11 Jul

Posted at 20:30h in Artist's Postcards

Dunsyre: Wild Hawthorn Press, 1971
4.9 x 14.9cm, 2pp. Pink on white silkscreen - a book-mark which one might consider "a book-flag" in that a book mark flags a place in a book. Additionally the text on one side of the card reads "windflow" and an arrow but when one turns the card over the word becomes "windflower" by the addition of "er" in the same font.
The card if placed on a stick to create a quasi-flag would be pushed in the direction of the "windflow" but could also be seen as a "windflower' flapping in the wind. An ingenious small card work. Typography by Ron Costley.

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11 Jul

Posted at 19:15h in Artist's Postcards

Dunsyre: Wild Hawthorn Press, 1971
15.2 x 10.1cm, 2pp. Four colour (green, brown, blue and black) silkscreen of a drawing by Ian Gardner of a growing pot with a stick labelled "daisies" sticking out of it.
The wooden label becomes the daisy - much like in a Magritte a word replaces the thing it represents. A visual form of semiology where the interpretation of a sign becomes the most important and most dominant analysis of a (somewhat pretty) drawing.This example is signed on the back with :"Love from Ian" in black ink. VG+

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11 Jul

Posted at 17:46h in Artist's Postcards

Dunsyre: Wild Hawthorn Press, 1971
16.8 x 12.5cm, 2pp. Duotone image of a toy boat made by Finlay on water by Dianne Tammes. Below the image is a two line poem - birch-bark/birch-barque. The former clearly refers to the tree and the latter the square multi-masted boat - but the word barque is an antiquated word for tree bark also. Birch bark peels away from the tree in large panels much like the way sail material is one single surface. The poem moves back and forth between the two meanings and the two visual parallels. VG+.

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07 Jul

Posted at 21:10h in Invitation Cards

Gottingen: Verlag Udo Breger, 1971
15 x 21cm, 2pp. Announcement leaflet for the publication The Olsen Excerpts. An image from one of the book pages is reproduced on the front and on the back a short insightful text in English by Finlay about the book.
This example has two punched holes on the top where it has been stored in a ring binder else VG+.

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07 Jul

Posted at 20:41h in Artist's Books

Göttingen: Verlag Udo Breger, 1971
15.5 x 15,5cm, 20pp plus pictorial wrappers. An artist's book with nine b/w photographic images of a fishing boat (by Diane Tammes) with the registration number KY 64 opposite a page with other fishing codes and boat names taken from the "Olsen Fisherman's Nautical Almanack" to create poems from the names. Finlay apparently also wished the name to bring to memory the poet Olson. VG_

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28 Jun

Posted at 17:16h in Prints + Posters

Little Sparta: Wild Hawthorn Press, 1971
33 x 31.5cm, red and green on white silkscreen in folder. A boat on the water is reflected from below the hull to become a visual pun of a model airplane. In the title, Finlay references the redwing - a winter bird in the UK and is the smallest true thrush which has red flashes on its wings.
This was the first ever Finlay work purchased by Paul Robertson for this collection.
The image we have used here is from a publication - the print we hold is framed in wood and glass and hard to image without reflections - but the work is in VG+ condition. The signed folder is also retained in the frame. Only 300 copies were made.

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20 Jun

Posted at 20:41h in Prints + Posters

Dunsyre: Wild Hawthorn Press, 1971
25.5 x 20.5cm, 6pp white folder with colophon. Laid in is an original lithograph of 'A Full-Rigged Ship in the manner of Fuseli. The Archangel of Archangel' which is drawn as a concrete and visual poem. The ascending lines for the word Archangel are curved upwards (the florid styling being reminiscent of some of Henry Fuseli's work although not all). The owrd becomes the ship itself.
This copy is signed and numbered by Finlay on the cover as part of the limited edition of 300 copies. Murray 5.28

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14 Jun

Posted at 21:03h in Page Works & Contributions

London: National Poetry Centre, 1971
25.5 x 20.5cm, 6pp (recto only). The programme for this evening debate on "British Modernism, fact or fiction" between Bob Cobbing and Edward Lucie-Smith. The publication consists only of 5 sheets of stapled images of works by Ian Hamilton Finlay, John Furnival, dsh, Bob Cobbing, and one unidentified work and a cover. This is a very scarce item in VG+ condition.

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11 Jun

Posted at 17:42h in Artist's Postcards

Dunsyre: Wild Hawthorn Press, 1971
14.8 x 10.4cm, 2pp. Two shades of red on white silkscreen card - the drawing by Ron Costley is of a a flat red rectangle with a square patch with white stitching.
Finlay refers to patching time and time again in his work - La Belle Hollanaise, the harlequin works of PIcasso, the text of Evening will come...

05 Jun

Posted at 17:33h in Artist's Postcards

Dunsyre: Wild Hawthorn Press, 1971
10.4 x 14.8cm, 2pp. Red and brown on white silkscreen card - the drawing by Ron Costley is of a tall mast ship with three large sails - two of which have vertical stripes.
The title refers to the Christmas carol with the opening verse "I saw three ships come sailing in/ On Christmas Day, on Christmas Day/I saw three ships come sailing in/On Christmas Day in the morning"
It is not quite clear Finlay's intent here but there are three distinct main masts to the ship. The song is much argued over - given Bethlehem's long distance from the sea then the three ships are presumably metaphors for perhaps the camels of the magi or some other trio, but by the same poeetic process the three ships can be metaphors for the ship's masts here although it is a bit strange having three ships become one. VG+.

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