Garnerville: USCO, n.d. (c. 1964)
22 x 26cm, blue/w publicity leaflet with a full sheet reproduction collage by Yalkut to promote the co-operative art group USCO – USCO founded by Gerd Stern, Michael Callahan, and Steve Durkee in New York. USCO, an acronym for Us Company or the Company of Us. A very scarce item.
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Garnerville: USCO, n.d. (c. 1964)
22 x 26cm, blue/w publicity leaflet with a full sheet image of a guru that Yalkut followed and the title text around him the co-operative art group USCO – USCO founded by Gerd Stern, Michael Callahan, and Steve Durkee in New York. USCO, an acronym for Us Company or the Company of Us. A very scarce item. -
NYC: Film-Makers’ Cinematheque, 1965
28 x 21.5cm, 1pp. Mimeograph leaflet (typographic only) for this day of experimental films with projections from Herb Golzman, Lawrence Sacharow, Lenny Lipton, Donald Bolkman and Judd Yalkut. The day was organised by Jonas Mekas. This was one of Yalkut’s first ever screenings of a work. VG. -
NYC: Film-Makers’ Cinematheque, 1965
28 x 21.5cm, 1pp. B/w offset leaflet for an USCO event (USCO stood for ‘The Company of Us’, a media arts collective which was formed by Gerd Stern, Michael Callahan, and Steve Durkee and of which Jud Yalkut was the experimental film maker) – the “mis-media performances” shown were Cathode Ray, HIGHFREETHRUUSAFEWAY, Y, Diffraction Film, Omix and Ghost Reve. The latter performance was choreographed and performed by Carolee Scheemann along with Phoebe Neville and shot by Jalkut. VG+. -
NYC: Film-Makers’ Cinematheque, 1966
28 x 21.5cm, 1pp. Offset lithographic leaflet (typographic only) for the January showings and events which include Sunrise by Friedrich-Wilhelm Murnau and the week of events – HUBBUB – by USCO which includes the works: Cathode Ray, HIGHFREETHRUUSAFEWAY, Y, Diffraction Film, Omix and Ghost Reve: although not stated the latter performance was choreographed and performed by Carolee Scheemann and shot by Jalkut. VG. -
NYC: Riverside Museum, n.d. (1966)
30.3 x 23.4cm, 1pp. Offset small poster printed blue on green card for a one day event “A public service for enlightenment” by USCO. Leaflet designed by the co-operative. Folded for mailing else VG. -
NYC: Riverside Museum, n.d. (1966)
Two stapled sheets – both 35 x 21.5cm, 1pp. The floor Map of USCO’s Exhibition at Riverside Museum with a list of the works being displayed for this one day event “A public service for enlightenment” by USCO. Folded for storage. -
San Francisco: Intersection: A Center for Dialogue in the Creative Arts, 1966
21.5 x 33.5cm, 2pp – the programme for a series of events at the SF arts space run by Laird Sutton. The month of June featured a night of “”kinetic films” by Yalkut and
a “”media mix”” by USCO two weeks later, in addition to a night of Stan Brakhage’s work.” Folded once for storage else VG+. -
NYC: The Gate Theatre, 1966
28 x 21.5cm, 1pp black on yellow offset. Small poster for this night of screenings at the Gate Theatre including Yalkut’s “”Le Parc,” Bruce Conner’s “”Cosmic Ray”” and Maya Deren’s “”The Very Eye of Night”. VG condition. -
Boston: ICA, 1967
19.5 x 22cm, 1pp typographic design announcement card printed black on off white for a series of films by USCO; Les Levine, Stan Vanderbeek, Herbert Gesner and Robert Whitman. folded (as issued else VG. -
NYC:Film-Makers’ Cinematheque, 1967
