Rannoch Moor: s.p. (Maris), 2015
30 x 42cm full colour unique c-print showing one of the graves from the Potter's Field installation - this was the first exhibition in the Garden at LUST & THE APPLE. Each of 9 "graves" were simple mounds of bare earth, each marked with a single unadorned white quartzite stone, sourced from Schiehallion – a ‘sacred mountain’ apocryphally linked to the Knights Templar.
The path between the graves and the paved square at one corner of the Field contained a ‘Temenos’. The public are invited to leave their own offerings to the deceased Muses within the Temenos.
"Enter with reverence and respect for the nine Muses /who are buried in this Potter’s Field. /Do not desecrate their Memory.  A Potter’s Field containing nine pauper’s graves, one for each of the classical Muses is found>"
The photograph shows one of the graves which is starting to be overgrown with weeds and one of the headstones. Unique. Signed on the bottom.

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Brescia: Galleria Massimo Minini, 2020
30 x 21cm, 2pp announcement on paper with die cut holes. Group show with a number of artists represented by holes for stellar objects with representative size indicating (perhaps by design) the importance of their work but also the theme of the night sky. Else text only in English on reverse where Monk has also signed this in pencil. VG+.

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Paris: Connaissance des Arts, 2020 28.5 x 21cm, 66pp plus original glossy wrappers. A hors series number of the arts journal here dedicated to Boltanski's last large scale exhibition in the Centre Pompidou. Many colour images of works and of the artist throughout and essays in French by Guilaume Morel, Guitemie Maldonado, Myriam Boutoulle and an interview with Annick Collona-Cesari as well as short texts explaining individual works. VG+. ...

Berlin: s.p., 2020
30 x 21cm, digital output on Epson paper with a small colour image of a transparency slide - being a holiday photograph of someone (perhaps a Monk family member) in LA. The background in the slide is orange in this print. The title references Bruce Nauman's artist book LA Air.
This is an unique trial print created by Monk for a future work and has a handwritten label on the back with the title and which is signed. There is also a yellow post-it note with "Further details to follow" in Monk's hand. VG+.

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Berlin: s.p., 2020
30 x 21cm, digital output on Epson paper with a small colour image of a transparency slide - being a holiday photograph of someone (perhaps a Monk family member) in LA. The background in the slide is purple in this print. The title references Bruce Nauman's artist book LA Air.
This is an unique trial print created by Monk for a future work and has a handwritten label on the back with the title and which is signed. VG+.

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Berlin: s.p., 2020
30 x 21cm, digital output on Epson paper with an image of an orange in purple on the front and the word below ORANGE. The title of the work refers to John Baldessari who died in 2020 - the homage by Monk being a reflection of the way that Badessari used large circular patches of colour to hide faces and other significant parts of his photographic works. This is an unique trial print created by Monk for a future work and has a handwritten label on the back with the title and which is signed. VG+.

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Glasgow: WAX366, 2020
15 x 10.5cm,2pp. Editioned postcard displaying a photograph of John Furnival in his garden in 1982. Behind the artist is a six part sculpture based on 6 flower pots - each with a different element - EARTH, AIR, WATER, FIRE, TEA AND COFFEE - a rather humorous work which was made in conjunction with an unidentified artist (quote possibly Ian Hamilton Finlay). VG+.

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21 x 30cm, black ink on card. An unique drawing given by Bellingham to Paul Robertson as a birthday gift. The text refers to Robertson's statement that he does not sell gifts from artists unless he is desperate! VG+. Signed and dated with the message "Happy Birthday Paul" in pencil on the back. Not for sale. Unless we are desperate....

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