18 May CHRISTIAN BOLTANSKI. 2004.
Hamburg: Hamburger Kunsthalle, 2004 21 x 10cm, 4pp museum handout for the permanent installation of a vitrine from 1970 with one image of the work and a text in German. VG+. ...
Hamburg: Hamburger Kunsthalle, 2004 21 x 10cm, 4pp museum handout for the permanent installation of a vitrine from 1970 with one image of the work and a text in German. VG+. ...
Hamburg: GalerieSfeir-Semler, 2004
15 x 10cm, 4pp announcement card (single folded sheet) and invite to opening reception for a show of artist's postcards, the card "Marionette" reproduced on the front. VG+.
...
Chicago: Art Club of Chicago, 2004 14 x 14.5cm, 32pp plus card covers and red on grey dust jacket. Exhibition catalogue for an exhibition of sculptural works with the title Vessels having a dual meaning of both carriers of liquids (watering can, vases) and marine vehicles (which carry humans often). Twenty colour images of works with legends. One of FInlay's last exhibition catalogues. Only 300 copies were published. VG+. ...
Glasgow: Wax366, 2004
12 x 21cm, 2pp black and red on white card with a text: "YEAR. It appears in its proper dimensions only from the outside, it gains strength from time and elevation from distance." A new year gift from the artist to friends and colleagues - this is signed "Best wishes, David" on the back. VG+.
...
Lyon:La Salle des Bains, 2003
10.5 x 15cm, 2pp announcement card with one photograph by the artist on the front, verso gallery details. VG+.
...
N.p.: Pin-up, 2003
2.5 x 2cm, backing card and plastic transparent bag content of a mounted 1.5cm lapel button badge (plastic and metal) with Monk's famous greeting "Until Then". Slight rusting to the badge due to damp which has affected the backing card but a scarce small object multiple.
...
NYC: Swiss Institute - Contemporary Art, 2003
10.5 x 15cm, 4pp black and green on white announcement card for two shows - one by Aleksandra Mir and the other by Jonathan Monk. Typographic design throughout. VG+.
...
Edinburgh: Show and Tell Editions, 2003
2.5 x 3 x 3cm (approx) wood and rubber stamp consisting of a reproduced image of the artist's right thumbprint. One of 65 signed and numbered (on a certificate) examples from the important British conceptual artist (and curator) Monk. Referencing Manzoni (who often stamped works with his thumbprint), and, perhaps indirectly, Warhol - the idea of the unique re-made as a multiple was never before more apposite as here. Fine condition.
...
London: Acquarium, 2003
32 x 22cm, manilla envelope with printed title label content of two stapled handouts - one 30 x 21cm, 14pp and the other 30 x 21cm, 26pp. Text only - the exhibition was in two parts - one of a collection of Finlay printed works and the other a concrete poetry exhibition from the collection of William English. Staples somewhat rusted else VG+.
...
Berlin: Revolver Books, 2003
8 x 20cm, 2pp printed card with one of Monk's meeting works on the front - "10 de Abril de 2010 al medio dia Edgar Allan Poe esq. Shakepare Col. Nueva Anzuren Mexico D.F." which is repeated twice in a typewriter font. One the reverse publisher's details. One of 5,000 such cards printed. VG+.
...
Two different announcement cards for exhibitions by John Furnival on the back of which is a lengthy hand written note in black ink noting that a librarian at the former Bath Academy had contacted Furnival about Robertson's interest in the early portfolios Furnival printed at the college.
He noted that he had completed one with Finlay: "Headlines/Eavelines" and others with dsh and "Eddie" Morgan as well as one by himself. The note explains how only 20 of each portfolio were made and that a further portfolio with Ernst Jandl was planned but aborted after only 3 prints were made. The missive continues noting how Finlay had allowed Furnival to continue distributing "After The Russia" despite a full stop being missing in the text.
Furnival then noted his boat-prints for the Wild Hawthorn Press and how Finlay "cast me back to Athens from Little Sparta (after refusing to beat up Stuart Mongomery!)."
Furnival then invited Robertson to call him and supplied a number .
Robertson relates the tale told to him by Furnival in the subsequent call about how Finlay had hosted Montgomery for a few days at Little Sparta (then Stoneypath) but had fallen out with him during the drive to the train station where Finlay left him off so that he could go to Furnival next. Furnival received a call from Finlay while Montgomery was in transit "asking me to punch Stuart in the face as soon as he got off the train which of course I refused to do". Thereafter Finlay refused to talk to Furnival for not administering what he saw as justice for a slight and their collaborations ended.
JOPINT: Original mailing envelope franked 22 September 2003.
...
Edinburgh: Gillanders, n.d. c. 2003
Four sheets - each 30 x 42cm, 1pp. Inject (colour) and xerox copies of the digital equivalent of "contact" sheets displaying over 80 images of Little Sparta for use by editors in choosing images for commercial printing. Folded and with punch holes for storage else Vg. Some images never before seen in print.
...