27 x 21.5cm, 1pp b/w offset small poster with a design by Yalkut using the standard Sefirot design only replacing the 10 attributes/emanations in Kabbalah with ten of his films. Some of the works shown such as Turn Turn Turn and Pa+ A – I (K) involved Nam June Paik. VG. Scazce. -
Oberlin: Oberlin College, n.p. (1967)
21.5 x 27cm, 1pp b/w offset small poster/leaflet for a performance by USCO at Oberlin College, with quotes from Harper’s, Life and the Village Voice. VG. -
Boston: Film-Makers’ Cinematheque, 1967
28 x 21.5cm, 1pp b/w on white programme for Flyer for Breer and Emshwiller’s portion of the March 1967 screenings at FMC. Only briefly mentions Yalkut’s screening,
as coming next week.” at the bottom of the leaflet along with Ron Rice’s “The Flower Thief”. The Boston Film-Makers’ Cinematheque had opened the year before as an offshoot of Mekas’ NYC venture. VG. -
Boston: Film-Makers’ Cinematheque, 1967
28 x 21.5cm, 1pp pink-red on white offset small poster for films by Yalkut. The design is typographic but a hand drawn psychedelic style which was common at the time. VG. -
NYC:The Jewish Museum, 1967
28 x 21.5cm, 1pp blue on yellow offset leaflet for a commissioned USCO installation at the Jewish Museum, “newly added as an adjunct to the exhibition “Lower East Side: Portal to American Life.”” VG. -
NYC:The Black Gate, 1967
28 x 21.5cm, 1pp b/w offset leaflet for a USCO installation. The Black Gate was an “Electromedia” space opened by Aldo Tambellini and Otto Piene above The Gate Theatre in 1967. VG. -
NYC: Film-Makers’ Cinematheque, 1967
28 x 21.5cm, 1pp b/cream offset leaflet for a Bardo Matrix “”lite show”” (Angus Maclise) at the Film-Makers Cinematheque which featured a film by Yalkut, other instllations by USCO, and a “Supermodel Fashion Show” by Hope, Sachiki, Jeneview and Marcelle. The design of the leaflet is ornate and instructs those attending to “wear colors flowers”. VG. -
Provincetown: Film-Makers’ Cinematheque, 1967
28 x 21.5cm, 1pp b/cream offset leaflet for a dual showing at the Provincetown incarnation of the Film-Makers’ Cinematheque, showing Warhol’s “”Eat”” with Jalkut’s films all being shown. VG. -
NYC: Film-Makers’ Distribution Center, 1967
Two stapled sheets both 28 x 21.5cm, 1pp b/light green offset leaflet for a screening of three films from the Belgium International Festival in December 1967, including Yalkut’s portrait of artist Yayoi Kusama, which won the Special Jury Prize. Also screened were Robert Nelson’s film of the Grateful Dead and Michael Snow’s “Wavelength.” There are extensive biographical and filmic details for each of the films on the second sheet. -
Hollywood, FL: Hollywood Sportatorium, 1967
28 x 21.5cm, 1pp b/light green offset leaflet for a performance by the Florida-based group Mushroom. There is no co clear relation to Yalkut, but given it came from his own archive it is likely they screened his John Cage mushroom short. VG. -
30.5 x 22cm, original b/w paste up for this filmic event which showed Yalkut’s famous film of Yayoi Kusama’s orgy works and also mentions “3 NEW FILMS WITH NAM JUNE PAIK”. This is Yalkut’s own design made up of hand-applied white letraset lettering on black paper, typed text and a large original photograph of the Kusama orgy taken by Yalkut. A unique and important item. Fine condition with only a very slight corner bottom right torn off the backing card.
