05 Nov A NUMBER OF HAND WRITTEN NOTES AND ADDRESSED ENVELOPES 2005 – 2017.
A small collection of handwritten notes and envelopes written by Monk to Paul Robertson with instructions for the mailing of cards and other short greetings.
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A small collection of handwritten notes and envelopes written by Monk to Paul Robertson with instructions for the mailing of cards and other short greetings.
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London: ICA, 2005
21 x 15cm, 4pp. One of a series of exhibition catalogues which changed daily as Monk insisted that the daily list of items in the exhibition should change with a small number of works being replaced (rotated) from a storeroom of his works held elsewhere on a daily basis. Hence each "daily diary" was different from the next. All fine.
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N.P. (London): n.p. (Tate Gallery), 2005
20.5 x 12.7cm, 1pp typographic menu for a lunch in honour of Finlay at the Tate Gallery - opening speech by Nicolas Serota and a performance by the Chromsa Chamber Ensemble of String Quartet No. 2: Ring of Waves, which may well have been inspired by Finlay. Also a talk by Stephen Bann on Little Sparta. The food and wine looks nice. Finlay died in the following year. VG+.
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San Francisco: S.p. (Monk), 2005.
15 x 10cm, 2pp colour postcard with an image of a Mexican post box One of a series of similar conceptual mail art works by Monk where the card is meant to be posted from the same postbox. This example si unmailed but has the city name written on the back in pencil by Monk. VG+....
Edinburgh: Show and Tell Editions, 2005 Found 7 inch single 45rpm record with specially printed label and white cover. The record is one of 100 different pop singles mostly from the 1980s - with some of the records by well known artists and others not. The re-labelling of the record by Monk means that the purchaser will not know what the original record is (unless they recognise it or do some research) - thus the 'surprise'. One of 100 copies each signed and numbered by Monk in pencil on the white outer cover. Each record is obviously unique within the edition....
London: ICA, 2005
35 x 32cm, black silkscreen on cream cotton. A "meeting" work by Monk supposedly in Denmark. One of a number of such bags issued during the three month exhibition "Continuous Project Altered Daily". Slightly faded but else VG+.
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London: ICA, 2005
35 x 32cm, black silkscreen on cream cotton. A "meeting" work by Monk supposedly in Mexico. One of a number of such bags issued during the three month exhibition "Continuous Project Altered Daily". Slightly faded but else VG+.
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London: ICA, 2005
35 x 32cm, black silkscreen on cream cotton. A "meeting" work by Monk supposedly in the USA - at one of the most famous of intersections in Hollywood. One of a number of such bags issued during the three month exhibition "Continuous Project Altered Daily". Slightly faded but else VG+.
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London: ICA, 2005
35 x 32cm, black silkscreen on cream cotton. A "meeting" work by Monk supposedly in the UK - at opposite ends of the country only 24 hours apart forcing anyone attending to travel over 600 miles in a very short timescale. One of a number of such bags issued during the three month exhibition "Continuous Project Altered Daily". Slightly faded but else VG+.
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London: ICA, 2005
35 x 32cm, black silkscreen on cream cotton. A "meeting" work by Monk supposedly in France. One of a number of such bags issued during the three month exhibition "Continuous Project Altered Daily". Slightly faded but else VG+.
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London: ICA, 2005
35 x 32cm, black silkscreen on cream cotton. A "meeting" work by Monk supposedly in Germany. One of a number of such bags issued during the three month exhibition "Continuous Project Altered Daily". Slightly faded but else VG+.
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London: ICA, 2005
35 x 32cm, black silkscreen on cream cotton. A "meeting" work by Monk supposedly in Australia. One of a number of such bags issued during the three month exhibition "Continuous Project Altered Daily". Slightly faded but else VG+.
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