Edinburgh: Morning Star, 2001 16.5 x 9cm, 2pp printed pocket folder (with adhesive back) content of five, 14 x 6cm, 2pp bookmarks designed by Telfor Stokes, David Bellingham, Alex Finlay with Hans Waanders, David COnnearn and Thomas A. Clark. Object multiple issued on the occasion of the Bookshelves initiative. All VG in similar folder. Limitation not known....

London: Lisson Gallery/Sculpture Matters, 2001

10 x 21cm, 2pp. A paper multiple issued with a reproduction of a wall work by Monk - a proposed meeting in California in 2006. Issued in an unlimited edition. On the reverse there is a note from Monk in blue pen: "Dear Paul/Please find enclosed cheque for Buren stripe poster - yours - Jonathan". VG+. 

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Copenhagen: Galleri Nicolai Wallner, 2001
42 x 30cm, full colour exhibition poster with an appropriated image of a 60s or 50s glamour girl holding a balloon with the title text of the exhibition on it. A joint show with Monk's friend Douglas Gordon. Folded for shipping. Signed by boldly by Monk in blue felt tipped pen. VG+.

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Little Sparta: Wild Hawthorn Press, 2000
15.2 x 21.4cm, 48pp plus red patterned boards. Artist's book with eighteen b/w photographs by Robin Gillanders ofone of the small sections of Little Spartas which Finaly denoted as Huff Lane - in part a joke about being somewhere to go and sit when feeling aggrieved ("In the huff" as Scots say.
Along the lane are five low benches inscribed with epigrams such as:

"A lane cannot be measured in metres"

This line may be related to another bench:

"In a lane one will not encounter Apollo but one may come upon Pan."

The former is a punny musical reference (Pan after all plays the pipes) and a lane is usually shadowed from the sun but also it has music from nature:

"A song of a skylark may return us to Shelley, a lane may lead us back to Clare."

Both Shelley and Clare are romantic poets.
GIllander's photographs are also of flowers found during the (very) short walk.
One of 300 such books published for Christmas 2000. VG+. Finlay gives Pia Simig a credit for being part of the conceptual idea.

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Pordenone: Galleria Sonia Rosso, 2000
21 x 15cm, 8pp plus wrappers. Exhibition catalogue with four works or installations reproduced in colour and the cover image of watches (Time Half Time Time - which may reference Felix Gonzalez Torres's Perfect Lovers). VG+.

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Leige: Edition Association Art Promotion, 2000.
10.5 x 15cm, 2pp editioned colour postcard with a photograph of Monk standing on the large scale Daniel Buren public art installation in the Royal Palace, Paris. The image was taken by Pierre Bismuth and Monk has added a yellow post-it note with the text "This is by Pierre Bismuth" in pencil and on the back of the card he has signed it in full again in pencil. VG+.

...

San Francisco : Jack Hanley Gallery, 2000.
10 x 14.7cm, outer pictorial wrappers with internally 16 b/w photographs taken by Jonathan Monk's cousin Tony who was a British sailer in the Royal Navy - the images show the approach into San Francisco from the sea and images of the city. Monk is often drawn to images and thoughts of his family and this record of a past adventure was published in 1,000 copies at the time of an exhibition in the same city by Monk. VG+.

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Little Sparta: Wild Hawthorn Press, 2000
18.5 x 18.7cm, unpaginated (132pp) plus boards. A catalogue raisonne of Finlay's postcards which in part is one of the few sources to date cards after 1994. One hundred reproductions of such cards. Issued at the time of a travelling exhibition initially at the Haus Hartmann, Grevenbroich 2000. VgG....

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