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Garnerville: USCO, 1968
28 x 21.5cm, 1pp b/w offset press release on USCO’s environmental piece for the Intermedia ’68 festival. The works shown were the “Ten Foot Fanflashtic” – an outdoor kenetic structure. VG. -
Buffalo State University College of New York at Buffalo”, 1968
22 x 21.5cm, 4pp b/w offset folded program for an event in March ’68 held as part of that year’s Intermedia festival. Featured dance by Trisha Brown Schilchter and Michele Friedman to music by Simone Whitman with an accompanying film by Yalkut. VG. -
Madison, NJ: International Artists Seminar Fairleigh Dickinson University, 1968
31.5 x 21.5cm, 1pp b/w offset news bulletin for two upcoming events at this university, the first featuring Snow and Joyce Wieland, and the second a screening of Yalkut’s films followed by a panel of all three artists. VG. -
Cincinatti: University of Cincinatti, 1968
55 x 35cm, b/w offset lithographic poster for a showing of Yalkut’s films at this arts festival. Folded as issued. VG. -
Cincinatti: University of Cincinatti, 1968
21 x 28cm, 1pp b/w offset lithographic leaflet to promote the Festival – has a collage of press cuttings about the festival performances which includes Hermann Nitsch and Jud Yalkut including a part interview. VG. -
NYC: Something Else Gallery, 1968
28 x 21.5cm, 1pp b/w offset flyer for an evening at Dick Higgins’ gallery featuring “”poets and film-makers.Those included alongside Yalkut were Jackson Mac Low, Iris Lezak; Carol Berge, Larry Friefeld (who designed the leaflet), John Harriman, Harry Smith, Micheal Snow, Alison Knowles and Mel Shults. VG. -
NYC:n.p. (Dick Higgins?), 1968
21 x 28cm, 1pp b/w offset lithographic leaflet for an “Evening of tributes to Walt Whitman organized by Mac Low and Iris Lezak” featuring Yalkut’s “”Eclipse Movie,” and readings by poets including Carol Berge, Aer Berger, Paul Blackburn, Micheal Heller, Spencer Holst, Jerome Rothenberg, Armand Shwerner and others. There were also projection works by Alison Knowles, Jackson Mac Low, Geoff Henricks, Iris Lezak Mac Low and Jalkut. The drawing of Whitman is not credited but it looks like Dick Higgin’s style. VG. Scarce. -
Montreal: Centre du Film Underground, 1969
30 x 19cm, 2pp purple on white and b/w offset lithographic leaflet for the Canadian experimental cinemas film programme which includes James McBride, Andrew Noren, David Bienstock, Jonas Mekas and Yalkut’s film of Yayoi Kusama – “Self Obliteration.” Small images of the films on back. Text in french and English. Some wear and tear to the top of the leaflet else VG. -
New Brunswick: Brecht West, n.d. (1969?)
28 x 21.5cm, 1pp black on yellow offset lithographic leaflet for a screening of the two important Yalkut films – “Woodstock”” presumably mistakenly refers to Yalkut’s 1969 film “Aquarian Rushes,”” which documented the festival. And the other Film is his important portrait of Yayoi Kusama. VG. -
24 x 16.5cm, double sided workings for two personal horoscopes for Larry Kessler (the abstract artist) and the cineast Gene Youngblood. The paper is from commercially purchased sheets that allow for the casting of these diagrams but there are extensive calculations by Yalkut for both subjects considering many aspects of the supposed influence of the sun and moon and stars on their lives.
Yalkut was a serious practitioner of astronomy. He often created personal horoscopes for his friends and used them to give advice on how to make decisions (and who to work with). These are two examples of such horoscopes.
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28 x 21.5cm, 1pp working for a personal horoscope for Spencer Davis (the artist not the musician). The paper is a xerox from commercially purchased sheets that allow for the casting of these diagrams but there are extensive calculations by Yalkut considering many aspects of the supposed influence of the sun and moon and stars on their lives.
Yalkut was a serious practitioner of astronomy. He often created personal horoscopes for his friends and used them to give advice on how to make decisions (and who to work with). This one such example of these pseudo-scientific items. VG although previously folded.
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28 x 21.5cm, 1pp working for a personal horoscope for Ira Schneider. The paper is a xerox from commercially purchased sheets that allow for the casting of these diagrams but there are extensive calculations by Yalkut considering many aspects of the supposed influence of the sun and moon and stars on their lives.
Yalkut was a serious practitioner of astronomy. He often created personal horoscopes for his friends and used them to give advice on how to make decisions (and who to work with). This one such example of these pseudo-scientific items. VG although previously folded.
