Imschoot: Uitgevers for Antichambres, Affinités Electives, 1991
22.3 x 16cm. 28pp plus card wrappers. Second edition of this artist's book which reprints the images of children from 1955 which had been sent to the Mickey Mouse Club and reprinted in their magazine. There were 62 members who were about the same age as Boltanski in that year and the images here consist of 148 duotone rephotographed portraits as if in an album. This book was originally published in 1990 bin 400 copies ut was so popular a second edition (as here) of 500 numbered copies was reprinted in 1991. This example is not numbered. VG+.

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Koln: Walther Konig, 1991
35 x 25.5 x 5.5cm, black cardboard clamshell box with tipped on label. The ornate reprinting of most of Boltanski's earlier and very hard to find artist's books including:
Jennifer Flay ed. C.B.: Catalogue: Books, Printed Matter ephemera 1966-1991: the first major catalogue raisonne of the artist's work up to 1991
The 45rpm vinyl record Reconstitution de Chansons
Ten ephemeral items such as manuscript letters, photos in envelopes and exhibition announcements and posters
and
reprints of 16 Boltanski artist books namely:
Recherche et presentation de tout ce qui reste de mon enfance 1969,
Reconstitution d'un accident. 1969,
Reconstitution de Gestes Effectues 1948-54 1970,
Cataogue: Essais de reconstitution d'objects.1948-54 1971,
Six Souvenirs de Jeunesse 1971,
10 Portrait Photographies 1946-64 1972,
L'appartement de a rue de Vaugirard 1973,
Les Histories 1973, Inventaire des Objects .Une Femme de Bois Colombes 1974,
20 Reges et Techniques utilisees en 1972. 1975,
Saynetes Comiques 1975,
Monuments 1986,
Le Lycee Chases 1987,
Geo Harly danseur parodiste 1988,
El Caso 1989,
Sans Souci 1991.

The re-printings make sense as part of Boltanski's reconstitution of his past - there is no reason why he should not make the rare books easier to find given the rarity of some of them (and the high prices) but book dealers curse this publication as sometimes these reprints are offered as first editions and it is hard to tell the difference.
This is one of 50 signed and numbered deluxe copies (on the front label) which has additional to all of the above an original photograph of Boltanski as a comic from the Saynetes Comiques series which is signed and numbered in white on the front and is presented in a card folder with tissue guard. These deluxe copies are very hard to find.

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Frankfurt am Main/Koln: Portikus/Walther König, Köln, 1991. 22 x 29cm, 16pp, plus printed typographic boards. Artist's book with 56 b/w illustrations of German family life just before or at the beginning of the second world war with many of the subjects in military uniform. Each page has a tissue guard which has a patter of a cobweb on it. The book looks like a family album and the subjects are happy in their life - one cannot tell anything about their personal guilt or actions or morality during the war from the photographs.
This is one of only 30 copies that has an additional original 18.7 x 22.4cm, b/w photograph on the first sheet in photo-corners of a wedding with two men in uniform with the bridge and her friend. The extra page is signed and numbed by Boltanski on the inside cover of the book. VG+. Very scarce.

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Frankfurt am Main: Museum fur Modern Kunst, 1991
24 x 19cm, 100pp. card covers. Exhibition catalogue which really should be regarded as an artist's book due to 621 small b/w images of the aactual "Swiss dead" which follows a short essay in German and English by Gunter Metken. The images were found and sampled from over 3,000 obituaries from the regional newspaper "Le Nouveliste du Valais" and reprinted without comment. VG+.

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Hamburg: Hamburger Kunstehalle, 1991
21 x 7cm, 8pp (single folded sheet printed black on yellow) typographic announcement card for a solo exhibition - 6 small b/w images of installations and the artist. Signed in ink by Boltanski on the first page. VG+.

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NYC: n.p., 1991
5 x 5cm, b/w transparency with a detail of the Boltanski installation "Photographic Album of Family D" from 1991. Handwritten legend on the plastic - a slide provided by a gallery to press or clients. VG+.

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Charleston: Spoleto Festival, 1991
21 x 14cm, 52pp plus original wrappers. Artist's book which displays 345 b/w images of the claimed belongings of a young woman in Charleston (the town of the Festival). One of several such artist's books surveying a student's entire inventory - shown without comment in a quasi-archival manner. Much as with the appropriated photographs of unknown people Boltanski uses an anonymous subject, In fact one cannot be sure that this is even a real person and not an accumulation of found items. Boltanski was part of the Festival exhibition "Places with a Past: new Site Specific Art in Charleston". The photographs are credited to Beth Dinoff by an attached label at the back of the book. VG+.
Referenced in Flay Boltanski Catalogue Page 200.
BR>...

Paris: Centre d'histoire de l'art contemporain, 1991
23 x 16.3cm, 188pp plus card covers. Exhibition catalogue for an exhibition of works from the period 1968 - 1972 which was given as a class project to a number of curatorial students. The book has essays about and images from Boltanski, Bernard Borgeaud, Andre Cadere, Paul-Armand Gette, Jean Le Gac, Annette Message, Gina Pane, and Sarkis. Some wear around the spine but else VG. Scarce.

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Hamberg: Hamburger Kunstehall, 1991
24.5 x 19cm, 136pp. Original boards. Exhibition catalogue which is really a monograph on the artist's work with colour and b/w images throughout. Essays by Uwe M. Schneede, Von Gunter Metken and Serge Lemoine and an interview with the artist.
This copy is signed in green in by Boltanski on the half-title. VG+.

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Paris: Librairie Seguier, 1990
32 x 26cm, two part blue card box with handwritten title label content of a 30 x 21.5cm, 104pp plus blue card boards book with, again, an handwritten label. The book has been described as poetry in some online descriptions (presumably because of the poet's earlier works) but it is really a work in prose of reminiscences from the author's childhood - a subject matter which reflects much of Boltanski's interests in recovered memory.
This being the deluxe edition there is a further artist's book "Cinq Photographies de l'album de la famille D. " which is 8 x 11.5cm, and contains 6 appropriated photographs (taken from originals) mounted as if in a small photo-album. This book was only available in these deluxe copies making it one of the rarest of Boltanski productions.
There is also an untitled 24 x 18cm, b/w photograph of a young boy with his toy wooden horse standing outside of a house. The photograph is also mounted in a folder with tissue guard.
Finally there are four hand-written original manuscripts of texts from the book by Cluzel, and a colophon sheet which is also hand annotated by the poet and numbered from the edition of only 37 (this example is number 23). These pages are in a plastic transparent folder
Rare and important not least because of the inclusion of the small artist's book, this example is in VG++ condition although the front cover label has lost some of the ink from the title and Cluzel's signature - however, Boltanski's signature on the label is still very clear and dark.

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NYC: Marian Goodman Gallery 1995
17.5 x 12.5cm, 1pp typographic announcement card for a gallery show and reception for the artist. VG+.

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