PAYMENT
We currently process orders online by PayPal. You do not need to have a PayPal account for your card to be processed securely.

If you would prefer to pay by Bank Transfer (for orders over £500 only), please place the order online and we will contact you to complete the transaction and issue an invoice if required.

SHIPPING
We aim to dispatch all orders within 24 to 48 hours.

We prefer to use Royal Mail “Signed and Tracked“ option where possible but for some larger or more valuable items we may insist on using direct priority couriers.

We charge flat rate shipping ( up to a certain weight or value) based on three zones:

£15
United Kingdom


£25
Europe and USA and Canada


£45
Rest of the World including Asia and South America


If your order contains only items listed under Cards & Ephemera the following discounted rates apply:

£7
United Kingdom


£18
Europe and USA and Canada


£20
Rest of the World including Asia and South America


PACKING
We try to keep costs down and we are also aware of the effects of packing on the environment.

Where possible we try to recycle packaging materials. If you require new pristine packing boxes/envelopes (say for a gift) then please let us know.

Large posters are usually rolled and sent in firm tubes - if you require flat packing for any large item then please let us know on ordering:in such cases, there may be a surcharge to cover the extra costs.

Other items are send in appropriate packaging.

INSURANCE
We will cover all shipments with full loss insurance up to £250. Thereafter a surcharge is needed.

We will consider sending items without full insurance but this is at the purchaser’s decision and risk. If you wish us to do this then please indicate in writing what you want us to do.





Unoriginal Sins is an established venture trading in the field of the contemporary and modern avant garde movements from 1900 to the present day. We have a vast inventory of books, documents, artworks, ephemera, object multiples, LPs and other digital media as well as representing major collections from significant artists.

We trade almost entirely online - we purchase new material all the time and offer regular clients email lists (which you can sign up to here) of new arrivals. Soon after the distribution of those lists, new items are placed online so it is worth returning regularly to this site to see what new things are for sale.

It may be possible to visit in person and see our inventory but that is by appointment only - please email us. We can supply references for new clients should that be required.

We are always looking for new material to add to our stocks - we have a desiderata here but we are interested in all material that is similar to our core interests. Do get in touch.
ANY QUESTIONS OR TO ARRANGE A VISIT:






UNORIGINAL SINS
Eals Farm
Eals
Brampton
CA8 7PG


mail@unoriginalsins.com

Little Sparta: Wild Hawthorn Press, 1990
23.6 x 15.9cm, 4pp folding card. A uncredited (although looks like Gary Hincks' style) painting of a Liberty Tree but here with chains and locks around it (the American and French revolutionary symbols did not have any locks but were just trees left free to grow). Under the tree Finlay has added the names of the French and other critics who had disingenuously and erroneously accused him of being anti-semite. A simple visual poetic attack on his enemies. VG+.

...

Little Sparta: Wild Hawthorn Press, 1990
5.0 x 17.8cm, 2pp card. One side has the text: "A ROSE IS A ROSE IS A ROSE" accredited to "Gertrude Jekyll" and on the other side "ARROWS ARE ARROWS ARE ARROWS" accredited to "Hereclitus". Jekyll was an influential turn of the century gardener and the quote is an adaption of Shakespeare as is the fake quotation offered as Hereclitian. The latter, of course, stressed the lack of repetition in history. A jokey work. VG+.

...

Little Sparta: Wild Hawthorn Press, N.D. (1990)
19 x 13.3cm, 1pp artist's card with a drawing by Gary Hincks of American battle decals (stars) placed such as there is a visual correspondence with a patch of water-lilies. VG+. ...

Little Sparta: Wild Hawthorn Press, 1990
17.8 x 8.2cm, 4pp card. The front of the card has the text: "TWO MILESTONES/TWO LIVES" in red and then below "Varennes/Vincennes" in green.
The first "milestone" here was the town where the King Louis XVI was stopped when he and Marie Antoinette and their children tried to flee France after they were being held hostage by the revolution. The second milestone is the forrest where Rousseau wandered and had a "revelation" regarding the role of science and arts in human morality which he claimed changed his worldview. Both places changed the history of the individuals and one may argue the world. VG+.

...

Little Sparta: Wild Hawthorn Press, n.d.
9.5 x 6.cm, 4pp, Artist's card with a drawing of a boat on the front.

Internally there is a list of names:

Elegy
Elizabeth Campbell
Isa Wilson
Charlotte Chambers
Yvonne Risager
George R. Wood
Mary Robinson
William Risager
These appear to be names of boats (the Yvonne Risager and William Risager being built in 1955 according to Fishing News, a publication Finlay often read) . On the back of the card are the boat registrations numbers:

PL56, D, NI20, SD50, A465, BH32, BA110

One presumes the elegy is for lost or ruined boats - but this is the author's speculation. VG+.

...

Glasgow: Glasgow Museums and Art Galleries, 1990 21 x 14.9cm, 2pp full colour postcard with an image of Finlay's title neon work on the front, verso gallery details. Photograph by Elke Walford taken during the Gresat British Art exhibition. VG+. ...

Little Sparta: Wild Hawthorn Press, 1990
18.7 x 9.3cm, 4pp card. The front and the back of the card has two drawings of a guillotine but one has the blade in place and is labelled "Installation" and the other sans blade is labelled "Event" on the back. The inside of the card is blank. The difference may be that the blade completes the purpose of the structure. VG+.

...

Little Sparta: Wild Hawthorn Press, 1989
16.9 x 12cm, 2pp. Blue on white artist's card with a quotation from Lamartine's History of the Girondists regarding the very basic furniture and ornaments found in Robespierre's room. The typography by Julie Farthing is similar to that of Matisse's handwriting and the reference to Duplay is that the latter rented the chambers to Robespierre. There is a neon of this same work. VG+.

...

Little Sparta: Wild Hawthorn Press, 1989
14 x 9.5cm, 4pp. Artist's folding card with the text "a line of thin pale red" inside which is a translation from Chenier - the French poet of revolutionary times who was guillotined. The red here being blood and the line that left momentarily from the clean cut of the blade. I do not know if Cutts and Finlay were friends at this point - as the card seems to hint at threat - but both published jointly a similar work together under the aegis of Cutts' Coracle Press a few years earlier. VG+.

...

Little Sparta: Wild Hawthorn Press, 1989
15.3 x 11.4cm, 1pp. Artist's card with a technical drawing of a fencing style by Mark Stewart which in its lines and decoration places it as art nouveau and more specifically influenced by C. F. A. Voysey who made textiles with hearts and plants as motifs. If this was ever constructed then it would be rather beautiful. VG+.

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