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24 x 17cm, 1pp working for a personal horoscope for Isobe (actually the painter Brian Yoshimi Isobe). The paper is from commercially purchased sheets that allow for the casting of these diagrams but there are extensive calculations by Yalkut considering many aspects of the supposed influence of the sun and moon and stars on their lives. E
Yalkut was a serious practitioner of astronomy. He often created personal horoscopes for his friends and used them to give advice on how to make decisions (and who to work with). This one such example of these pseudo-scientific items. VG although previously folded.
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24 x 17cm, 1pp working for a personal horoscope for Larry Freifeld (Elazar Larry Freifeld – the writer). The paper is from commercially purchased sheets that allow for the casting of these diagrams but there are extensive calculations by Yalkut considering many aspects of the supposed influence of the sun and moon and stars on their lives.
Yalkut was a serious practitioner of astronomy. He often created personal horoscopes for his friends and used them to give advice on how to make decisions (and who to work with). This one such example of these pseudo-scientific items. VG although previously folded.
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28 x 21.5cm, 1pp working for a personal horoscope for Iris Lezak (the painter and very close friend of Jackson Mac Low). The paper is from commercially purchased sheets that allow for the casting of these diagrams but there are extensive calculations by Yalkut considering many aspects of the supposed influence of the sun and moon and stars on their lives.
Yalkut was a serious practitioner of astronomy. He often created personal horoscopes for his friends and used them to give advice on how to make decisions (and who to work with). This one such example of these pseudo-scientific items. VG although previously folded.
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28 x 21.5cm, 1pp working for a personal horoscope for Frank Gilette (the video and installation artist. The paper is from commercially purchased sheets that allow for the casting of these diagrams but there are extensive calculations by Yalkut considering many aspects of the supposed influence of the sun and moon and stars on their lives.
JOINT:
Stapled to the sheet are 4pp of a carbon copy of a detailed biography of Gilette.
JOINT:
A second hand made horoscope which is a circular Commercially purchased sheet.Yalkut was a serious practitioner of astronomy. He often created personal horoscopes for his friends and used them to give advice on how to make decisions (and who to work with). This one such example of these pseudo-scientific items. VG although previously folded.
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NYC: Loeb Center, n.d. (1970)
28 x 21.5cm, 1pp black on white offset lithographic leaflet for the “premiere” of Yalkut’s 1969 film “Aquarian Rushes,”” which documented the festival. The status of this as the premiere is a little (purple) hazy as it appears to have been sown elsewhere before. VG. -
NYC: Bleecker Street Cinema, (1970)
28 x 21.5cm, 1pp black on white offset lithographic leaflet for an evening held as benefit for an apparently uncompleted project (Adieu) by Heliczer, featuring screenings of seminal works by Andy Warhol, Jack Smith, Stan Brakhage, Piero Heliczer, Ron Rice, and Yalkut’s film of Yayoi Kusama (Self-Obliteration). VG. -
NYC: n.p. (Whitney Museum), (1970)
28 x 21.5cm, 1pp black on light blue offset lithographic leaflet for a “preliminary program” for this series of experimental films at the Whitney(mentioning that “a more detailed program is forthcoming”). Self-Obiteration by Yalkut is included. VG. -
Toronto: CEAC: Centre for Experimental Art and Communication, n.d. (1971)
