N.p.: n.p., n.d. (c. 1972) 20 x 25cm, b/w silver gelatine photographic print showing a view of the poet's garden at Little Sparta and in particular the Aircraft Bird Bath. The photo is believed to be taken by James Styles and sent by Finlay to an Italian Collector. The image was later used in various Finlay publications. VG+. ...
N.p.: n.p., n.d. (c. 1972) 24.5 x 20cm, b/w silver gelatine photographic print showing a sundial sited in a pond at Little Sparta. The text on the sundail reads "Tristan's Sail. WInd Shadow." believed to be taken by James Styles and sent by Finlay to an Italian Collector. VG+. ...
N.p.: n.p., n.d. (c. 1972) 19.5 x 25cm, b/w silver gelatine photographic print showing a carved stone found in Little Sparta with the word "Barque". One of a small number of photographs sent by Finlay to an Italian collector. The photo is believed to be taken by James Styles. VG+. ...
Paris: Boltanski, 22 aout 1972
21 x 14.8cm, 1pp Original handwritten letter from Boltanski thanking Berg for sending the newspaper clipping from the journal Information and again inviting Berg to meet him in Paris and giving him Boltanski's telephone number 548-44-67. VG+.
JOINT WITH:
Original mailing envelope with hand written address by Boltanski.
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Los Angeles: Black Sparrow Press, 1972
28 x 20cm, 58pp. Boards with printed title. An anthology of concrete poems (in part designed by Michael Harvey) with a section dedicated to sundials. This is the second US publication (After the Something Else Press publication the year before. This is one of 200 signed and numbered copies aside from the 1,000 unnumbered copies. VG+. ...
Copenhague:Berg, 22 Aout 1972
21 x 14.8cm, 1pp . Original carbon copy of a typed and signed letter from M Berg enclosing a Danish newspaper clipping of an early exhibition reviews that not only mentioned Boltanski but had an image of the "Familie D"photographic installation. The paper on the newspapers is browned else VG.
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Paris: Edition Multiplicata, 1972
21 x 13.5cm, 20pp plus card wrappers. First edition of this artist's book that supposedly shows ten different portraits of the younger Boltanski from the age of 3 to age 20. All but the last of the children photographed are not Boltanski but friends and relatives (Christophe Boltanski the artist's nephew is one of the models) and were all taken by Annette Messager on a single day inJuly 1972. The last image is of Boltanski supposedly at 20 years of age but when the photograph was taken he was 28. Yet another example of the fictionalism of the artist's work - history is erroneous and cannot be trusted. Nor can artists although on the back page the date of the photography is revealed so at least the deception was only temporary for the careful reader. VG+ condition.
Referenced in Flay Christian Boltanski Catalogue 1992, Page 74.
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Dunsyre: Wild Hawthorn Press, 1972
7.5 x 7.5cm, 12pp plus wrappers and pictorial dj - artist's book with two drawings of triangles - one is denoted as a Sail, the other a sundial. Then tweo triangles are a schooner (a boat with two sails) and finally the numbers I - XII - is a fleet - presumably the boat numbers. Simply a visual pun based on the sundial,.
VG but the staples are somewhat rusted.
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Amsterdam: Seriaal, 1972
21cm x 15, 2pp announcement card with the title work (translates to "BACK SUPPORT FOR A FINE LIMBED PERSON (HARE TYPE) FROM THE 20TH CENTURY") on the front. Verso details of the work. VG+.
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Little Sparta: Wild Hawthorn Press, 1972
25 x 34.5cm, grey-green on white offset lithograph with a drawing by Karl Torok of a garden sculpture which has a hidden fountain and water is sprayed out of the side of the cruiser - much as if it was draining its bilges. In printed card folder on which the print is signed and Numebred in pencil by Finlay.
Slight bumping to left of both print and folder but overall VG and very are.
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Los Angeles: Black Sparrow Press, n.d. (1972)
20.5 x 12.5cm, 1pp red and brown on orange announcement leaflet for Finlay's book - with one design for a sun dial: The Four Seasons as Fore-and-Afters". VG+.
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Dunsyre: Wild Hawthorn Press, 1972
14.8 x 10.5cm, 2pp artist's postcard with six line drawings of parts of modern destroyers and an elevation of the whole battleship. The style by Stuart Barrie is a thin line above a flat purple which reflects much of Wassily Kandinsky's sprawling stylish paintings. Purple being a colour often used by the pioneer of abstract art. The various towers and gun placements drawn here take on figurative overtones - seeming to be alive and threatening.
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