Tipperary/Saint Paulinus: Coracle & Saint Paulinus, 2019 18 x 24cm, 186pp and hand boards with applied colour illustration label. A posthumous artist's book explaining "the history of the Spandau Garden in the time of the architect Albert Speer". Speer was, of course, a Nazi who was jailed at the Nuremburg trials rather than condemned to death like his fascist friends and colleagues. The book is filled with quotations taken from Finlay's letters to Speer and watercolours of the prizon garden by Ian Gardener. It is a lovely publication if more than a little contentious. One of 500 numbered copies. VG+. ...

Berlin: Kindel, 2019
84 x 60cm, b/w exhibition poster with a photograph of a section of the wall paper created by Monk for the gallery which shows an image of a skate border and a framed photograph of Boetti. Folded for mailing (as issued) and signed by Monk bottom left in pencil. VG+.

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Bielefeld: Kerber Verlag, 2019
21 x 30cm, 92pp plus card wrappers and paper dustjacket. Exhibition catalogue cum artist's book for Monk's wallpaper like installation in KINDL – Centre for Contemporary Art in Berlin where the images on the walls are his own works and artworks by others he owns. Text in German and English and illustrated in b/w and colours with exhibition views. This is one of three known variants on the dust jacket showing part of the "wallpaper" used for the installation. This copy of the book is signed by Monk on the title page in pencil. VG+.

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Bielefeld: Kerber Verlag, 2019
21 x 30cm, 92pp plus card wrappers and paper dustjacket. Exhibition catalogue cum artist's book for Monk's wallpaper like installation in KINDL – Centre for Contemporary Art in Berlin where the images on the walls are his own works and artworks by others he owns. Text in German and English and illustrated in b/w and colours with exhibition views. This is one of three known variants on the dust jacket showing part of the "wallpaper" used for the installation. This copy of the book is signed by Monk on the title page in pencil. VG+.

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Bielefeld: Kerber Verlag, 2019
21 x 30cm, 92pp plus card wrappers and paper dustjacket. Exhibition catalogue cum artist's book for Monk's wallpaper like installation in KINDL – Centre for Contemporary Art in Berlin where the images on the walls are his own works and artworks by others he owns. Text in German and English and illustrated in b/w and colours with exhibition views. This is one of three known variants on the dust jacket showing part of the "wallpaper" used for the installation. This copy of the book is signed by Monk on the title page in pencil. VG+.

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Glasgow: Wax366, 2019
Object multiple. 7 x 10.5cm, sealed plastic bag content of a backing sheet and a embroidered cloth label with a text: "ON TOW. TODAY PULLED TOWARDS TOMORROW". Issued as a gift for friends and colleagues for New Year 2019. VG+.

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Glasgow: Wax366, 2017
10.2 x 16cm, 2pp artist postcard with a colour photograph of a high performance tow "rope" which has a label attached to it with a text: "ON TOW. TODAY PULLED TOWARDS TOMORROW". Issued as a gift for friends and colleagues for New Year 2019. VG+.

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Barcelona: La Correccional, n.d. (c. 2018)
15 x 21cm, 2pp. Promotional card for the translation service which quotes Finlay on the front: "The artist has this disadvantage: he has no equivalent of the word 'etc.'". On the back short biographical details in 3 languages. Fine.

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Paris: Galerie Marian Goodman, 2018
19.5 x 25.5 x 4.5cm, two part cloth covered box content of a lenticular photograph taking two images from Saynètes comiques of 1974 - where the artist's performance in a black suit and hat consisted of him pretending to hang himself - only to show in a second photograph that the rope was fake. The title translates to "Death for a Laugh". When one moves the photograph the viewer can see one or the other image. From the 2000s onwards, Boltanski has increasingly used lenticular prints.
This is one of 200 signed and numbered copies on a label on the inside of the box lid. VG+.

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Temple: Show & Tell Editions, 2018
30.5 x 45.5cm, black leatherette folded portfolio case which houses a 30 x 45cm, full colour digitally Giclee printed photograph (using conservation paper and inks) of a work by Jonathan Monk and in a small glassine plastic pouch, a die-cut adhesive sticker of an emoji image of a duck which can be added to the photograph in any position desired by the owner.In 2016 Jonathan Monk created a work by instruction at LUST AND THE APPLE in Temple, Midlothian Scotland. A father and son bricklaying team were each told to build two walls next to each other utilising 120 bricks for each wall (the same number of bricks as found in the Carl Andre Equivalence works). That work considers the role of the father-son bond - the bond of both competition and co-operation, learning and new ideas - all distilled in a simple instruction.
Now in a new development of that work, a photograph of Monk's sculpture has been drawn on by the artist's own son Goldin and the resulting image (the walls have been covered by a roof with smoke coming out of the chimney) is a further father and son production.
In addition a duck emoji adhesive sticker has been supplied as a removable addition (at the request of Goldin) to allow the owner of the photograph to further customise the image.
A signed and numbered certificate is also included in the portfolio.
Only 36 numbered and signed copies of this print (and 6 A/Ps) have been created.

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