43 x 28.5cm, 1pp black on white offset lithographic poster for a series of events in September 1971 which includw Yalkut’s “”Self-Obliteration”” and “Festival Mix”” multiscreen projection. The photograph in the design is alsoby Yalkut. Others included in the festival were Michael Snow with a piano concert, Shitbandit in a performance, a film of Hermann Nitsch’s Abreakaktionnesepeil and Willoughby Sharp’s “The anchoring of activity; breaking frame”; a video performance. Victor Pisani also performed a “North American Premiere performance’. Folded for storage else VG. -
NYC: Millenium Film Workshop, Inc., 1971
28 x 21.5cm, 1pp black on off white offset lithographic leaflet noting the schedule for this film-education organisation which also announced that Jud Yalkut of USCO had been appointed guest instructor for 1971-2. VG. -
NYC: The Kitchen, 1972
28 x 21cm, 2pp small poster/leaflet. The front shows the information about the concert and a small b/w image of the artist standing in St Marcos Square in Venice covered in pigeons. One the reverse is a b/w poster for Yalkut’s video work The Astrolabe of God with an extensive design. Former folds from mailing else VG+. -
NYC: Judson Gallery, 1972
28 x 21cm, 1pp small poster/leaflet probably designed by Yalkut and with small b/w images. VG. -
Woodstock, NY: National Shakespeare Company Experimental Art Center, n.d. (1973)
35.4 x 25.5cm, 1pp poster printed black on yellow for a three-day festival including work by over 15 artists; Jud Yalkut being one of them. Folded horizontally for storage else VG. -
Dayton, OH: Contemporary Media Study Center, n.d. (1973)
15 x 20.4cm, 2pp announcement card for “a dance performance with ‘inflatables’ by Yalkut and an electronic environment by Yalkut. The dancers were Jeni Engel and Helen Vislosky. -
Oneonta, NY: SUNY Oneonta, n.d. (1975)
28 x 21.5cm, 1pp small poster with a design that look a little like Yalkut’s style. The work shown was “Dream Reel” by Jud Yalkut. VG. -
NYC: Millenium Film Workshop, Inc., n.d. (1975)
28 x 21.5cm, 1pp small poster for s showing of TURN TURN TURN, SELF OBLITERATION and AQUARIAN RUSHES by Jud Yalkut. The filmmaker was present to discuss the work. VG. -
N.P. (Columbus): Artreach, n.d. (1975)
28 x 21.5cm, 1pp leaflet/small poster for a film series of experimental film that included Yalkut (“Titles to be announced”) and Gail Gregory, Brian Lewis, Jeff Wright and others. VG. -
N.p. (Madison, WI): Madison Art Center, n.d. (1976)
34 x 26cm, 1pp poster printed black on yellow card for screenings of Kenneth Anger’s “Eaux D’Artifice”, Levy’s “Funeral” and Yalkut’s “Turn Turn Turn”. The reproduced drawing is probably by Anger. A mailed copy (hard written address on reverse, several folds and minor creases and a few purple and blue marks and scotch tape on the reverse (to seal for shipping). -
N.p. (Dayton, OH): Contemporary Media Study Center, n.d. (1976)
28 x 21.5cm, 2pp b/w announcement leaflet for a “media event”” by Yalkut and the Contemporary Media Study Center involving projections on a 360-degree globelike structure – which was in fact a 60 foot parachute held aloft by a giant electric fan. VG. -
N.p. (Dayton, OH): Wright State University, 1976
21.5 x 28cm, 1pp b/w leaflet/small poster for an installation by Yalkut. The leaflet design is probably by him also. VG. -
El Cajon, CA: Grossmont College, 1977
28 x 21.5cm, 1pp b/w. Announcement leaflet for a Yalkut lecture and noting his work Clairvideo is on show in the college. VG. -
Cincinatti: University of Cincinatti, 1977
28 x 21.5cm, 1pp b/w announcement leaflet/ small poster for showing of Yalkut videos and films. VG. -
Cincinatti: University of Cincinatti, 1977
28 x 21.5cm, 1pp black on yellow announcement leaflet/ programme for a number of “classic” underground films including Lucifer Rising, and works by Robert Breer and Bruce Connor as well as Yalkut showing video and filmic works on the Saturday where he was present to discuss the works. VG. -
Dayton, OH: Sinclair Community College and the Ohio Arts Council, 1978
28 x 21.5cm, 1pp b/w press release announcing a series of multimedia workshops led by Yalkut along with a biography of the artist. VG. -
Dayton, OH: Contemporary Media Study Center, n.d. (1978)
28 x 21.5cm, 1pp b/w leaflet for a talk and screening of works. VG. -
Dayton, OH: Modern Times Books, n.d. (1978?)
