Paris: Centre d'histoire de l'art contemporain, 1991
23 x 16.3cm, 188pp plus card covers. Exhibition catalogue for an exhibition of works from the period 1968 - 1972 which was given as a class project to a number of curatorial students. The book has essays about and images from Boltanski, Bernard Borgeaud, Andre Cadere, Paul-Armand Gette, Jean Le Gac, Annette Message, Gina Pane, and Sarkis. Some wear around the spine but else VG. Scarce.

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Hamberg: Hamburger Kunstehall, 1991
24.5 x 19cm, 136pp. Original boards. Exhibition catalogue which is really a monograph on the artist's work with colour and b/w images throughout. Essays by Uwe M. Schneede, Von Gunter Metken and Serge Lemoine and an interview with the artist.
This copy is signed in green in by Boltanski on the half-title. VG+.

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Paris: Librairie Seguier, 1990
32 x 26cm, two part blue card box with handwritten title label content of a 30 x 21.5cm, 104pp plus blue card boards book with, again, an handwritten label. The book has been described as poetry in some online descriptions (presumably because of the poet's earlier works) but it is really a work in prose of reminiscences from the author's childhood - a subject matter which reflects much of Boltanski's interests in recovered memory.
This being the deluxe edition there is a further artist's book "Cinq Photographies de l'album de la famille D. " which is 8 x 11.5cm, and contains 6 appropriated photographs (taken from originals) mounted as if in a small photo-album. This book was only available in these deluxe copies making it one of the rarest of Boltanski productions.
There is also an untitled 24 x 18cm, b/w photograph of a young boy with his toy wooden horse standing outside of a house. The photograph is also mounted in a folder with tissue guard.
Finally there are four hand-written original manuscripts of texts from the book by Cluzel, and a colophon sheet which is also hand annotated by the poet and numbered from the edition of only 37 (this example is number 23). These pages are in a plastic transparent folder
Rare and important not least because of the inclusion of the small artist's book, this example is in VG++ condition although the front cover label has lost some of the ink from the title and Cluzel's signature - however, Boltanski's signature on the label is still very clear and dark.

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NYC: Marian Goodman Gallery 1995
17.5 x 12.5cm, 1pp typographic announcement card for a gallery show and reception for the artist. VG+.

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Hamberg: Hamberger Kunsthalle, 1990
100 x 68.5cm, full colour offset lithographic exhibition poster with an image of a major installation of the Swiss Dead. VG+.

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Nagoya: ICA, 1990
30 x 21cm, 32pp plus printed card wrappers. Exhibition catalogue for Boltanski's first one person show in Japan for 20 years (he had previously taken part in a film festival in 1970. Installing a mixture of older and new work in the entire museum - there are 16 installation views in colour here plus an essay in English and Japanese by Fumio Nanjo. VG+.
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Eindhoven/Grenoble: Van Abbemuseum/Musée de Grenoble, 1990 (not printed on the publication which as a facsimile has the original 1975 publication details on it)
21 x 29cm, 32pp plus card covers. First edition, with black tape spine, of this artist's book which displays the various comic performances by Boltanski where he pretended to be various parental and authority figures in a child's life and common scenes relating to those figures - additionally the artist had painted various backgrounds for each scene. Twenty-two b/w images reproduced in the book, two per page. The performances were Le baiser honteux, La premiere communion, La visite du docteur, L'anniversaire, La toilete du matin. Two b/w images of the artist on every page.
This is the second edition of the book (published as part of the Reconstitution Box) which is exactly the same as the first edition apart from the black tape on the spine found on the original is not here - which is unhelpful to dealers and collectors. However this example is not just VG+ it is signed in ink by Boltanski on the inside cover. The first edition is extremely hard to find, this second edition much less so.

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