numbered in white on the front and is presented in a card folder with tissue guard. These deluxe copies are very hard to find.

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Frankfurt am Main/Koln: Portikus/Walther König, Köln, 1991. 22 x 29cm, 16pp, plus printed typographic boards. Artist's book with 56 b/w illustrations of German family life just before or at the beginning of the second world war with many of the subjects in military uniform. Each page has a tissue guard which has a patter of a cobweb on it. The book looks like a family album and the subjects are happy in their life - one cannot tell anything about their personal guilt or actions or morality during the war from the photographs.
This is one of only 30 copies that has an additional original 18.7 x 22.4cm, b/w photograph on the first sheet in photo-corners of a wedding with two men in uniform with the bridge and her friend. The extra page is signed and numbed by Boltanski on the inside cover of the book. VG+. Very scarce.

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Frankfurt am Main: Museum fur Modern Kunst, 1991
24 x 19cm, 100pp. card covers. Exhibition catalogue which really should be regarded as an artist's book due to 621 small b/w images of the aactual "Swiss dead" which follows a short essay in German and English by Gunter Metken. The images were found and sampled from over 3,000 obituaries from the regional newspaper "Le Nouveliste du Valais" and reprinted without comment. VG+.

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Hamburg: Hamburger Kunstehalle, 1991
21 x 7cm, 8pp (single folded sheet printed black on yellow) typographic announcement card for a solo exhibition - 6 small b/w images of installations and the artist. Signed in ink by Boltanski on the first page. VG+.

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NYC: n.p., 1991
5 x 5cm, b/w transparency with a detail of the Boltanski installation "Photographic Album of Family D" from 1991. Handwritten legend on the plastic - a slide provided by a gallery to press or clients. VG+.

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Charleston: Spoleto Festival, 1991
21 x 14cm, 52pp plus original wrappers. Artist's book which displays 345 b/w images of the claimed belongings of a young woman in Charleston (the town of the Festival). One of several such artist's books surveying a student's entire inventory - shown without comment in a quasi-archival manner. Much as with the appropriated photographs of unknown people Boltanski uses an anonymous subject, In fact one cannot be sure that this is even a real person and not an accumulation of found items. Boltanski was part of the Festival exhibition "Places with a Past: new Site Specific Art in Charleston". The photographs are credited to Beth Dinoff by an attached label at the back of the book. VG+.
Referenced in Flay Boltanski Catalogue Page 200.
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