28 x 21.5cm, 1pp b/w leaflet for a benefit evening of underground film and “cheap beer!”. The films including Aquarian Rushes – Yalkut’s film of Woodstock. Also starring ” Ritey, M. Frant & Priscilla”: a soft rock band. VG. -
Dayton, OH: Dayton Art Institute, 1980
28 x 21.5cm, 2pp b/ light blue leaflet/small poster for an extensive installation by Yalkut. One collage that looks somewhat like a USCO image as illustration. Text by the artist on the reverse explaining the work along with a short bio. VG. -
Cleveland: Spaces, 1980
21.5 x 28cm, 2pp b/w leaflet and floor plan for the extensive installation by Yalkut and on the reverse his lengthy and important statement about the work. VG. -
N.p. (Ludlow, VT?): The Depot Street Gallery, n.d. (c. 1980)
28 x 21.5cm, 1pp black on orange small poster with a design by the artist for the extensive installation by Yalkut which he had installed in a number of different spaces throughout 1980. VG. -
NYC: Baggie Studios,n.d. (1980s)
28 x 21.5cm, 1pp black on white small typographic poster for a series of performances at this NYC gallery including John Reily, Ira Schneider, and Carl Goldberg’s “Video Journal” as well as a film by Yalkut. VG. -
Cleveland: Spaces Gallery, n.d. (1980s)
12.5 x 17.8cm, 2pp announcement card with a typographic design on both sides printed blue on white for a solo show with Dan Rice and Ronald Gonzalez also exhibiting separately. Yalkut attended on the 10th September for a public discussion of hsi films. VG. -
Dayton, OH: Dayton & Montgomery County Public Library, n.d. (1980s)
21.5 x 13.8cm, 1pp announcement leaflet printed black on blue for a double feature of jazz films by Yalkut. The films were “Noh Age Video” about the painter Warren James and “Portrait of Pee Wee Russell: – the clarinetist who also painted large scale abstracts. VG. -
Dayton, OH: University of Dayton Rike Center Gallery, 1981
27 x 21.5cm, 2pp black on white announcement card/mailer with a typographic design for a group show which included Jud Yalkut, Arthur Chaffee, Judith Miller, Ken Nevadomi and Thomas Silver. Folded as issued – an unmailed example. -
N.p. (Dayton, OH): Canal Street Tavern, 1983
28 x 21.5cm, 1pp black on white small poster with a design by the artist for a show of videos of rock bands which include the Woodstock Festival, The Grateful Dead, The Who, Loving Spoonful, Mitch Ryder and Young Rascals. VG. -
Dayton, OH: Dayton Convention Center, 1984
21.5 x 28cm, 1pp black on white floor plan for the major three -day installation of video vectors by Yalkut in the lobby of the Dayton Convention Center. VG. -
Cincinatti: C.A.G.E., 1984
28 x 21.5cm, 1pp black on white small poster for a group show of art videos with Baggs, Murray, Duesing, Lewis, Chan, Wilson, Fischer, Sippel and Jud Yalkut. VG. -
Cincinnati: University of Cincinnati, 1986
28 x 21.5cm, 1pp black on white small poster for a lecture and show of films by Jud Yalkut. VG. -
NYC: Cabaret Theatre Experiment, 1971
28 x 21.5cm, 1pp black on white offset lithographic leaflet advertising the musical about Lenny Bruce written by Fred Baker, to which Yalkut (according to the text on the leaflet) contributed “”films.” Vg. -
Dayton, OH: Dayton University, n.d. (2013)
25 x 23cm, 12pp (self cover) exhibition catalogue for a major retrospective of the filmmaker’s video, film and installation work – this was Yalkut’s last show as he died in July of the same year only 2 months after the close of the exhibition. He did however ive an artist’s talk at the opening. Colour images throughout and a text by Pam Houk as well as a lengthy artist’s statement by Yalkut. Slight indent on cover (from a paper clip) else VG+. The final publication. -
Yellow Springs, OH: Four Winds Cafe, n.d.
28 x 21.5cm, 1pp announcement leaflet printed black on blue with a large reproduced photo-collage of people watching or making video (possibly by Yalkut). A two night showing of works. SLight stains bottom right else VG. -
Toledo, OH: Toledo Media Project, n.d.
28 x 21.5cm, 1pp announcement leaflet printed red on light brown for two lectures and screenings by Andy garrison and Jud Yalkut. VG.