Bremerhaven: Kabinett fur Aktuelle Kunst, 1981
10.5 x 15cm, 2pp. Announcement card. Recto: Weiner's title text in English and German. Verso: gallery details. Fine example of a very scarce card (which as usual with Weiner is designed as an artwork in itself).
Milano: Flash Art, 1972 15 x 10.5cm, 56pp (self cover). A catalogue of publications available from Flash Art including the magazines Flash Art and Heute Kunst as well as books by Ben, Lawrence Weiner, Roman Opalka, Mel Bochner, Hanne Darboven and others. Covers reproduced in b/w. VG+.
Eindhoven: Van Abbemusuem, 1982<BR> 33 x 29.7cm, yellow and black and grey offset lithographic poster designed by Weiner. An attractive print multiple by the conceptualist. Fine.<BR><BR>
Eindhoven: Stedelijk Van Abbemuseum, 1982 15 x 10.5cm, 2pp announcement card for a showing of the artist's film with on still from the film of Weiner and an actress in colour on the front. VG+.
Genazzano: np, 1983 30.5 X 94cm, pink, black and green screenprint on transparent plastic vinyl. Two 2.5cm diameter circles cut at left edge for stringing as a flag/banner. Lawrence Weiner's contribution to the 1983 group show Progetto Genazzano, an exhibition curated by Rudi Fuchs in an abandoned castle in the town of Genazzano, about an hour outside Rome. The text is in Italian and English and reads "Having Been Laid bare, laid open, lain on". Limitation is not known but it seemingly was not many. The banner shows some wrinkling and lines from folding and is not particularly well printed as some colours are to be found with small colour lines in the wrong areas but it is extremely rare.
Antwerpen: ADD, 1984 24 x 21.5cm, 32pp plus card covers. Artist's book designed by Weiner with colourful geometric designs on each page and no text.Each page is designated as one letter from the alphabet. Slight marks on front cover else VG. Scarce.
Berlin, DAAD, Germany 21 x 30cm, vintage silver gelatine b/w photograph showing the two artists together in the gallery. As ever Weiner is smoking. On the reverse some catalogue text unrelating to the image. VG+.
Berlin: Kunstfunk Berlin, n.d. (1985)<BR> 7.8 x 7.8cm, black on fluorescent pink paper - adhesive sticker for a Berlin radio station designed by Weiner. Backing paper still present. VG+. <BR><BR>
Paris: ARC, 1985
26.5 x 21cm, 32pp plus pink card wrappers. First edition artist's book listing the artist's textual sculptures. The book itself has a triangular chunk cut out of every page - making it a sculpture itself. Fine. Ref: Weiner Books Nr 24 (classed in Schwartz as a catalogue although we feel it should be regarded as an artist's book).
Amsterdam: Art & Project, 1985 30 x 21cm, 4pp announcement for a group show (with common design to the Bulletins), One installation work reproduced in b/w on the inside by Zadok Ben-david. A mailed example which has been folded - overall VG. Scarce.
Halifax: Press of the Nova Scotia Coll. of Art & Design/Art Metropole, 1986 12 x 16cm, red, bluw and black die cut adhesive sticker which was the announcement for the exhibition and also the label added to the covers of the exhibition catalogue/raisonne. Very good example.
London: Air Gallery, 1986 32 x 22.5cm, printed manilla envelope with a design by Weiner content of two silkscreen limited edition “street posters” - both 60 x 42cm (folded twice as issued) printed black and pink and black and yellow both with designed by Weiner - MY HOUSE IS YOUR HOUSE and WE ARE SHOPS AT SEA NOT DUCKS ON A POND. The paper is lined manilla brown. There is an additional 30 x 21cm, 1pp information sheet with a text by Rudi Fuchs, Unusually both posters are very neatly dedicated and signed by Weiner at the bottom. These are two of the artist’s most attractive text works and they were released as a multiple during the exhibition Works from the Lawrence Weiner poster archive of the Nova Scotia College of Art & Design 1965 - 1986. Fine in VG envelope.
