London: Trustees of the Whitechapel Art Gallery, 1990
312 x 26 x 4cm, two part cardboard box with tipped on label content of 18 items some of which are reprints of early Boltanski artist's books.
The contents are four booklets with new content:

"Christian Boltanski: Reconstitution" exhibition catalogue, with essay by Lynn Gumpert, 40 pp., with numerous colour and black and white illustrations
"Christian Boltanski 1944-90" catalogue of works, exhibitions and bibliography, 36 pp., with numerous black and white illustrations
"Christian Boltanski: an Interview with Georgia Marsh, " 48 pp., with five black and white illustrations


And five reprints of soft cover artist's books:
"Reconstitution des gestes effectués par Christian Boltanski entre 1948 et 1954, "
"10 Portraits photographiques de Christian Boltanski 1946-1964, "
"Recherche et presentation de tout ce qui reste de mon enfance, "
"Inventaire des objets ayant appartenu a une femme des Bois-Colombes"
"Saynetes Comiques" 32 pp., with 22 black and white illustrations
Additionally there are two facsimile letters:
"Lettre de demande d'aide";
"Lettre aux conservateurs de Musee proposant le projet des inventaires."
And:
"Christian Boltanski a l'honneuer de vous faire ses offres de service, "
"Dispersion a l'amiable".
"Christian Boltanski a 5 ans 3 mois de distance";
"Christian Boltanski et ses freres".
Three color postcards: "Image modèle (La régate), 1975; "Composition decorative, " 1976; "Affiche, " 1974 and a colour poster: "L'Ange d'alliance, " 1986

The box applies Boltanski's interest in reconstituting the past to himself and his artistic career. Some of the books are hard to tell from the original first editions which is an issue for book dealers.
VG+ contents in like box although one booklet has slightly rusted staples. ...

Basel: Kusntehall Basel, 1990
30.5 x 23cms, 92pp, plus original card covers and pictorial dust jacket. Exhibition catalogue for a major exhibition of works with a short essay in German by Thomas Kellein. Eight b/w photographs of Little Sparta and many works reproduced in colours. VG+.

...

Lugo: Exempla, Firenze & Exit, 1990
25.8 x 19cm, 4pp single sheet of folded card in printed envelope. The card opens up to show a photograph by Martyn Greenhalgh of an automatic machine gun which has holes on the barrel to reduce heat. The gun can be seen against sheets of unused musical notation paper - hence the gun with the hole's becomes a violent form of Pan's reed pipes. The image is printed in light green to further emphasise the vegetative aspect of the work.
This is one of 150 signed and numbered copies (on the back of the envelope). VG+.

...

Little Sparta: Wild Hawthorn Press, 1990
17.8 x 8.2cm, 4pp card. The front of the card has the text: "TWO MILESTONES/TWO LIVES" in red and then below "Varennes/Vincennes" in green.
The first "milestone" here was the town where the King Louis XVI was stopped when he and Marie Antoinette and their children tried to flee France after they were being held hostage by the revolution. The second milestone is the forrest where Rousseau wandered and had a "revelation" regarding the role of science and arts in human morality which he claimed changed his worldview. Both places changed the history of the individuals and one may argue the world. VG+.

...

NYC: Christine Burgin Gallery, 1990
18 x 12.5cm, 1pp typographic announcement card for a US solo show. VG+ although there is some handwriting on the back which seems to relate to prices of certain works.

...

Little Sparta: Wild Hawthorn Press, 1989
18.4 x 11.1cm, 4pp red outer folder. Internally a 18.4 x 11.1cm, 4pp sheet with a poem:

KING

ohne
titel

sans
title

without
a head

The poem compares an artwork that has no title to a beheaded monarch who also presumably has no title once dead.
This is one of a series of works which the Wild hawthorn Press denoted as "Poems in folders". VG+.

...

Milano: British Council, 1990
30 x 21cm, 32 pp plus card covers. Exhibition catalogue for an Italian solo show - twelve works reproduced in full colour and texts in English and Italian by Giovanni Damiani. Staples slightly rusty else VG+.

...

Little Sparta: Wild Hawthorn Press, n.d.
9.5 x 6.cm, 4pp, Artist's card with a drawing of a boat on the front.

Internally there is a list of names:

Elegy
Elizabeth Campbell
Isa Wilson
Charlotte Chambers
Yvonne Risager
George R. Wood
Mary Robinson
William Risager
These appear to be names of boats (the Yvonne Risager and William Risager being built in 1955 according to Fishing News, a publication Finlay often read) . On the back of the card are the boat registrations numbers:

PL56, D, NI20, SD50, A465, BH32, BA110

One presumes the elegy is for lost or ruined boats - but this is the author's speculation. VG+.

...

Little Sparta: Wild Hawthorn Press, 1990 11.0 x 7.7cm, 24pp plus card covers and printed dust jacket. One of Finlay's proposals for a public work in Nordhorn in Germany. The proposal is for a large but low lying rusting Cort-en steel sundial near the Vechte river with a latin inscription (to reflect the monastery nearby) that reads "Ex Templo" which means "from the Temple" (ie the sky) as well as "from the moment", there is a proposed viewing point on the opposite side of the water which Finlay intends to stress the inaccessibility of the promontory. The drawings and plans are by Kathleen Lindsley and Malcolm Fraser.
Finlay also appends to the book several of his Detached Sentences on Sundials such as "Clocks scold, sundials preach.". One of only 250 copies published. VG+. ...

Glasgow: Glasgow Museums and Art Galleries, 1990 21 x 14.9cm, 2pp full colour postcard with an image of Finlay's title neon work on the front, verso gallery details. Photograph by Elke Walford taken during the Gresat British Art exhibition. VG+. ...

Edinburgh: Graeme Murray Gallery, 1990
24.5 x 24.5cm, 56pp plus card covers and printed dust jacket with tipped on illustration. A series of drawings by Ron Costley after instructions from Finlay which reinterpret modern weaponry as classical memes. A camouflaged tank is denoted as "GROVE:.
The second part of the book has various relief sculptures which are the same as the drawings in a different medium - a warplane has the word ECHO beside it - the radar being equated to the nymph who was cursed only to speak in echos. The sculptures are by John Andrew. VG+.
...

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