Halifax: Nova Scotia: Nova Scotia college of Art, 1986 30.5 x 24cm, 178pp. Card covers. Pasted on title label as issued,The best and most complete publication on the posters produced by Lawrence Weiner with all up to 1986 reproduced in b/w and colours. Designed by the artist and published on the occasion of Art Metropole's 1986 touring exhibition "Snow Weiner Nannucci." Some fading along edges of the covers and spine else VG. Ref: Weiner Catalogues nr 27. Very scarce.
NYC: John Gibson Gallery, 1986 15 x 10.5cm, 2pp typographic announcement card fora group show with contributions from John Armleder, Daniel Buren, William Childress, Tony Cragg, Gordon Matta-Clark, Mario Merz, Bruce Nauman, Dennis Oppenheim, Robert Smithson and Lawrence Weiner . VG+.
Vienna: Galerie Hubert Winter, 1986 20.6 x 10.1cm, lacquered six-sixed enamel plate with black, pink, and yellow silkscreen, with four holes and brass rivets for mounting. Design by Weiner - released in an edition of only 70 examples for the Wien-Fluss exhibition at Wiener Festwochen. The text in german roughly translates to: "My house is your house/your house is my house/ but if you shit on the floor, you'll also shit on your feet" VG+ with no rust or other flaws. Scarce.
Schaffhausen: Hallen fur Neue Kunst, n.d. (1987) 10.5 x 15cm, 2pp. Announcement card for a group show with works by Robert Mangold, Joseph Beuys, Dan Flavin, Donald Judd, Jannis Kounellis, Sol Lewitt, Richard Long, Mario Merz, Bruce Nauman, Robert Ryman, and Lawrence Weiner. One painting by Mangold on the front and verso – gallery details. A mailed example with typed address label but VG+.
Milano: Francoise Lambert, 1987 10.5 x 15cm, 1pp typographic announcement card for a group show by Robert Barry, Lawrence Weiner, Pierre Paolo Calzolari, and Giulio Paolini. VG+.
NYC: n.p., 1987<BR> 5 x 5cm, b/w transparency with a photograph of the installation of the title wall work in Grenoble in 1987. VG+.<BR><BR>
Toronto, Canada: Art Metropole, 1987
16 x 12.5cm, 3 colour adhesive label with die-cut shape designed by Weiner - invite leaflet/multiple for an group show of the conceptual artists' books. Fine.
NYC: John Gibson, 1987 22.5 x 15.5cm, unpaginated (42pp) plus card covers. Exhibition catalogue for two group shows one called Construct and the other Reconstruct both curated by Robert Nikas . On show were paintings, sculptural and photographic works. Included in the Construct show are works by John Armleder, Beth Brenner, Olivier Mossett, Peter Halley, Merk Stahl, Christian Eckart, Wallace Donohue, Haim Steinbach, Steven Parrino, Robert Smithson, Bertrand Lavier, and in the Reconstruct show: John Armleder, Bruce Nauman, Mario Merz, Daniel Buren, Dennis Oppenheim, Robert Smithson, Lawrence Weiner, Gordon Matta-Clark, Tony Cragg and William Childress. At least one work by each artist reproduced in b/w. . VG+.
Amsterdam: Museum Journal, 1988 25 x 17.5cm, 64pp (numbered 201 to 265) and card covers. A single number of the long running museum journal which carried articles and news of Dutch exhibitions as well as artist contributions as here. Weiner has designed the cover of the issue and internally there is a four page insert "BRUG" with a b/w design and the texts "AS FROM ONE MEANING TO ANOTHER" and "THE CHANGE OF STATE DOES IN FACT MEAN A CHANGE IN VALUE". The cover is in colour (blue and yellow). Sadly there is a diagonal crease bottom right on the front cover else the publication is VG+.
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